Bristol Post

Wind of change How brass could help blow way out of lockdown

- John HOUSEMAN bristolpos­tnews@localworld.co.uk

PLAYING wind instrument­s generates fewer airborne particles than speaking or singing and is no different than a person breathing, according to new research carried out in Bristol.

Scientists say the findings, published online in the journal Aerosol Science and Technology, could help develop a roadmap for lifting Covid-19 restrictio­ns in the performing arts.

The study examined the amount of aerosols – a suspension of fine particles or liquid droplets – generated when a person played woodwind and brass instrument­s compared with breathing and vocalisati­on – speaking and singing.

It involved nine musicians playing 13 woodwind and brass instrument­s such as the flute, piccolo, clarinet, trumpet and trombone in an operating theatre with no background aerosol particles.

Results showed the amount of aerosol particles of less than 20 micro metres diameter – less than half the width of a human hair – generated when playing the instrument­s was similar to that produced by breathing.

Aerosol concentrat­ions produced while instrument playing were lower than those associated with vocalising at high volume.

Large droplets of more than 20 micro metres diameter were not observed while the musicians were playing the instrument­s but were seen during singing and coughing.

Dr Bryan Bzdek, lecturer in the school of chemistry at the University of Bristol, said: “Our study found playing woodwind and brass instrument­s generates less aerosol than vocalisati­on, which could have important policy implicatio­ns in a roadmap to lifting Covid-19 restrictio­ns, as many performing arts activities have been, and continue to be, severely restricted.”

The study found concentrat­ions of aerosol emissions from the musicians during breathing and vocalising were consistent with results from research carried out last year on a large group of profession­al singers.

No difference was found between the aerosol concentrat­ions generated by profession­al and amateur performers while breathing or vocalising.

This suggests that aerosol generation is consistent across all singers, regardless of vocal training.

Professor Jonathan Reid, director of Bristol Aerosol Research Centre, said: “This study confirms that the risks of transmissi­on of SARSCoV-2 are likely elevated during vocalisati­on at loud volume in poorly ventilated spaces.

“By comparison, playing wind instrument­s, like breathing, generates less particles that could carry the virus than speaking or singing.”

The study was part of the Perform (Particulat­E Respirator­y Matter to InForm Guidance for the Safe Distancing of PerfOrmeRs in a Covid-19 PandeMic) project.

This is supported by Public Health England, the Department for Digital, Culture, Media and Sport, and UK Research and Innovation.

Research was carried out by a collaborat­ive team from Imperial College London, the University of Bristol, Wexham Park Hospital, Lewisham and Greenwich NHS Trust and Royal Brompton Hospital.

 ?? PHOTO: DAVE BETTS ?? A musician at a carol concert at Redcliffe Church in 2018
PHOTO: DAVE BETTS A musician at a carol concert at Redcliffe Church in 2018

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