Birmingham Post

OPEN YOUR MIND!

DIANE PARKES REPORTS ON AN ARTS FESTIVAL THAT’S GETTING US TO ENGAGE IN MENTAL

- HEALTH ISSUES

BIRMINGHAM’S Bedlam Arts and Mental Health Festival returns this month with ten days of events in venues across the city and online.

Featuring theatre, film, poetry, storytelli­ng, dance, music, workshops and discussion­s, the festival, from November 12-21, aims to showcase high quality production­s which encourage conversati­on around mental health and wellbeing.

Launched in 2013 by Birmingham and Solihull Mental Health NHS Foundation Trust together with Birmingham Repertory Theatre, the festival, which takes place every two years, has grown to also include Midlands Arts Centre, Sampad South Asian Arts and this year guest partner The Red Earth Collective.

“Bedlam Festival has gone from strength to strength,” says Lakhvir Rellon, the mental health trust’s head of community engagement and one of the festival founders. “The first year it was a really small festival but now it has grown into a festival which reaches a huge number of people. The last Bedlam in 2019 reached more than 30,000 people through performanc­es and workshops.”

The programme aims to offer something for everyone and features artists including Autin Dance Theatre, Phoebe Frances Brown, Sampad, Travelling Light, Women & Theatre, Aidan Moesby, Francesca Millican Slater, Amina Khayyam Dance Company and Lightpost Theatre.

“For us as a trust, Bedlam is a really great way of enabling people who use our services and their carers to access the arts in the mainstream,” says Lakhvir. “It’s also a great opportunit­y to work with artists to enhance their knowledge and capability of supporting people with mental health issues and producing work which is grounded in solid research and conversati­ons with people with lived experience.

“And it’s about reaching out to the general public and, through creative work, encouragin­g conversati­ons about mental health and wellbeing. Our vision as a trust is about improving mental wellbeing and we can only achieve that by helping to destigmati­se the difficulti­es that people may experience.

“The Bedlam Festival features such a diverse range of issues related to mental health, all the way from more common mental health problems such as anxiety and depression to the other spectrum of psychosis and eating disorders. And creativity plays a role in engaging people in these issues that they wouldn’t necessaril­y engage with.”

The festival features works focussing on the Covid-19 pandemic and its effects on people’s health and wellbeing.

“This year’s Bedlam is quite heavily influenced by Covid and thinking about how communitie­s have

been impacted,” explains festival producer Sabra Khan. “When Covid first hit there were discussion­s about how communitie­s that were minoritize­d had been unequally impacted. That was definitely of interest to us because mental health impacts minority communitie­s more anyway and that has been exacerbate­d by Covid.

“There are a lot of artists who are now creating work based on their own experience­s and the experience­s of other people.”

The festival is an ideal conduit to encourage conversati­on about difficult subjects, says Sabra.

“The arts is a much more engaging way to learn. You can engage with depictions of mental health through theatre, dance or music and it helps audiences to understand the experience better than a leaflet or being talked at. “It creates empathy because you are often hearing true stories. The arts helps create relatable work, rather than a statistic. As part of our shows we offer question and answer opportunit­ies with the cast to delve deeper into the issues and so audiences can learn about how we create the production, who we have talked to and the challenges that we have faced in bringing these shows together.”

Bedlam events take place across a range of venues from Birmingham Repertory Theatre and Midlands Arts Centre through to Centrala,

Cherry Reds Café Bar, The Irish Centre, The Loft, Birchfield’s Holy Trinity Church, Ward End Library and online.

“This year we have a focus on community touring and we also have a free online programme,” says Sabra. “We are always looking to grow the festival in a way which means we can reach more people through taking our performanc­es and workshops into communitie­s rather than basing the festival in a few buildings where people have to come to us.”

One of the many shows premiering at this year’s festival is Lightpost Theatre’s Forgotten Key Workers which highlights the stories of the many unsung heroes who worked throughout the pandemic.

Lightpost operations manager CJ Lloyd Webley said: “We want to raise awareness of the people who continued to work during the pandemic but weren’t necessaril­y lauded or praised by the media or the masses, people like taxi drivers, delivery drivers, people who work for the Post Office, plumbers, electricia­ns, priests.

“They were saying that during the pandemic things were very intense for them but they were sort of forgotten. Although they were not saving lives as such, they were helping people’s mental health and giving people options.”

The arts helps create relatable work, rather than a statistic

Sabra Khan

For more informatio­n on Bedlam Festival and the full programme see www.bedlamfest­ival.co.uk or pick up a brochure at venues across the city.

 ?? ?? Sink or Swim is a short film in which Charlotte Edmonds explores the effects of mental health and depression in an underwater ballet.
Sink or Swim is a short film in which Charlotte Edmonds explores the effects of mental health and depression in an underwater ballet.

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