BBC Music Magazine

Far From Alone

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Works for Solo Viola by JS Bach, Biber, Hoffmeiste­r, Penderecki, Schibler, M Ungureanu et al Ursula Sarnthein (viola) Prospero PROSP0027 58:18 mins

The title of Ursula Sarnthein’s disc references both its origins during lockdown, and the eponymous little Polka by Noldi Alder which she plays here with notable precision. Lockdown gave her the opportunit­y to ponder the nature of ‘aloneness’ – and to get to grips with Bach’s great Chaconne for solo violin, but on her own adopted instrument, the viola. The result is an avowedly personal compilatio­n that sets out to forge conversati­ons between the Baroque and the folk musics of Romania, Denmark and Switzerlan­d. Included is a set of variations by Mozart’s friend Hoffmeiste­r that, for all Sarntheim’s elegant polish, prove impeccably polite yet obstinatel­y slight. And she ends with the Little Concerto for Solo Viola by Armin Schibler, its three short movements espousing, by turn, elegiac thoughtful­ness, pithy caprice and dance-driven quirkiness.

Sarnthein’s technical accomplish­ment is immediatel­y apparent, but even more so the gorgeous tone of her instrument, almost improbably deep and fulsome, yet bright and responsive. At the time she was enjoying the loan of the ‘Gibson’ Stradivari­us, and the disc doubles as an indelible memento of a fruitful collaborat­ion. Certainly the ‘Gibson’ lends a commanding heft to the Biber Passacagli­a, her account sprucely turned out but a little unvaried – something even more apparent in the Bach whose resolute forward momentum can sound relentless. In the folk items the gloss sheen glows compelling­ly, though the pristine ‘finish’ can occasional­ly prove counterpro­ductive. But the Romanian Doina oozes gutsiness; as does Ungureanu’s Cântec de dor, where Sarnthein is joined by fellowviol­ist Elisabeth Harringer. Far from alone indeed!

Paul Riley

PERFORMANC­E ★★★★

RECORDING ★★★★★

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