Argyllshire Advertiser

Gaelic manuscript points to Argyll link to Iona’s looted artefacts

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Journalist Gerry Burke follows a clue from the ‘new’ Dewar Manuscript­s and discovers a link with a Loch Fyne laird.

A single line of Gaelic handwritte­n in a story collector’s notebook 150 years ago has lifted the lid on a holy island plunder in which Argyll aristocrac­y may have had a hand.

The resurrecte­d Dewar Manuscript­s, the plain-spoken tales and legends documentin­g historic episodes dating back to the time of

Robert the Bruce, contain a giveaway that might yet uncover sacred relics from the seabed.

George Campbell, 8th Duke of Argyll, in the mid 19th century paid for a ‘truthful’ version of the ‘people’s history’, now revived and improved for a major archive publishing project.

Last week we revealed how his pioneering ‘roving reporter’ John Dewar was instructed: ‘Don’t let us make out to be worse savages than we are but let us tell the truth and shame the de’il.’

But Dewar, an Arrochar man who tramped Argyll and its remote margins, appears to have blanked a significan­t chapter in Scottish history or was, perhaps, censored from a level above his pay grade.

Deliberate­ly or otherwise, he seems to have left a ticking timebomb linking his employer, his ancestors and associates with ancient grave and shrine plunder.

The glaring omission in Dewar’s recollecte­d time-travel episodes highlights rather than conceals the wholesale destructio­n and desecratio­n that took over where the Vikings and the zealots of the Reformatio­n left off.

When the Clan Campbell dynasty assumed responsibi­lity for Iona from the MacLeans of Duart and earlier MacDonald Lords of the Isles, Samuel Johnson said even the native people were ‘remarkably neglected’. Then there was the ‘cash and carry’ looting of artefacts commemorat­ing 48 ancient kings of Scotland, including MacBeth and Kenneth MacAlpin, and eight Norwegian and six Irish.

Culprit

Duke George’s uncle George, the 6th duke, said to be something of a spendthrif­t dandy who squandered the family silver, appears to be the main culprit during the late 18th and early 19th centuries, when steamboat adventure cruises began.

He was ‘guardian’ of Iona during the black market trading of sacred artefacts. He made efforts to improve the situation but faced criticism for doing too little too late.

Before him, 5th duke John and other ancestors appear to have misappropr­iated a series of iconic Celtic crosses from Columba’s ‘sainted isle’ to enhance vanity projects on the earthly portions of the Campbell empire and elsewhere.

The ancient mercat crosses of present-day Inveraray and Campbeltow­n, for example, were shipped out and, though some of the religious carving had been deliberate­ly defaced during the Reformatio­n, the names of Iona dead can be read to this day.

One was taken as far away as a Campbell estate in Uist, another to Tiree and other priceless sculptured stones and crosses were traded south of the border as status symbols.

Some consecrate­d slabs that served as boat ballast were eventually used as mainland house lintels.

A report in the Gentleman’s Magazine from the 1830s reported: ‘Curious remains of antiquity have been disinterre­d from the ruins…Mr Rae Wilson [antiquaria­n], having overcome the superstiti­ous opposition offered to

his endeavours, has at length succeeded in removing the rubbish from the tombs of many a light of the darkened ages.

‘A fine altar was found in the chapel and a beautiful piece of sculpture representi­ng the decapitati­on of the Baptist. The tombs of the Norway chiefs and sea kings are restored to light and the Scottish monarchs who chose this place of sepulchre now sleep in no unnoticed monument.’

Details of the carnage on Iona first came to light in the early 1800s and were still unfolding when Queen Victoria was painting ‘the light in the west’ over Iona Abbey during her royal yacht visit in 1847.

The Iona Club, set up to address the looting and cultural destructio­n on the island, staged archaeolog­ical rescue missions to clear crumbled walls and dunghills from sacred turf. Ironically, their efforts made it easier for the 19th century ‘monuments men’ to load up. The 6th duke was its chairman when the most shameful destructio­n was being carried out.

But some of the archaeolog­ical trophies arrived in upper Loch Fyne and that’s when the depredatio­n attracted attention and censure from the most respected figures in the land.

The line of Gaelic that gave the game away appears to be an aide memoire by John Dewar in one of his notebooks and was translated by Ronnie Black, honorary fellow in Edinburgh University’s department of Celtic and Scottish Studies. With Gaelic academic Dr Chris Dracup, he is leading a huge project to finally publish the 10 volumes of Dewar’s work, starting next year.

The enigmatic line reads: ‘Chaidh an sotheach anns an robh na croisean s na Leacalighe fodha eada agus an Creggan.’ It translates as: ‘The vessel containing the crosses and grave slabs sank between Strachur and Creggan.’

Mystified, Ronnie Black approached members of Strachur and District Local History Society to see if they could shed light on the note. There had been inferences about a number of carved gravestone­s built into the local church and their disputed origins. There had also been references to such shipments in the area, either deliberate­ly dumped or accidental­ly scuttled but it was unclear which Creggan shore was involved.

An Iona steamboat traveller’s guide of 1830 contained a fleeting reference to looted stones in Loch Fyne stating they could be seen at low tide and now there was confirmati­on of an almost precise location – directly opposite a recently-completed stately home.

Lumsden’s guide for Iona abbey visitors states: ‘Some ancient stone crosses are yet standing near this ancient (Iona) pile. Previous to the Reformatio­n, there existed 360 of various sizes and beautiful workmanshi­p, many of which were carried away to adorn the streets of distant towns and villages.

‘In Cowal, there is a popular tradition that a great number of crosses and tombstones were sunk in Loch Fyne opposite to Strachur where, if we believe the fishermen of that place they are still to be seen at low water.’

The report appears to put the American war of independen­ce hero, General John Campbell, laird of Strachur, in the frame as a customer who may have wanted to add a touch of antiquity to the new church he had also built.

Local historian Fiona Campbell next discovered a letter from Lord John Murray, the Lord Advocate for Scotland to David Laing, Fellow of the Society of Antiquarie­s Scotland.

After General Campbell’s death, Lord Murray tenanted Strachur House as his country retreat and confirmed he knew about the ‘dump’ at the bottom of his carriagewa­y and had even been asked by a friend to dredge for the stones.

Removal

Mr Laing was complainin­g in 1856 about the removal of the Celtic crosses to Inveraray and Campbeltow­n and hoped ‘several other remains of this class would be discovered’ with the Duke of Argyll’s authority and ‘a few such crosses would amply indemnify any trouble or expense to be incurred’.

Lord Murray stated: ‘… there are some boatloads of stones which were brought from Iona and there are some in the churchyard which resemble the tomb-stones at Iona very much.’

He invited him to examine them but offered no informatio­n on who might have been responsibl­e and believed they had been removed before his time.

With due diligence he criticised the ‘grasping dispositio­n of the scotch (sic) nobility and gentry’.

He added: ‘I think you may assume that the nobility were grasping and the clergy and people sufficient­ly fanatical and roguish to take and destroy anything but I do not know whether scotch people like to be reminded of the bad qualities of their predecesso­rs. Perhaps it may do them good, however…’

Why this extraordin­ary story was never passed on by Dewar remains a matter of conjecture. Ronnie Black said: ‘Just bear in mind the 8th duke paid his wages so he may have decided not to inquire too closely, or at least not to write anything down beyond the innocent wee note he had written already.’

He also suggests the mid19th century might have been a bit too recent for his remit but Dewar takes up several pages relating an extraordin­ary tale from the general’s exploits in Boston at the end of his American campaign.

The 8th duke who commission­ed the manuscript­s had them translated from Dewar’s native Gaelic but didn’t publish them and after some activity by a later duke, it was the early 1960s before a serious attempt was made to get the tales into print.

Red Hackle whisky tycoon Charles Hepburn put up the money for a promised 10 volumes but after the first was published the deal with Ian the 11th duke fell through with accusation­s levelled about political bias and historical bigotry going back to pre-Reformatio­n days.

General Campbell’s marble gravestone under the aisle in Strachur Parish Church is made of what looks like the heavily-veined Iona type. It was erected to his memory by his widow Helen ‘…by whom it is earnestly requested that no heir or successor shall ever disturb this sacred repository’.

 ??  ?? A 19th century photograph of the Inveraray cross, which is commonly believed to have been moved from the demolished old town of Inveraray in the 1830s.
A 19th century photograph of the Inveraray cross, which is commonly believed to have been moved from the demolished old town of Inveraray in the 1830s.
 ??  ?? George Douglas Campbell, 8th Duke of Argyll, painted by George Frederic Watts.
George Douglas Campbell, 8th Duke of Argyll, painted by George Frederic Watts.
 ?? 15_T23_The-Sound-of-Iona_01 ?? Iona Abbey – were artefacts taken from the sacred island?
15_T23_The-Sound-of-Iona_01 Iona Abbey – were artefacts taken from the sacred island?
 ??  ?? General John Campbell.
General John Campbell.

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