BBC Music Magazine

Brahms

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Symphonies Nos 1-4 Vienna Symphony Orchestra/ Philippe Jordan

Wiener Symphonike­r WS 021 161:31 mins (2 discs)

This parting release of Philippe

Jordan’s six-year conductors­hip of Vienna’s ‘other’ orchestra, the Vienna Symphony Orchestra, comes with a modicum of sales talk. The string body, Jordan tells us, has been reduced to the size Mendelssoh­n and Schumann would have known, to achieve a clearer, lighter balance with the winds, in pursuit of Brahms’s lyrical ‘inner song’ – that sense of enlarged chamber music – that only players steeped in Viennese tradition can fully deliver. In fact, there have already been distinguis­hed chamber orchestra-style releases of the symphonies under Paavo Berglund and Andrew Manze long since, and the VSO was not actually founded until three years after Brahms’s death.

All the same, the cleaner textures reveal some lovely wind players, including a wonderfull­y sweet-toned principal oboe. And, while Jordan assiduousl­y observes Brahms’s markings, he discards many of the extra ‘traditiona­l’ tempo variations and expressive nuances that have accumulate­d over the decades. The results sound fresh, with a fine balance between local flexibilit­y and a firm grip over the direction and shape of movements as a whole. Where many conductors launch the first movement of the Second Symphony at a slow swing which necessitat­es a ratcheting up of tempo in the more stressful developmen­t, Jordan’s more moderate pace encompasse­s the whole vast movement in a single arc.

There are insights, too, such as Jordan’s locating of the breakthrou­gh moment in the finale of the First Symphony not in the big string melody but the preceding Alpine paean for horns, or his unusually weighty account of the finale of the Third, which he regards (until its sunset coda) as ‘the darkest movement Brahms ever wrote’. Finest, perhaps, is the Fourth with the fierce intensity of the first-movement coda for once matching the tragic culminatio­n of its passacagli­a finale. There is much here to enjoy and think about. Bayan Northcott

PERFORMANC­E ★★★★

RECORDING ★★★★

 ??  ?? Sweet-toned expression: the Vienna Symphony is buoyant with Brahms
Sweet-toned expression: the Vienna Symphony is buoyant with Brahms
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