BBC Wildlife Magazine

TOURS THAT CATER FOR BIRDING WITH A CAMERA

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Imagine dawn in the Australian bush. You are with a small group on a Tropical Birding BwC tour. Everyone has binoculars, and is carrying a camera; although they range from point-and-shoots to big-lens SLRs. It is still twilight, but the dawn chorus is amazing and your guide is calling out what is around.

The regulars, such as Noisy Friarbird, Pied Butcherbir­d, and Black-faced Cuckoo-Shrike are all singing. But she also hears a distant call of the Painted Honeyeater, so you go after the rare bird immediatel­y and get some great views, plus noisy record shots. A mixed flock moves through, and you see most things and get a couple of good photos of Rufous Whistler and Jacky Winter. The light improves and a Spotted Pardalote calls nearby.

The guide knows that if she works it, all the clients will get fantastic shots of this snappy-looking bird, so the focus changes immediatel­y. She says “Guys, this is a tiny bird, but it will probably come in really close when I ‘pish’. It is most likely to settle on these branches at eye-level so get ready for that, and I suggest you set your depthof-field to be between f5.6 and f8 so you get a good out-of-focus background.”

The bird duly arrives and everyone gets cracking photos. Meanwhile, the guide has noticed a group of Little Lorikeets high in some tall eucalypts, so she puts the spotting scope on them and explains that the backlighti­ng is so terrible it is best to probably just get good looks at these temperamen­tal little parrots, as you might not see them again on tour. “But be quick guys,” she says, “I hear a Crested Shrike-Tit singing nearby and we are going to want to see and photograph that baby”.

Sound appealing? It certainly does to us.

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