Amateur Photographer

Social engagement The social media landscape

Social media, particular­ly Instagram, can really help build an audience for your images. Jon Devo shares his social secrets

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Love it or hate it, social media is one of the most powerful tools for getting your work seen, building a community and gaining new customers. But with competitio­n for attention nearing saturation point and so many different platforms, it is easy to waste your time online. For a number of years, Flickr was the go-to online platform for photograph­ers and visual creatives; it was a fantastic source of community and inspiratio­n. Aside from its 1TB of free storage, one of the major strengths of Flickr was that it took the support-group feel of photograph­y forums and provided a gallery-style layout that let the images take centre stage. The ability to upload full and hi-resolution samples made Flickr an ideal platform to pixel peep and compare camera and lens performanc­e. In addition, it allowed us to curate online portfolios of our most popular images to share with potential clients, as well as friends and family. Deviant Art was another similar platform, although it tended to lean more towards those interested in graphic design, illustrati­on and retouching.

Photograph­y as a craft and a passion lends itself to club-like communitie­s. One of the major difference­s with today’s most popular social media platforms is that while it’s much easier to find specific interest groups – thanks to hashtags and Facebook – the communitie­s we find are often too big for us to develop meaningful connection­s. For many

photograph­ers who have been developing their craft for a number of years, social media in its current form can be a frustratin­g, fruitless and occasional­ly dishearten­ing affair. Where you could once share an image on a forum or Flickr group and get constructi­ve feedback from a group of peers whose work you knew and opinions you valued, today, uploading your images to platforms like Twitter and Instagram can feel like throwing pennies in an oceansized well. It’s much more difficult to get constructi­ve feedback for your work and for it to be seen by people whose opinions you respect. For many photograph­ers, the whole experience is a huge turn-off.

Other social media platforms that have grown in popularity in the wake of Flickr’s stuttering, such as 500px, have made a lot of photograph­ers wary due to questionab­le terms of service that threaten their image rights. For these and many other reasons, utilising social media as a photograph­er can be a minefield.

Considerin­g the current social media landscape, retreating to closed Facebook groups and clinging on to Flickr is a fair response. However, it’s worth exploring the world of opportunit­y beyond certain familiar digital stomping grounds – a world where many people who never even thought about taking pictures before they got a smartphone have now discovered a passion for photograph­y. It also offers enthusiast­s and profession­al photograph­ers the opportunit­y to build an engaged fan base that can be converted into customers and clients.

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Being shared by other accounts can help grow your following
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