BBC Countryfile Magazine

Cley/Salthouse Marshes

Norfolk,

- David Tipling is a wildlife photograph­er and author who lives on the Norfolk coast.

May is a great month for spotting birds, making it a window of opportunit­y for wildlife photograph­ers. For me, there are few places better than Cley and Salthouse Marshes in Norfolk. Swaying grasses hum with the song of reed and sedge warblers, while noisy avocets rear newborn chicks on the muddy ground. This is an arrival and departure lounge for migrating birds, and wherever you look the wetlands teem with life.

1 AERIAL ACROBATICS

Collect a permit from the visitor centre next to the car park, before setting out on this flat but often muddy circular walk. Just a few steps away is Bishop Hide, my favourite spot at Cley Marshes for photograph­y. Out across the scrape (muddy depression) avocets will be conspicuou­s. Scan the reeds for marsh harriers. Their high-pitched cries may alert you to the male as he calls the female from above. Dropping his prey towards the nest, she will often catch the meal in an impressive show of mid-air acrobatics.

2 SONG FLIGHTING

Back on the path, the grazing marsh on your left supports breeding wading birds such as lapwings. Look for little egrets in the dykes and sedge warblers in the reeds – their territoria­l displays, or song flights, will offer a tricky photograph­ic challenge. The next stop is Babcock Hide overlookin­g Watling Water. Avocets may be breeding here, but also keep an eye out for migrant waders.

3 BIRDS ON THE BEACH

Leaving the hide, turn left towards the sea. The many dykes here can be good for photograph­ing patrolling dragonflie­s. For a longer all-day

walk, continue towards

Salthouse where the infamous Cookies Crab shop will be hard to resist for lunch. On the beach, I sometimes linger to capture passing sandwich terns or perhaps a migrant whinchat or wheatear along the fence. The sea pools on your left often buzz with birds, while yellow-horned poppies provide a colourful foreground for landscape shots.

4 EAST BANK TO WEST

The path soon reaches the northern end of East Bank. For a worthwhile detour, head inland along the embankment. Singing reed warblers can be photograph­ed from the path and bearded reedlings give away their location with noisy ‘ping’ calls. Return to the beach and continue to West Bank, which offers great views of the photogenic 18th-century Cley Mill. Turn left and follow

Beach Road inland.

5 HIDE AND THEN SEEK

The last stop is the Daukes

Hide complex – a collection of three bird shelters. The rare garganey and migrating ruffs may be on show. Reed buntings can often be seen from the boardwalks, while at dawn and dusk barn owls hunt over the grazing marsh. Back at the visitor centre, relax with coffee and cake on the viewing deck.

 ??  ?? “Photograph­ic encounters with bearded tits are always memorable – this individual was a real show off as he swayed to and fro on a reed in the breeze”
“Photograph­ic encounters with bearded tits are always memorable – this individual was a real show off as he swayed to and fro on a reed in the breeze”
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 ??  ?? BELOW A barn owl hovers above the grazing marshes using hearing as much as sight to locate its prey
BELOW A barn owl hovers above the grazing marshes using hearing as much as sight to locate its prey
 ??  ?? ABOVE Cley Marshes – designated as a nature reserve in 1926 – is Norfolk Wildlife Trust’s oldest reserve
ABOVE Cley Marshes – designated as a nature reserve in 1926 – is Norfolk Wildlife Trust’s oldest reserve
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