Some 14 years after cancer forced Kylie Minogue to pull out of her headline slot at Glastonbury she played a triumphant, emotional set. In an exclusive chat with TOM BRYANT she talks about the long road back

IT WAS one of the most emotional moments in Glastonbury history. In front of 100,000 revellers – and millions more watching on TV at home – Kylie Minogue wiped away tears on the Pyramid stage as she addressed the crowd.

“In 2005 I was meant to be here,” she said. “Circumstances meant that I did not make it. I wished things were different – but life is what it is. We’re all here in this moment.”

The fact that tears flowed on Sunday afternoon halfway through her electric set should come as little surprise. Fourteen years ago, the pop star was due to headline but a breast cancer diagnosis forced her to pull out. She would have been only the third female solo artist in history to headline the festival at the time.

“I really thought I missed my opportunity and as the years went by, I said to myself: ‘Well this just isn’t going to happen’,” she says.

Even now, she remembers vividly being back home in Melbourne, Australia, with mum Carol and dad Ron and watching the 2005 festival on television.

Despite being in the grip of an eight-month cycle of chemotherapy and radiotherapy, the injustice of having to cancel the show affected her deeply too.

“My memory’s so strong of so much around that time and while my focus had moved on from Glastonbury, I was watching from Australia and going, ‘I’m meant to be there’,” she says.

Aged just 36 at the time of her diagnosis, it was a tumultuous period in her life. After the hammer-blow of the illness, she retreated into a “dark” place and barely left her parents’ home. However Kylie also decided to make her condition public.

“I was meant to be on stage in two or three days so I needed an

explanation, and it just didn’t cross my mind not to say it,” she says. “I probably didn’t think about the ramifications of that, but I am not a very good liar.”

After finally being given the all-clear in January, 2006, following a partial mastectomy, she was then forced to take medication for five years.

“The lows, you hate them at the time but it is character building,” she says. “I kind of hate saying that, but it’s true, you know.”

One of the positive side-effects of Kylie going public was the surge in the numbers of women having mammograms. Dubbed the “Kylie effect”, screenings increased by a third.

“I have people come to me and tell me to my face, ‘Well I went to get checked and I’m now five years cancer free,’” she says.

“It’s a good feeling to know that you’ve raised awareness and helped some people.”

Sitting in front of Kylie at a corner table in a bar at Claridges Hotel, she is everything you’d expect and more.

Warm, charming and incredibly self-deprecating, she looks resplendent in minimal make-up and much younger than 51.

It’s easy to see why dashing GQ creative director Paul Solomons fell for her. The pair began dating over a year ago and he met her family including brother Brendon and pop star sister Dannii, for the first time, last Christmas.

Suddenly there was a smile on her face again after the heartache of splitting up with fiancé Joshua Sasse amid rumours he was unfaithful.

Kylie’s luminous blue eyes light up at Paul’s name. And she lets out an uproarious laugh upon mention of the soppy Instagram pictures the pair like to post.