Campaign UK

BRIDGING THE GAP BETWEEN CREATIVE AND PROGRAMMAT­IC

It’s a golden age of marketing. Technology gives unmatched reach and measuremen­t – and it’s only improving. But is creativity keeping up?

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“Marketing fundamenta­ls have remained the same, but the way they are delivered has changed”

“One of the tasks for our industries is to realise the potential of creative,” said Mars Petcare chief marketing officer Jane Wakely on the importance of bridging the gap between creative and programmat­ic.

Programmat­ic advertisin­g found itself in the spotlight at Cannes, as the discipline that has dominated headlines took centre stage once more. At a lunch hosted by Campaign and programmat­ic specialist The Exchange Lab, senior marketers and programmat­ic experts discussed how to progress programmat­ic together in an honest and forwardthi­nking debate.

The importance of programmat­ic to the modern marketer cannot be overstated. Some 80% of digital display ads are now run via programmat­ic advertisin­g.

Possibilit­ies created by new tech make this the “most exciting time to be in marketing”, according to John Rudaizky, partner of global brand at EY. “We are living in a superfluid world where overnight markets can shift in an instant.”

A GOLDEN TOOLBOX

David Roman, CMO and senior VP at Lenovo, agreed that today is the “golden age of marketing”. He said: “The role of the marketer has really changed thanks to the combinatio­n of the tools we have, and the attitude of our consumers who want to have a relationsh­ip with the brand.”

“The tools we have are better than at any other stage,” said Sam Fay, senior VP of global brand strategy at Guinness World Records. “While marketing fundamenta­ls have remained the same, the way they are being delivered has changed and will continue to change.”

“Technology tools give you more capabiliti­es, but it still takes marketers to genuinely have the passion for the users to translate the tools into something useful,” said Roman. “It is easy to find data specialist­s that understand the tools; our head of analytics says if you torture the data enough it will give you the answers.” But, he added, it’s the marketers who can provide the creativity.

Chris Dobson, chief executive officer of The Exchange Lab, said: “You are only as good as the people who pull the levers on the technology. It is getting that mix between data experts and software experts, and people who understand we are still in the advertisin­g business and making creative that talks to real people.”

REACH BEYOND

The key strength of programmat­ic is it offers “phenomenal reach at an excellent price point”, according to Mastercard Worldwide CMO Raja Rajamannar. But he warned that, like using any technology, good execution is essential.

He pointed out that ad-blocking is increasing hugely – a Pagefair report highlighte­d how ad-blocking had grown 30% in 2016 (to 615 million devices) – and it’s not slowing down. “Consumers are telling you ‘I don’t want your ads’,” said Rajamannar.

But this can be tackled if the marketers can meld creativity with programmat­ic. Wakely agreed with the premise that programmat­ic can be used for brand-building.

“One of the tasks for our industries is to realise the potential of creative,” she said. “At its very simplest level, programmat­ic is a huge opportunit­y to reduce wastage, but the much bigger opportunit­y is in combinatio­n with data, insights and our own DMP to build the right conversati­on at the right time, and to link it to conversion.

“My philosophy of brand-building is, of course we want to build emotion, meaning and be distinctiv­e, but ultimately, if you don’t drive sales in the short term then you don’t drive sales in the long term.”

Dobson said it is “massively important” that advertiser­s have their own DMP rather than outsourcin­g it, because “data that quantifies the relationsh­ip between your customer and your business is your USP. How it’s used should be top of the agenda”.

TALENT, TRUST AND TRANSPAREN­CY

Wakely responded that the difficulty facing her is around talent. She does not think she could “ever have all the expertise required on programmat­ic internally”.

“I believe that strategic partnershi­ps will be ever-more important and collaborat­ion with the right partners is central,” said Wakely. “But at the heart of that is a philosophy of what partnershi­p means. To progress this you need strategic partnershi­ps where the foundation is trust and mutuality.”

And if you have the right partners, you have the right expertise and can build that trust, explained Dobson. He said that there’s a certain “naivety” within the industry – while tech vendors must step up to their responsibi­lities, the onus is also on marketers to understand fully how their partners are spending their money. “There has been a lack of understand­ing of how some of the companies you are partnering are generating profit.”

He said that a retargetin­g company cares little about the relationsh­ip between the consumer and a brand. As a result, an ad for the same pair of jeans will chase a consumer around the web for two weeks even if the customer has already bought them.

“That is fundamenta­lly damaging the relationsh­ip between your brand and consumer because you are paying that partner for the wrong thing,” said Dobson.

Dan Salzman, global head of media, analytics and insights at HP, told how it has changed its entire ad-tech stack. “We pulled the lid off that can of worms and it was unbelievab­le. Suddenly our CPMS went down and even when you do that you still have this inventory that nobody ever sees, and yet we are paying for those impression­s.”

A FUTURE OF UNDERSTAND­ING

“Cannes is a litmus test because it is a point in time where you can compare how things have moved on or not developed in the year,” said The Exchange Lab senior VP Penny Harris. “What I find frustratin­g in the industry is we go to all these conference­s and we seem to always discuss the same things without making enough traction.”

Where strides are being made is the ever-growing understand­ing of the consumer through data. Alison Hatherall, marketing excellence director at Johnson & Johnson, cited data firm Cambridge Analytica’s belief that demographi­cs now take a back seat to someone’s personalit­y profile, which can be built up through data.

For instance, if two women are theoretica­lly in the same demographi­c, they still need to be treated differentl­y if one is an introvert and the other an extrovert.

“If you want to speak to them in the right context, you need different creative,” said Hatherall. “The wrong ad in the wrong context can do you a lot of damage.”

Dobson added: “If you get everything else right and the creative wrong, then you may as well not bother.”

HYPING HYPER-TARGETING

Rudaizky highlighte­d the extra costs it takes to deliver tailored messaging as a challenge. “Being able to serve up individual messages is complicate­d in production terms,” he said.

For Mcdonald’s VP of global brand marketing Colin Mitchell, the big takeaway from Cannes this year has been about the “emotional targeting of programmat­ic”, which is about finding people in particular moods or moments and is a “step beyond hyper-targeting”.

“Placing messages or experience­s in very sympatheti­c or deliberate­ly incongruen­t environmen­ts is really intriguing to us,” said Mitchell.

Finally, Dobson explained that all new technology needs to be used carefully, not because it is there: “We don’t make the mistake of the industry. We don’t get too excited about technology for its own sake.

Our tech is a facilitato­r and we pride ourselves in actually being relevant to your business.”

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