BBC Music Magazine

Our Choices

The BBC Music Magazine team’s current favourites

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Oliver Condy Editor

Working from home has given me the chance to spend my lunchtimes practising the organ

– I’m now glad I bought a two-manual digital instrument some years ago! This month’s goal is Tournemire’s improvisat­ion on the plainchant Victimae Paschali, transcribe­d by Duruflé. Thanks to the wonders of Hauptwerk software, I’m playing it on a Cavaillé-coll organ for those rich, French diapasons and bold, velvety flutes. Jeremy Pound Deputy editor

One of the joys of my job is being invited to attend little-known operas. Favourites have included Verdi’s Jerusalem and Alzira and, best of all, Wolf-ferrari’s The Jewels of the Madonna, a riveting tale of sordid goings-on by the south Italian coast. My recording of it, with Natalia Ushakova as the conniving Maliella and Kyungho Kim as the gullible Gemmaro, brings back the magic of the live performanc­e.

Alice Pearson Cover CD editor

A nice bit of stimulatio­n for the imaginatio­n during these times of limited travel is D’indy’s orchestral suite Poème des rivages. An allegorica­l homage to D’indy’s honeymoon in the Mediterran­ean, the four movements depict various moods of the sea and Mediterran­ean landscape. The large orchestra for this inspired work, including four saxophones, gives a huge variety of textures and sounds – sit back and imagine yourself in a beautiful spot by the sea. Michael Beek Reviews editor

I enjoyed an evening at the Museum of Bath at Work recently, where Bath Camerata shared its latest news, successes and coming attraction­s. Members of the choir – conducted by Benjamin Goodson – performed a bit of a Bach Passion, a slice of Brahms’s German Requiem and the very jolly When Daisies Pied by John Rutter.

Freya Parr Editorial assistant

Before the wrath of self-isolation took hold, I made the most of my freedom of movement with a trip to the 25th anniversar­y production of Riverdance (left). Bill Whelan’s classic score was given a contempora­ry twist, with Irish pipes, soprano saxophone, fiddle and drums performing live. It was the rousing experience I needed before locking myself away for the foreseeabl­e future!

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