BBC History Magazine

From the sublime to the ridiculous

Marginalia was used to both praise God and subvert the natural order

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The format most commonly associated with the term ‘marginalia’ is, perhaps, the manuscript illuminati­on. Illuminati­on, from the Latin ‘illuminare’ (meaning to ‘enlighten’ or ‘illuminate’), refers to the decoration of a manuscript with colour, including gold and silver leaf. This form of decoration, designed as part of a book’s original scheme, surrounds the text block with any combinatio­n of decorated initials, as well as border design including marginal figures and scenes. #s such, it gave rise to many of the marginal characters with which historians are most familiar today.

Our first example above right shows these elements of decoration in a 14th-century legal text entitled Statutes of the Realm, designed for use by an itinerant lawyer. The full-page miniature depicts the crucifixio­n opposite a decorated initial of an enthroned king, an embellishe­d border and a lower marginal illustrati­on of two birds. It’s a sumptuous example of a biblical scene working in conjunctio­n with a legal text, demonstrat­ing the conjunctio­n between church and state. The manuscript was small enough to be carried around, and its condition reflects daily use.

Not all manuscript illuminati­ons were as earnest as the one above. Today, perhaps the most well-known medieval decoration is the drollery, which depicts humorous scenes, many of a ‘monde renversé’, or a ‘world upside-down’, which could include human, animal and hybrid figures known as grotesques.

Among some of the most popular of these marginal figures (particular­ly from the 13th–15th centuries) was the rabbit, who was traditiona­lly depicted in medieval art as a symbol of purity, innocence and fertility. In the example below, however, rabbits are deployed to subvert the usual order of things for comedic effect, with scribes using the marginal space to play with and question ideas about society. *ere, these fluffy little animals are shown in a position of power: the hunter, not the hunted.

 ??  ?? Rabbits exact revenge on hunters in the Smithfield Decretals. Marginalia was often used to portray a world turned upside down
Rabbits exact revenge on hunters in the Smithfield Decretals. Marginalia was often used to portray a world turned upside down
 ??  ?? The illuminati­on of the crucifixio­n shown above in the 14th-century legal text Statutes of the Realm aimed to demonstrat­e the unity of church and state
The illuminati­on of the crucifixio­n shown above in the 14th-century legal text Statutes of the Realm aimed to demonstrat­e the unity of church and state

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