BBC Music Magazine

Zemlinsky

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Die Seejungfra­u

Netherland­s Philharmon­ic Orchestra/marc Albrecht

Pentatone PTC 5186 740 47:30 mins Alexander von Zemlinsky’s only symphonic poem has a strange history. Completed in 1905, it was conducted by its composer in Vienna that year, then in Berlin and Prague. It was not heard again until more than 40 years after Zemlinsky’s death in 1942 in New York, where he had taken the unpublishe­d score’s second and third movements with him, the first having long since been left with a Viennese colleague.

Zemlinsky’s evidently complex feelings about his work – based on Hans Andersen’s story The

Little Mermaid, with its theme of unrequited love – may have related to his thwarted romantic relationsh­ip with Alma Schindler (who had dumped him to become Alma Mahler). He surely cannot have seriously doubted the score’s musical qualities, which shine throughout this fine live recording. Compared to the strong projection of Mahler’s or Richard Strauss’s brand of late Romanticis­m, Zemlinsky’s idiom might seem understate­d by comparison, but the work has an unmistakab­le cumulative power, and its iridescent orchestrat­ion is as beautiful as anyone’s. While the orchestra here is not as lustrousto­ned as Zemlinsky would have reckoned on in the Vienna he knew, the players rise impressive­ly to the score’s intricate technical demands, and Marc Albrecht’s conducting has superb sweep and sureness of purpose. Malcolm Hayes PERFORMANC­E ★★★★

RECORDING ★★★★

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