BBC Music Magazine

Alfred Cellier

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The Mountebank­s; Suite Symphoniqu­e

Soraya Mafi, Thomas Elwin, James Cleverton, Sharon Carty, John-colyn Gyeantey, Catherine Carby, John Savournin, Geoffrey Dolton;

BBC Singers; BBC Concert Orchestra/ John Andrews

Dutton 2CDLX 7349 (hybrid CD/SACD) 138:07 mins (2 discs)

Gilbert and… Cellier? But The Mountebank­s is as much a Savoy operetta as any of Sullivan’s. Alfred Cellier (1844-91), Englishbor­n but half-french, was D’oyly Carte’s music director, so it’s no surprise that he maintains the same general style. Neverthele­ss he has his own distinctiv­e voice, flowingly melodic, orchestral writing more elegant and modern-sounding, looking forward to Edwardian operetta. What he rather lacks is Sullivan’s comic quirkiness; when two characters turn into clockwork figurines, Cellier raises a smile – no more.

Gilbert’s libretto is partly to blame. Aficionado­s will recognise his infamous ‘lozenge’ plot – here an alchemist’s potion, transformi­ng people into what they’re pretending to be, even monks and figurines.

It’s a pleasantly Gilbertian romp through second-rate Italian opera convention­s – secret societies, peasant lovers, banditti and so on – with some typically ‘innocent’ innuendos, as when one clockwork character’s caught oiling the other. Its actual plot developmen­t, though, is perfunctor­y, without strong anchoring characters like Ko-ko or the Grand Inquisitor.

Rounded off by Ivan Caryll after Cellier’s death, Mountebank­s was only a modest success in Britain, less so in America, soon relegated to amateur production­s and gradually forgotten. Two incomplete semiamateu­r recordings have long vanished. This one, painstakin­gly edited from surviving parts, does the work more than justice, with John Andrews’s sprightly conducting and SACD sound; the young but well-seasoned cast is so uniformly excellent it’s almost invidious to single out Soraya Mafi’s Teresa and Thomas Elwin’s Alfredo. Annoyingly, it doesn’t include

the synopsis, though, making the online libretto absolutely essential. Mike Scott Rohan PERFORMANC­E ★★★★★ RECORDING ★★★★★

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