Birmingham Post

SOUND JUDGEMENT

THE LATEST CLASSICAL ALBUMS REVIEWED AND RATED

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LEON MCCAWLEY

There’s never been a better time to enjoy, or come to know, Haydn’s piano sonatas on disc. Grossly under-rated, and too seldom heard in recital, there’s now a recorded treasure trove available – not the least being Leon McCawley’s survey. He follows his excellent 2017 disc with one featuring five sonatas, again demonstrat­ing his subtlety and ability to reveal telling details and inner lines without underlinin­g or excessive attention-drawing. Those who enjoy Haydn’s stormy minor key symphonies such as La passione and Lamentatio­ne will find the B minor Sonata a treat, with McCawley delivering a dark and ferocious tragic finale. Enjoy too the aria-like lament of The Sonata in E minor, operatic in a Mozartian style. McCawley also catches the powdered wig and rococo elegance of Haydn’s minuets without trying to make his Steinway grand into a harpsichor­d or fortepiano. The recorded sound is warm and life-like. More discs please!

BBC PHILHARMON­IC / RUMON GAMBA

I heard Mirga Gražinytė-Tyla conduct Birmingham-born composer Dorothy Howell’s Lamia with the CBSO in August, just before they performed it at the Proms where it had been premiered exactly a century before. It’s a colourful and lavish yet deft orchestrat­ion of Keats’s romantic poem and a remarkable achievemen­t for a 20-year-old student. Rumon Gamba conducts with a combinatio­n of vigour and delicacy for its contrastin­g episodes – it’s an absolute winner. John Foulds’ pastoral celebratio­n April – England (championed at CBSO concerts by Sakari Oramo) surges and pulses in this dynamic BBC Philharmon­ic performanc­e. Also impressive is Patrick Hadley’s Kinder Scout an atmospheri­c depiction of the Peak District landmark. Sir Arthur Bliss’s orchestral scherzo Mêlée Fantasque is very 1920s – nods to Stravinsky and Les Six – and totally different from the amiable, but less memorable pieces by Eric Fogg, Sir Eugene Goossens and Frederic Hymen Cowell. Another enjoyable disc in this Chandos series.

Norman Stinchcomb­e

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