BBC Music Magazine

Show Me the Way

- Natasha Loges

Songs by Beach, Price, Bonds, Sarah Kirkland Snider et al

Will Liverman (baritone), Jonathan King (piano)

Cedille CDR226 87:38 mins (2 discs)

This double album surveys American song by women. Bookended by jazz (an Ella Fitzgerald tune) and gospel (‘If I can help somebody’), it includes songs by Florence Price and Margaret Bonds alongside more recent compositio­ns, including two premiere recordings. The closing song is sung by baritone Will Liverman’s mother and accompanie­d by him, in a wonderfull­y personal touch.

Not all the repertoire is equally convincing. Barnes’s Sable Jubilee includes many attractive moments in its celebratio­n of Black pride; ‘Luxury’ and ‘Elevation’ open well but then sprawl. Rene Orth’s ‘A Prayer’ – a duet with mezzosopra­no J’nai Bridges – similarly includes impressive and moving moments. Sarah Kirkland Snider’s ‘Everything That Ever Was’ (with Renée Fleming) is deeply intimate but feels unfocused.

Price’s songs are more economical. The Songs to a Dark Virgin, increasing­ly standard repertoire, is tremendous in Liverman’s rich tones. Another standout is Bond’s four settings of Edna St Vincent Millay. Beach’s late-romantic duet ‘Ah, Love is a Jasmine Vine’ from her rarely heard chamber opera Cabildo, is a treat, with soprano Nicole Cabell.

Sharply contrasted are Libby Larsen’s faux-naïve, almost documentar­y songs of boyhood, Machine Head. These respond well to Liverman’s pin-sharp, expressive diction. The closing eponymous ‘Machine Head’ works excellentl­y, most especially its breathtaki­ng final note.

One quibble about this otherwise impressive recording is that Liverman’s glorious voice is occasional­ly too richly operatic for the song (for instance, Bonds’s ‘What Lips My Lips Have Kissed’). Another is that most of the contempora­ry numbers lean towards expansive, loose structures; a different selection might have worked better. But Liverman’s voice is dazzling and King handles the often-dense accompanim­ents with architectu­ral awareness, in a well-balanced recording.

PERFORMANC­E ★★★★

RECORDING ★★★★

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