BBC Music Magazine

Power and passion crafted with a stiff upper lip

Geoff Brown is swept up in the emotional depths and heartfelt highs of Gerald Finzi’s later works

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Finzi

Cello Concerto; Eclogue; Nocturne (New Year Music); Grand Fantasia and Toccata Paul Watkins (cello), Louis Lortie (piano); BBC Symphony Orchestra/andrew Davis

Chandos CHSA 5214 (hybrid CD/SACD) 70:40 mins

In the grand sweep of things, Gerald Finzi (1901-56) might have to be classed as a relatively minor English composer, yet his thoughtful music regularly gives listeners not only pleasure, but much to chew over as well. ★is 37-minute Cello Concerto, begun in 1951 under the shadow of the diagnosis of ★odgkin’s lymphoma (the shadow of Elgar too), is the work with most passion and ambition on this CD, with a slow movement whose lyrical phrases touch the heart.

It’s equally hard to shake off the restless baroque figuration­s of the Grand Fantasia and Toccata, or the unruffled Bachian calm dominating the Eclogue – both doctored remnants of an early, abandoned piano concerto. Meanwhile his Nocturne, also titled New Year Music, balances music of radiance with murky, questionin­g counterpoi­nt: an intriguing mix, if not the best advert for attending Finzi’s New Year parties.

Sir Andrew Davis’s feeling for the composer’s sensitive, harmonical­ly conservati­ve language is abundantly clear in these vivid readings with the BBC Symphony Orchestra. Soloists, too, are well chosen. Not for the first time, cellist Paul Watkins proves a master of expressing powerful feelings through the prism of British reserve, vital for Finzi’s Concerto; while Louis Lortie, at the piano, effortless­ly masters both poetic simpliciti­es (in the Eclogue) and the fierce Baroque clamour needed for the Grand Fantasia. That said, neither Lortie nor Davis can make that work’s Walton-esque toccata section successful­ly top what came before – but the finale’s lack of conviction only underlines Finzi’s emotional sincerity and patient craftsmans­hip overwhelmi­ngly displayed elsewhere. Admirers of his music can buy without hesitation.

PERFORMANC­E

RECORDING

A slow movement whose lyrical phrases touch the heart

 ??  ?? In safe hands: Andrew Davis has a real feeling for Finzi
In safe hands: Andrew Davis has a real feeling for Finzi
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