Ayrshire Post

All it takes is one seed

Diarmuid tells us how his garden grew... even though he quite often hit the rocks

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IT’S 13 years since we made the big move from London to Wicklow in Ireland. Our daughter Eppie was just two and the house we chose was a new- build nestled in an idyllic location at the foot of the Sugarloaf peak but only 35 minutes to the airport.

Our garden consisted of a third of an acre of builder- laid sloped lawn looking to a field beyond. I’d find out soon enough that the ground was a challenge to dig. But for the first few years I did very little... designing my own garden proved to be an unexpected challenge.

I knew what I wanted – to tame the slope by the introducti­on of terraces, and grow lush green architectu­ral plants, especially the ancient Dicksonia Antarctica.

I wanted some fruit trees, an area for vegetables and a couple of terraces. But I also wanted to live up to the principles of design I’d always believed in. The house was a big bland box, with small windows to the rear where there was a great view of trees, fields and the mountains.

I needed a way to burst through the pebbledash and open the house up to the garden. I wanted to wander from rooms upstairs to a wide balcony or veranda under the cover of an overhangin­g roof, and use the upstairs space as an outdoor room.

However, for a few years I had to be practical and realise that there were other priorities. We needed swings and a trampoline, and open space for exuberant puppies.

The realities of the plot were also sinking in. The building of the house had led to severe soil compaction. A meagre amount of topsoil had been spread, and when I did begin to dig I unearthed a small quarry load of shale and boulders. The idea of creating my dream garden was fading.

But spurred on by the discovery of nine 200- year- old cast iron columns in a city architectu­ral salvage yard I began to dream again. Made in Bristol in 1895 and used to support part of a city centre hospital, they could now support the framework for a second level terrace and roof... meaning I could have a wide second- level veranda.

This notion had been inspired by travel, especially trips to New Zealand, South Africa, Florida’s Key West and Venice Beach in California. Outdoor living has been key to architectu­ral developmen­t in these countries and I believe it should also be in ours.

A eureka moment came in Charleston, South Carolina. I was filming at a colonial ranch where movie The Notebook had been made, and in the city I hired a bicycle and came across the area’s iconic “single” houses – long, narrow homes with piazzas down the entire side.

This distinctiv­e house style was shaped by the city’s hot and humid summers and the homes are oriented specifical­ly to take advantage of cooling breezes.

Wicklow offered a more pleasant climate with less need for cooling air, but the protection of a protruding roof would make a useful umbrella from our regular rain which arrives as gentle droplets or downpours.

A covered veranda would also allow an unusual view over the garden and would let me indulge my love for tree ferns, as viewed from above.

There were missteps. My first deadline was to have the veranda up and the garden tamed in time for Eppie’s holy communion party. I was garden gallivanti­ng abroad and the contractor I hired to install lawns, terraces and ponds was a disaster.

While the garden looked good, underneath the newly laid turf the soil had been once again heavily compacted with machinery, sand had been used rather than topsoil as a bed for the lawns, and the ponds leaked! I would then spend years undoing the damage.

Just five years ago I began to get serious and started planting in earnest. Saturdays were spent in garden centres and nurseries.

My penchant was always for trees first – we’ve squeezed in about 60 and then broad- leaved architectu­ral species such as cannas, musa, cordyline and ornamental gingers.

Suddenly it seemed we had the beginnings of a jungle! Renowned gardener Helen Dillon came for Sunday lunch and brought a beautiful Magnolia ‘ Leonard Messel’ which has pride of place in the collection, and I found a gorgeous tetrapanax at Architectu­ral Plants. Other leftover plants from projects were fitted in, such as the conical bay trees which had once revolved at the Chelsea Flower Show. They now form evergreen pillars in this Wicklow plot!

There’s even a monkey puzzle and a sequoia so, in a few years, decisions will have to be made about what stays. That’s the fun of planting a garden.

I also began to watch the light at different times of the day, to appreciate back- lit foliage.

The real revelation was Geranium palmatum happily self- seeding under the tree ferns and producing a haze of pink froth from late April through to mid July. We pinched ourselves... we were developing a garden we loved.

There were garden arguments. I wanted less lawn and more plants so the grass was gradually consumed. And I’d no sooner start on a project when I’d dream up another.

These projects were becoming like painting the Forth Bridge, it was such an involved or time- consuming improvemen­t process that it never truly ends! And this was at odds with my lifestyle. I worked abroad and I’d arrive home late on a Friday night and wander bleary eyed first thing Saturday in bare feet, dogs yapping by my ankles. I’d look for what happened while I was away... what was growing, budding, flowering? What wasn’t? What needed doing?

My plot eyed me back suspicious­ly, it was fine thank you, no need of my help, we’re all doing OK without you.

And then, after a mug of strong coffee armed with spade, secateurs or shears, I’d fight my way in!

And at 11pm I’d emerge... exhausted and delighted with even more ideas. And I’d do it all over again on Sunday.

My ear pods were in, I’d listen to Desert Island Discs and Graham Norton as I hacked, dug, mulched, weeded and watered.

And then came Covid- 19. I, like everyone else, was isolated at home from mid- March with nothing to do but garden. Each evening I’d join some friends and broadcast over my Instagram account, answering thousands of questions about plants.

And soon this Instagram series became a TV series. It was called Gardening Together and was filmed during lockdown at home with a tiny crew. The sun shone, I planted, took cuttings and developed areas of the garden. Last month it aired on BBC2.

Lockdown has consisted of many strange turns and being able to work from home while communicat­ing about gardening has been one for me.

If you missed it, it’s on iPlayer. And let’s continue to go Gardening Together!

 ??  ?? COOLING: Seats in dappled shade beneath the veranda
PURPLE PATCH: An outdoor table against pink clapboard cladding
PLAYFUL: Bowie peeps out from a haze of Geranium palmatum
OVERFLOW: Flowering wisteria and Diarmuid’s favourite tree ferns
PAUSE: Diarmuid catches his breath
GONE TO POT: Diarmuid’s patio, built for last month’s TV show Gardening Together, is clad with daisy patterned encaustic cement tiles
BEGINNINGS: A wide covered balcony allows outdoor living all year round
BRIGHT: The veranda lit up at dusk
STAIRWAY: A springtime glimpse of the garden with Diarmuid’s azaleas e m
SWING LOW: Seats for lazy, sunny afternoons
COOLING: Seats in dappled shade beneath the veranda PURPLE PATCH: An outdoor table against pink clapboard cladding PLAYFUL: Bowie peeps out from a haze of Geranium palmatum OVERFLOW: Flowering wisteria and Diarmuid’s favourite tree ferns PAUSE: Diarmuid catches his breath GONE TO POT: Diarmuid’s patio, built for last month’s TV show Gardening Together, is clad with daisy patterned encaustic cement tiles BEGINNINGS: A wide covered balcony allows outdoor living all year round BRIGHT: The veranda lit up at dusk STAIRWAY: A springtime glimpse of the garden with Diarmuid’s azaleas e m SWING LOW: Seats for lazy, sunny afternoons

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