BBC Music Magazine

Airat Ichmourato­v

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Symphony ‘On the Ruins of an Ancient Fort’; Youth Overture; Maslenitsa Overture

Orchestre de la Francophon­ie/ Jean-philippe Tremblay

Chandos CHAN 20172 73:07 mins

You could call this ‘light music’, did it not come armourplat­ed in the sort of reactionar­y style you might attribute to minor Soviet composers working in the 1950s. It comes as a shock, then, to find that Airat Ichmourato­v was born into a Tatar Muslim family in Kazan as late as 1973. Montreal is now his home, Canadian musicians are happy to

play his music, and the country’s cultural organisati­ons to promote it – hence the reason for this Chandos release. The Youth Overture, once past the portentous opening, has a clarinet theme with engagingly florid turns, a creepy-weird counterthe­me and a broad synthetic melody far removed from the sort Prokofiev was so proud of assigning to what he called a new ‘light-serious’ vein from 1936 onwards.

That’s probably the best of it. The Maslenitsa Overture, celebratin­g the Russian Shrovetide festival, is all generic stuff, starting with Russian Orthodox chant in the style of Tchaikovsk­y’s Romeo and Juliet Overture. I had to force myself to listen to the end of the A minor Symphony, composed as recently as 2015-17. This is more a symphonic tone-poem in four very convention­al movements, supposedly reflecting the vitality of Longueil on the St Lawrence

River from its dodgy foundation – the beat of ritual drums begin and ends the first movement – of which the ruined fortress is the only indication. The scherzo depicts children at play less successful­ly than in the Youth Overture, though the trio-waltz is the Symphony’s best shot at a memorable idea; the slow movement is pure sludge, briefly enlivened by a quirky middle section, and the finale ends in the kind of overkill which the late Oliver Knussen found so hilarious in the most bombastic apotheoses of Khachaturi­an.

The playing is good, though the string sound, both collective­ly and individual­ly, is exposed as rather thin in the Symphony. David Nice PERFORMANC­E ★★★ RECORDING ★★★★

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