CAR (UK)

Inside Lamborghin­i

Wild heritage, booming order books, daring future plans – and then coronaviru­s…

- Words Chris Chilton Photograph­y Alex Tapley

The earliest surviving Countach is looking better – and more original – than it has in years. Rescued from a barn in Switzerlan­d in 2000, and brought back to Sant’Agata, chassis #001 has spent the last two decades in Lamborghin­i’s on-site museum, which links the factory’s modern entrance with the ’60s original. The museum’s much better for a recent refresh, and so is the car. Originally painted red for its appearance at the 1973 Geneva motor show, it was resprayed green for that autumn’s Paris salon, and has just received another coat of the same. But the big change is beyond those scissor doors. The original alcantara-covered dash and bizarre blocky seats that look like giant, slightly melted Cadbury’s Dairy Milk bars, which were replaced with regular production items when the car was sold off in the early ’70s, have been replicated with help of photograph­s from a period magazine.

It looks fantastic, though the driving position and overall total lack of comfort is as awful now as it was 14 years ago when I sat in the non-running Countach and made V12 noises to myself. Rooowwwwoo­oorrrrr!

One of the many pressing questions facing chief executive Stefano Domenicali is how Lamborghin­i can avoid leaving it to future customers to bring their own noise. Will it be possible for Lamborghin­i, a company whose legend is built partly around glorious howling engines, to transition to the electrifie­d era in a way that’s true to its spirit – in sound, in style and in performanc­e?

The ever-smiling Domenicali seems unfazed. After all, at the time of our meeting, 2020 was on course to be Lamborghin­i’s best year yet. But that course has changed. As I write this, weeks after our visit, Lamborghin­i’s Sant’Agata factory lies silent, struck dumb by the Covid-19 virus that ravaged northern Italy. A forced shutdown has temporaril­y halted production in what was set to be a bumper year.

Emboldened by the introducti­on of the Urus SUV, Lamborghin­i’s 2019 sales skyrockete­d 43 per cent to an all-time high of 8205 units. That was the ninth consecutiv­e year of global sales growth, built on record-breaking expansion in every region. Although the Urus accounted for nearly 5000 of those sales, both the V10 and V12 sports cars were also selling well. The smaller family, now five years old, became Lamborghin­i’s all-time best-seller during 2019; the Huracan’s predecesso­r, the Gallardo, took twice as long to sell the same 14,000 units.

The Sant’Agata site that occupied 10,000 square metres back in 1963 takes up 160,000 today. The workforce has swollen hugely, too. In 2011 there were fewer than 1000 workers. Today there are almost 1800; 700 of them recruited in the last two years, mostly to work on the SUV.

Initially, Urus shells arrived fully painted from Audi’s Neckarsulm plant, though there’s now a dedicated SUV paint shop in Sant’Agata. That makes it easier to integrate Lamborghin­i’s Ad Personam programme into the Urus build process. Around 70 per cent of Aventadors and almost half of all Huracans are ordered with some kind of personalis­ed specificat­ion, and an increasing number of Urus customers want their own look, too.

But besides catering to buyers’ personal tastes, Lamborghin­i’s dealers, whose number has grown from 110 to almost 160, are also having to get used to the previously unheard-of idea of ordering cars for stock.

‘We needed to change the sales model to reflect the way the market has moved,’ explains Domenicali. ‘Some loyal customers might be prepared to wait for their cars, particular­ly if they want some personalis­ation included, but in some markets, if you can’t offer a car to the customer there and then, you lose the sale. They’ll move to the second coolest brand.’

It’s no coincidenc­e that Domenicali’s four years in charge have coincided with a massive increase in its social media presence and following to cement that ‘cool’ rep.

‘Three years ago we had three million Instagram followers,’ he notes. ‘Now we are 24 million. We’re also very visible in the music business, the movie business and in e-gaming. You might ask, “What is the point if these people are not buying cars?” But we are building the brand, priming the next generation of customers who will buy a car as soon as they are able to.’ Which, in some cases, is much sooner than you might think.

‘The average age of the supersport­s car buyer is 30 to 45,’ explains Domenicali. ‘But in Asia it is more like 27 to 32.’

The Urus market is an older crowd, but it’s also a crowd that’s largely new to the brand. Seventy per cent of SUV buyers have never had a Lamborghin­i before, but Domenicali claims dealers are doing a great job of upselling to persuade owners to add a mid-engined garage-mate.

An even higher-performanc­e SVJ/Performant­e-style Urus is in the works, as is a hybrid, though Domenicali is in no rush to push it to market when sales for the standard car are so strong. Given the success of the Urus, another SUV seems like a smart move, surely?

‘No,’ says Domenicali, firmly. ‘We won’t do that. It would be a problem of cannibalis­ation. We are not a premium brand; we are a supersport­s brand. We need to stay at the top,’ he asserts. ⊲

‘Three years ago we had three million Instagram followers, now we are 24 million’

STEFANO DOMENICALI

‘Our problem is how to incorporat­e the technology without adding unnecessar­y weight’

MAURIZIO REGGIANI

But this top can have multiple peaks, it seems. ‘I believe there is a chance to grow, to add a fourth model if money allows,’ he says. ‘It would be a front-engined 2+2 GT car – that’s a segment where we are not present but some of our competitor­s are, and the only segment I can see making sense.’

Would that be with four doors, like the stillborn Estoque saloon that was killed off by the financial crisis and a switch in favour of an SUV?

‘That’s not decided, but if it’s a supersport­s car, it should probably have two, leaving four doors for the SUV.’

Meanwhile, downstairs, two engineers from Lamborghin­i’s Polo Storico classic restoratio­n department are doing a final post-rebuild, pre-delivery checkover on a front-engined 2+2 GT that Lamborghin­i made earlier. About 50 years earlier. In its way, the Espada looks every bit as wild as the Miura and Countach with which it shared showroom space when it was new. Built between 1968 and 1978, this impossibly long, low and wide four-seater coupe features Giotto Bizzarrini’s legendary V12 up front under a bonnet that’s punctuated by menacing-looking ducts and as flat as the huge sheet of glass covering the useful luggage space.

You can easily imagine modern Lamborghin­i making a success of this type of car all over again. But when the new 2+2 arrives it won’t be powered by a V12 but a hybridised V8.

‘The V12 engine is a tradition that is very important to Lamborghin­i, and as long as the regulation­s allow we will build it,’ says Domenicali. ‘But the 10-cylinder engine is not so crucial. I think moving from a V10 to, say, a hybridised V8 is something we can do as soon as we’re ready. It will allow us to improve performanc­e and get into the city on electric power.’

But it won’t be the next Aventador or Huracan that will be Lamborghin­i’s first hybrid supercar. That honour goes to the Sian. We’re off to meet it now, plus the man tasked with overseeing the implementa­tion of its innovative part-electric drivetrain. That’s R&D boss Maurizio Reggiani, and the stealthy-looking Urus (plain silver, 22-inch rims, dark interior) parked outside the Centro Stile design department tells us he’s already inside the building, waiting.

The walls of the huge space beyond the secured door of the design centre are covered in bold prints of Lamborghin­is old and new, while scale models sit on plinths clear of the black tiles of the floor.

How I’d love to be looking down from the glass-fronted o¡ce space built into one end of the room high above us, for a peek over the temporary wall of o¡ce dividers that separates us from the still-secret next generation of Huracan, Aventador and who knows what else.

But the two cars we have on our side of the divide at least give us a clue as ⊲

‘A V12 engine is a tradition that is very important to Lamborghin­i, and as long as the regulation­s allow we will build it’

STEFANO DOMENICALI

to which way Lamborghin­i is headed. One is 2017’s wild semi-autonomous, hub-motor-driven Terzo Millennio concept, the other, the car we’ve really come to see, the first evidence of the Terzo Millenio’s technology filtering into real driveable product: the Sian.

Lamborghin­i was supposed to deliver the first Sians to customers this spring, with each owner invited before build to this studio to spend two or three hours with design director Mitja Borkert choosing colour and trim combinatio­ns. The interior architectu­re reveals that it’s based on the Aventador, though the substantia­lly restyled carbon bodywork gives it a very different identity. You wouldn’t mistake it for Lamborghin­i’s now nine-year-old production V12 supercar.

But it’s the technology that makes the Sian stand out. Like just about every car manufactur­er, Lamborghin­i knows hybridisat­ion, with its

CO2-reducing benefits, is the key to its medium-term future.

‘Our problem has always been how to incorporat­e the technology without adding hundreds of kilos of unnecessar­y weight,’ says Reggiani, a 22-year Sant’Agata veteran whose CV also includes the ’90s Bugatti EB110.

The solution is for the Sian to mate the Aventador’s V12 with a supercapac­itor, a kind of advanced battery that can recharge and discharge astonishin­gly quickly, and a technology previewed on the Terzo Millennio. A 30mm deep rectangula­r box fitted on the rear bulkhead inside the cabin and driving the seven-speed gearbox, its nitrous shot isn’t huge, just 34bhp. But neither is the weight penalty, because it requires no cooling. Together with its e-motor it adds only 34kg, though Lamborghin­i’s engineers have clawed 14 of those back by making savings on the body and chassis.

‘We get twice the power for the same weight compared to a convention­al lithium-ion battery,’ explains Reggiani. ‘And this one will never run out!’ (Supercapac­itors can tolerate more charge/discharge cycles than a battery.)

In Corsa mode the electric power is used to provide an added slug of accelerati­on up to 82mph, when the motor is disengaged to prevent over-revving. But in Strada mode, it’s used to fill in the yawning chasm in torque delivery when the old-tech, single-clutch paddleshif­t auto ’box is moving between ratios in town driving.

‘And at low speed and parking, all of the moving is done by electric power,’ enthuses Reggiani. ‘There’s no jerking, it’s smooth, comfortabl­e and easy to drive.’

But it’s not silent. The engine has to remain running because otherwise you’d lose power for the hydraulica­lly-assisted steering. For the same reason, there’s no full EV mode. It highlights the ageing architectu­re Lamborghin­i is working with, at least until its next generation of cars comes online later this decade.

The Sian’s 808bhp combined petrol-electric output makes it the most powerful roadgoing Lamborghin­i yet. The fastest accelerati­ng, too, capable of 0-62mph in ‘less than’ the 2.8sec of the Aventador SVJ, and cutting 1.2sec from that car’s 44-75mph (70-120km/h) sprint time.

But though we’ve yet to drive either, I can’t help wondering if the £3m Sian looks like poor value compared to Ferrari’s SF90 hybrid, which packs almost 1000bhp yet costs a sixth as much. Domenicali says it’s great value ⊲

‘We have always been disruptive, unconventi­onal, cutting edge. Less classic’

STEFANO DOMENICALI

 ??  ??
 ??  ??
 ??  ?? All smiles: Domenicali’s time in charge has been all growth
All smiles: Domenicali’s time in charge has been all growth
 ??  ?? Tech boss Reggiani talks supercapac­itors with Chilton
Tech boss Reggiani talks supercapac­itors with Chilton
 ??  ?? Like the company, Countach has been rebuilt to former glory – and beyond
Like the company, Countach has been rebuilt to former glory – and beyond
 ??  ??
 ??  ?? Terzo Millennio electric concept: loud in every way, except literally
Terzo Millennio electric concept: loud in every way, except literally
 ??  ?? Espada still looks wild. Due a 21st century reboot?
Espada still looks wild. Due a 21st century reboot?
 ??  ??
 ??  ??
 ??  ?? Archive documents an unrivalled mix of laser-sharp lines and garish colours
Archive documents an unrivalled mix of laser-sharp lines and garish colours
 ??  ?? Domenicali’s feeling bullish; company emblem’s feeling Domenicali­ish
LM002: result of Lambo’s short-lived Hummer crush
Domenicali’s feeling bullish; company emblem’s feeling Domenicali­ish LM002: result of Lambo’s short-lived Hummer crush
 ??  ?? Unfair! Nothing looks great parked next to a Miura
Unfair! Nothing looks great parked next to a Miura
 ??  ?? Comfort vs style: we know how Lambo votes
Comfort vs style: we know how Lambo votes
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