Storks hit mark in riotous ride

smaller winged minions as golf and stress balls.

Faring less well is Canadian comic Stephen Kramer Glickman (Pigeon Toady) as his vocal delivery grates, hindering the often good material granted to his meddlesome pigeon.

The creative, quick-fired visuals found throughout The Lego Movie resurface here with the multiple-skilled wolfpack and a quiet face-off with penguins among the ingenious conceptions.

Stoller and his animation team have a ball coming up with imaginative sights and sounds, including the destruction of the planet vision Junior has when he finds out he’s in line for a promotion, a literal conveyor belt of babies and eye-catching point-of-view and wide-angle arial camera shots.

The opening sequence sees ancient hieroglyphics used to present the storks’ history before transitioning into a Monsters Inc-style factory floor bustling with parcel packaging.

It’s not all plain sailing for Stoller and Sweetland, though, as parents Sarah and Henry Gardner’s (voiced by Jennifer Aniston and Modern Family’s Ty Burrell) switch from career-obsessed duo to building crazy extensions to their home felt too sudden.

And as endearing and inventive as Stoller and Sweetland’s film is, it lacks the pathos and depth of animation’s finest; although the final scene does tickle the tear ducts.

It’s no instant classic like The Lego Movie either, but Storks is never dull, always frenetic and provokes more laughter than most of this year’s Hollywood comedies combined.