Hanks soars in true- life tale
selfless hero (“we all did it”) suffering from PTSD– like nightmares; his eyes are frequently riddled with tension and reflection and his masterclass peaks with the internal emotion he produces when Sully is told everyone has survived the crash.
Eckhart does accomplished, likeable work too as Sully’s loyal, straight- talking friend and partner and the strong acting across the board is only let down by Laura Linney, playing Sully’s wife Lorraine.
It’s not really the talented Mystic River star’s fault; she’s saddled with miniscule material from Komarnicki that sees her spout concern on the phone during barely any screen time – and never share a scene directly opposite Hanks.
But if not every character is fully fleshed out, the miraculous river crash itself is shot with precision and style by Eastwood. The re- enactment is shown from pre- take- off to post- impact rescue and Eastwood has every angle covered; cockpit, passengers, onlookers, external air shots.
While there’s no escaping the lack of dramatic tension as we know beforehand that everyone survives, Eastwood never leaves us in any doubt how terrifying the experience must have been for everyone on- board.
The river rescue is arguably even more scary as the plane fills with water and passengers jump into the ice- cold water below.
Sully is well- made filmmaking that’s faithful to its remarkable source material with another top turn from Hanks – but falls short of vintage Eastwood. Criminal Minds Season 11 ( 15) Not many shows get to an eleventh season – and beyond – but its testament to the continued quality of the writing in Criminal Minds.
Even through constant cast changes, the police procedural drama never misses a beat and still comes up with surprises.
Highlights include guest star Aubrey Plaza’s gruelling face- off with Matthew Gray Gubler’s Spencer and a shock finale that threatens the team’s future.
The season connects together very well and there are only a few run- ofthemill cases across the 22- episodes.
What a pity Thomas Gibson’s firing after a real- life physical showdown with one of the show’s producers has cast a vast shadow over the twelfth season.