BBC Music Magazine

Stravinsky

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The Firebird; Petrushka; The Rite of Spring London Symphony Orchestra/ Simon Rattle LSO Live LSO 5096 (CD/SACD) 116:30 mins (2 discs)

In the booket note, Simon Rattle tells us that performing these three great Stravinsky ballet scores in a single programme was an idea he put several decades ago to the then management of the Philharmon­ia, who turned it down flat. The idea endured; and these 2017 live recordings come from the opening concerts of Rattle’s tenure as LSO music director.

The result is a remarkable feat by any standards. The orchestra responds to the challenge with a spectacula­r display of sustained firepower, rhythmic control and individual artistry. And there’s much evidence, too, of Rattle’s superlativ­e ear for detail, bringing out exactly what the composer has written down: the atmospheri­c Introducti­on to Part 2 of The Rite of Spring comes across with mesmerisin­g vividness. Some of the tempos (as in ‘Dance of the Earth’) feel perhaps a notch too quick for the music’s full momentum to build, but in the context of the occasion’s heady excitement, this is a small reservatio­n. A slightly less small one concerns the wider sense, in the other two ballets, of something missing – as if these are performanc­es, however impressive­ly delivered, of abstract works rather than (also) masterpiec­es of musical storytelli­ng. The Firebird needs to take you on a journey through its Russian fairytale world, just as Petrushka should leave you feeling that you’ve actually been to St Petersburg’s Shrovetide Fair in the pre-revolution­ary ‘Old Russia’ where Stravinsky grew up. Somehow neither adventure of the imaginatio­n quite happens here. Malcolm Hayes

PERFORMANC­E ★★★★

RECORDING ★★★★

 ?? ?? Fire and flair: Agnieszka Duczmal is bold in Bacewicz
Fire and flair: Agnieszka Duczmal is bold in Bacewicz
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