BBC Music Magazine

Live events

The best opera and concerts across the country

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LONDON Vox Luminis

Wigmore Hall, 8 November

Tel: +44 (0)20 7935 2141

Web: www.wigmore-hall.org.uk Lionel Meunier’s Belgian vocal ensemble inaugurate­s a season-long residency with a time-honoured calling card: Schütz’s Musikalisc­he Exequien. The Requiem is presented alongside funeral music by four of JS Bach’s forebears plus works by Selle and Scheidt (see right, ‘Backstage with…’).

London Philharmon­ic Orchestra

Royal Festival Hall, 10 November Tel: +44 (0)20 3879 9555

Web: www.southbankc­entre.co.uk After The Rake’s Progress (3 Nov) that’s part of their ongoing Stravinsky odyssey, conductor Vladimir Jurowski and the LPO turn to the Requiem Canticles. The programme incorporat­es the premiere of Magnus Lindberg’s Triumph to Exist, setting wartime words by Finnish poet Edith Södergran, and is partnered by Debussy and rare Janácˇek.

BBC Symphony Orchestra

Barbican, 10 November

Tel: +44 (0)20 7638 8891

Web: www.barbican.org.uk

The first BBC ‘Total Immersion’ of the season is devoted to a remembranc­e of World War I in film, talks and chamber music. It culminates in Mark-anthony Turnage’s opera The Silver Tassie, in which Ashley Riches is the war-scarred Harry in a concert performanc­e conducted by Ryan Wiggleswor­th.

Wimbledon Music Festival

St John’s Church, Spencer Hill, 19 November

Tel: +44 (0)333 666 3366

Web: wimbledonm­usicfestiv­al.co.uk Bookended by Haydn-meets Gesualdo-meets-indian-classicalm­usic and the Philharmon­ia’s Beethoven Eroica Symphony, Wimbledon Festival flourishes in its tenth year. Chamber concerts feature the Takács and Dante quartets, and pianist Imogen Cooper joins London Winds for vivacious quintets by Mozart and Beethoven.

Highgate Internatio­nal Chamber Music Festival

St Anne’s and St Michael’s Churches, 20-25 November

Tel :+44 (0)7779 100646

Web: chambermus­icfestival.co.uk Violinist Alina Ibragimova leads performanc­es of Schubert’s Octet and the Schumann Piano Quintet; Julian Bliss tackles Bernstein’s Clarinet Sonata; and actor Simon Callow reads poems by Betjeman between music by Debussy and Elgar. Highgate hums along nicely!

SOUTH

Music at Tresanton

Methodist Chapel, St Mawes,

2-4 November

Tel:+44 (0)1872 262466

Web: www.musicattre­santon.co.uk St Mawes’s handsome 18thcentur­y chapel is home to Haydn this autumn. From solo sonatas to the scintillat­ing D major Piano Concerto HOBXVIII:11, Music at Tresanton 2018, curated by pianist Noam Greenberg, is on a one-composer mission.

The Doric Quartet dips into the Op. 33 set and plays the Seven Last Words.

Brighton Early Music Festival

St Martin’s Church, Brighton, 4 November

Tel: +44 (0)1273 709709

Web: www.bremf.org.uk

Brighton Early Music Festival is teasing out historic European ties and, doffing its cap to the Hanseatic League, invites Canto Fiorito from Lithuania and Musica Antiqua Salzburg to undertake a musical journey through the Hansa states.

Bath Mozartfest

The Forum, Bath, 10 November Tel: +44 (0)1225 463362

Web: www.bathmozart­fest.org.uk What with the Belcea, Takács, and Jerusalem quartets in

attendance, Bath Mozartfest is awash with fine chamber music. Haydn’s Creation brings down the final curtain on 17 November, but not before Sir Mark Elder and the Hallé have accompanie­d pianist Francesco Piemontesi in Beethoven’s Emperor Concerto, and dusted down excerpts from Wagner’s operas Die Meistersin­ger and Lohengrin.

EAST

Britten Sinfonia

St Andrew’s Hall, Norwich, 8 November Tel: +44 (0)1603 630000

Web: www.brittensin­fonia.com There are two premieres from composer Nico Muhly this month. At London’s Kings Place, the Aurora Orchestra gives the first performanc­e of a reworking of Old Bones. And Britten Sinfonia takes to the road with a tour unveiling the new orchestral version of The Last Letter beside other works contemplat­ing World War I – Ravel’s Le Tombeau de Couperin and Gurney’s The Western Playland among them. Thomas Gould directs. The Maltings, Snape,

12, 13 November

Tel: 44 (0)1728 687110

Web: www.snapemalti­ngs.co.uk Handel’s Armenian extravagan­za Radamisto headlines a Devonto-durham autumn season for English Touring Opera. The company also embarks on a triple bill that wraps madrigals by Gesualdo and Carissimi’s Biblical drama Jonas around Purcell’s Dido and Aeneas, directed by

Seb Harcombe.

MIDLANDS

NORTH AND WALES Britten’s War Requiem

St David’s Hall, Cardiff, 11 November

Tel: +44 (0)29 2087 8444

Web: www.bbc.co.uk/now

Under conductor Ryan Wiggleswor­th, the BBC National Orchestra and Chorus of Wales mark the centenary of the Armistice with Britten’s choral meditation on ‘war and the pity of war’. Keep an eye out, too, though, for an intriguing prequel on 27 October when the world premiere of Stanford’s mass Via Victrix crowns a deftly plotted programme ‘For the Fallen’ conducted by Adrian Partington.

Stile Antico

St Mary’s Church, Warwick, 13 November

Tel: +44 (0)1926 334418

Web: www.leamington­music.org Music was always a conduit to Elizabeth I’s heart, and the ‘Queen of Muses’ programme takes the vocal consort on a journey through some of the works with which courtiers, diplomats and suitors hoped to bend the royal ear. Step forward Dowland, Byrd, Tallis, Taverner, Ferrabosco and excerpts from Morley’s The Triumphs of Oriana.

Huddersfie­ld Contempora­ry Music Festival

Huddersfie­ld, 16-25 November Tel: +44 (0)1484 430528

Web: www.hcmf.co.uk Swiss-american visual artist/ composer Christian Marclay is in residence at Huddersfie­ld Contempora­ry Music Festival and cuts a dash at the end of the first weekend with the world premiere of Investigat­ions – a piece for 20 pianos. Ensemble babel from Switzerlan­d and The Thurston Moore Ensemble also spotlight UK premieres of works by Marclay. Manchester Cathedral, 21 November

Tel: +44 (0)161 907 9000

Web: www.manchester­camerata. co.uk

The Last Night of the Proms safely behind her, saxophonis­t Jess Gillam teams up with Manchester Camerata for an evening exploring folk music in works such as Bartók’s Romanian Dances and the Cumbrian folk tunes-inspired RANT!, written this year for Gillam by John Harle.

SCOTLAND

AND N IRELAND

Ulster Orchestra

Ulster Hall, Belfast, 2 November Tel: 44 (0)28 9024 6609

Web: www. belfastint­ernational­artsfestiv­al.com Belfast Internatio­nal Arts Festival signs off with Northern Ireland’s flagship orchestra and a nod to the Bernstein centenary. Violinist Baiba Skride is the soloist in Bernstein’s Serenade (after Plato’s Symposium), and flanking it are Charles Ives’s

The Unanswered Question and Dvoˇrák’s New World Symphony. Jac van Steen conducts.

Viola, Viola

The Lemon Tree, Aberdeen, 3 November

Tel: +44 (0)1224 641122

Web: www.sound-scotland.co.uk Women composers and the viola are twin themes engaging Aberdeensh­ire’s ‘soundfesti­val’ (24 October – 4 November), and they collide in the premiere of a new piece for six violas by Sally Beamish. She participat­es in the performanc­e which also features George Benjamin’s Viola,

Viola alongside Garth Knox’s Ockeghem Fantasy and music by Marin Marais.

Scottish Ensemble

Tramway, Glasgow,

9,10 November

Tel: + 44 (0)141 565 8000

Web: www.scottishen­semble.co.uk Stockholm-based Andersson Dance and the Scottish Ensemble reunite following their previous collaborat­ion on JS Bach’s Goldberg Variations. Prelude – skydiving from a dream revisits Bach, burrowing into excerpts from the Art of Fugue together with preludes by Lutos¯awski. Beethoven’s gloriously defiant Grosse Fuge takes pride of place.

 ??  ?? String serenade: Baiba Skride pays tribute to Bernstein
String serenade: Baiba Skride pays tribute to Bernstein

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