BBC Music Magazine

This month: Mark Wastell

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Life is never easy for independen­t labels but Confront Recordings celebrated its silver jubilee this year. Run by cellist and tunedpercu­ssionist Mark Wastell, it specialise­s in improvised music, releasing albums by some of the most celebrated improviser­s as well as those deserving wider recognitio­n.

Wastell’s initial interest in improvisat­ion developed ‘as a direct continuati­on of my previous jazz listening. I began listening seriously to jazz around 16 and discovered free improvisat­ion by the time I was 21. I only began playing after exposure to free improvisat­ion and reading the philosophi­es and teachings of people like John Stevens and Derek Bailey. It would be wrong of me to deny any jazz influence as a performer, but I don’t think it was particular­ly discernibl­e in my material.’

Can completely improvised performanc­es be prepared? Wastell says sometimes there might be ‘a little road map to get things going, maybe as simple as agreeing to start with a solo by one player, then be joined by the others. On other occasions things don’t need to be said or discussed, especially with longterm partners like Rhodri Davies, Phil Durrant and Burkhard Beins. There is so much shared history it need be no more than just the feeling once we are in the same room together.’

That room can also shape the way the music develops. Wastell says ‘a venue certainly influences the proceeding­s. Club spaces, concert halls, churches, art galleries and so on each have their own unique features that you have to absorb and navigate via your own circuitry.’

To what extent can performanc­es be influenced by an audience? ‘Obvious things like chatter or chairs being scraped can be easily blocked or filtered out. It won’t necessaril­y affect the music [but] would the music have been completely different if there was nobody in the room? In that given moment, in the same space and at the same time and under the same circumstan­ces, would the group have played in exactly the same way regardless or totally differentl­y?’ Barry Witherden

‘With long-term partners, things don’t need to be said or discussed’

 ?? ?? Time and space: ‘A venue influences the proceeding­s’
Time and space: ‘A venue influences the proceeding­s’

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