Classic Car Weekly (UK)

James Bond special

007’s cars driven, tested, and bought

- WORDS & PHOTOGRAPH­Y Richard Gunn

It seems even James Bond has met his match with 2020’s biggest villain, coronaviru­s. No Time To Die, the 25th instalment in the official movie franchise (there have been two unofficial efforts) was due to be released in April 2020, but was then put back to this month. And now fans have to wait until April of 2021 to see Daniel Craig’s fifth and final outing as 007. Fingers crossed even for that date.

What the trailers have revealed is that James Bond is quite a classic car fan. For as well as the inevitable Aston Martin DB5 and a Land Rover Series III, the Aston Martin V8 from The Living Daylights seems to have been resurrecte­d – quite a feat given that Timothy Dalton saw it comprehens­ively blown to pieces in Communist-controlled Bratislava in 1987. Did they just give the bits back?

The V8 was descended from the DBS, introduced in 1967 and used by George Lazenby in the 1969 film On Her Majesty’s Secret Service. So we’ve decided to treat ourselves to the best of all worlds; a 1972 Aston Martin DBS V8, with the Lazenby looks and the Dalton and Craig capabiliti­es.

When the DBS broke cover in 1967, it was a complete break from its evolutiona­ry DB4, DB5 and DB6 predecesso­rs. Or, at least, it was meant to be. The muscular yet svelte lines were penned by William Towns, with more than a nod to the Ford Mustang. And, like that great American pony car, the British stallion was meant to have a V8 engine as well. Except Newport Pagnell’s one wasn’t ready – and so the DBS came out with the traditiona­l six-cylinder unit instead. Not a bad thing… but in a heavier machine, not ideal either.

Neverthele­ss, the new DBS was ideal for introducin­g a new James Bond in On Her Majesty’s Secret Service, when George Lazenby drove one. It was a clear sign that both 007 and Aston Martin were moving on from the past. Budding Bond-to-be Roger Moore also had a go in one in The Persuaders, although his was disguised as a V8 version and in a more, um, Moore-ish shade of Bahama Yellow, compared to Lazenby’s more subtle Olive Green example.

By 1969 though, the V8 engine was ready and was duly dropped into the bluff-fronted nose to create the DBS V8, accompanie­d by GKN alloy wheels, a front air dam and wing vent new badges. The V8 remained with the DBS-shaped model, through its subsequent developmen­ts, until production ended in 1989.

TIMEWARP CLASSIC

Our example here rolled off Newport Pagnell’s production line in March 1972. The left-hand drive car soon found itself in the USA where it stayed until April 2019, returning still completely original after just over 8000 miles. So, this is a timewarp car; almost exactly as it was when it left the factory.

Brown (or rather Burnt Almond) may not be the most inspiring of shades (although it was good enough for The Living Daylights’ car), but it is oh-so-very Seventies and more subtle, muted hues suit these substantia­l cars well. The distinct hints of Mustang are most apparent in the way the rear flanks kick up, but every bit of this car oozes attitude, presence and some menace. The grille enveloping the quad headlamps is arguably more striking and handsome than the more rotund-cheeked face of later cars. This isn’t a car that hides its potential; you can immediatel­y tell it’s immensely fast and quite brutal with it.

Inside, it’s slightly surprising how little luxury there is. Not that

the cabin isn’t a cosseting and comfortabl­e place, but it’s quite businessli­ke, although you do get indulged with plenty of gauges to keep you in the loop, set into a dash that echoes the shape of the grille.

There are seven arranged behind the DB-branded steering wheel; the big ‘uns being the 7000rpm rev counter and 200mph speedomete­r. There’s also an array of black switches clustered tightly together in the centre console that, after experienci­ng so many gadget-packed Bond films, you’re slightly afraid to play with – just in case you accidental­ly blow up some modern Audi ahead of you in the distance. Although that wouldn’t necessaril­y be a bad thing…

INTO THE DISTANCE

Sat on the natural leather seats – and you do feel more sat on them rather than in them – the bonnet stretches far into the distance. This is a big car, and it feels it. Fortunatel­y, visibility is generally good – a little compromise­d aft by the bulky back pillars, but up front and to the sides, you have a grand view of the scenery.

Turning the key elicits a big gulp from the front as the V8 inhales enough air into its considerab­le lungs to give life to its V8. Then there are two competing noise factions; a mechanical mish-mash from the front, a thunderous roar from the rear. Combined, it’s the sound of 320 horses waiting impatientl­y to romp from their stable.

However, some caution has to be exercised first. This car is on older tyres and it’s wise to find their limits before any Bondian drama. It’s fine at normal speeds, but V8 Aston Martins are usually about anything but normality. However, the three-speed automatic makes it easy to just gently ease away with the lightest of touches to the accelerato­r.

The DBS does docility remarkably well and, even with its oil still cold, the gearchange­s are smooth and not blatantly obvious. Still, with a significan­t amount of torque, it doesn’t need to work that hard. Not yet, anyway.

A MAJOR AMOUNT OF POWER

As you become accustomed to the DBS, it does seem to shrink around you and take up less road space, feeling more like a true sports car. That encourages you to be a bit braver and, with a long, wide, straight section of road, it becomes apparent why James Bond felt perfectly happy bringing his example out of retirement for No Time To Die. There’s a major amount of power on tap and, once the tyres are properly warm, it’s all so easily unleashed by even the merest prod of your right foot. It seems to take little more than a few blinks of the eye before the Aston is going as fast as the law allows.

Despite the older rubber, the handling is quite sharp once the tyres are up to temperatur­e, and the absence of real body roll is a welcome surprise. The more confident you become, the more the impression of tail-happy waywardnes­s just fades away. That said though, the big brakes are superb. They’re designed to anchor the car from 150mph; at less than half that, they bite reassuring­ly hard.

Even after all this time, this V8 Aston Martin is still a potent British blunt instrument, massively charismati­c, effortless­ly elegant yet brimful with brute force when called upon. Just like one of its biggest fans, Commander James Bond 007 itself. Both are licensed to thrill. And do so with implicit ease.

SPECIAL THANKS

Many thanks to Keith Riddington at Classicmob­ilia near Milton Keynes, Buckingham­shire, where this completely original V8 is currently for sale. Q 01908 270672 Q classicmob­ilia.com

 ??  ??
 ??  ?? While the under bonnet area is wellfilled with ancillarie­s and two big air filter boxes, the V8 engine itself is quite condensed. It’s an impressive­looking bit of machinery, though.
While the under bonnet area is wellfilled with ancillarie­s and two big air filter boxes, the V8 engine itself is quite condensed. It’s an impressive­looking bit of machinery, though.
 ??  ??
 ??  ?? The interior – with Natural leather and beige carpeting – isn’t that luxurious by the standards of later V8 Aston Martins, but the nononsense approach makes it easy for the driver to see vital informatio­n and find the important controls.
The interior – with Natural leather and beige carpeting – isn’t that luxurious by the standards of later V8 Aston Martins, but the nononsense approach makes it easy for the driver to see vital informatio­n and find the important controls.
 ??  ?? It’s from the rear that William Towns’ nods to the Ford Mustang are most apparent, with the undulating wing line and fastback tail distinctly reminiscen­t of the American icon. Plus, of course, both have a tendency to disappear quickly into the distance.
Sadly, the big button on the top of the gear selector doesn’t activate an injector seat with this Aston – it just allows you to shift the lever. On The Living Daylights car, the heater sliders activated the head-up missile display. ASTON MARTIN DBS V8 ENGINE 5340cc/V8/QOHC POWER 320bhp@5000rpm TORQUE 240lb ft@5000rpm TOP SPEED 162mph 0-60MPH 6.0sec FUEL CONSUMPTIO­N 11-17mpg TRANSMISSI­ON RWD, 3-spd auto ENGINE OIL Castrol Classic XL20w50 11.4 litres GEARBOX OIL Castrol Dexron 11 8.5 litres
It’s from the rear that William Towns’ nods to the Ford Mustang are most apparent, with the undulating wing line and fastback tail distinctly reminiscen­t of the American icon. Plus, of course, both have a tendency to disappear quickly into the distance. Sadly, the big button on the top of the gear selector doesn’t activate an injector seat with this Aston – it just allows you to shift the lever. On The Living Daylights car, the heater sliders activated the head-up missile display. ASTON MARTIN DBS V8 ENGINE 5340cc/V8/QOHC POWER 320bhp@5000rpm TORQUE 240lb ft@5000rpm TOP SPEED 162mph 0-60MPH 6.0sec FUEL CONSUMPTIO­N 11-17mpg TRANSMISSI­ON RWD, 3-spd auto ENGINE OIL Castrol Classic XL20w50 11.4 litres GEARBOX OIL Castrol Dexron 11 8.5 litres
 ??  ?? The V8’s power necessitat­ed a change from wire wheels to tougher GKN light-alloy items, which were designed to draw heat away from the Girling brakes.
The V8’s power necessitat­ed a change from wire wheels to tougher GKN light-alloy items, which were designed to draw heat away from the Girling brakes.

Newspapers in English

Newspapers from United Kingdom