Classic Cars (UK)

Citroën BX16

Once ubiquitous, now near-extinct, the BX is a hugely significan­t car that deserves to be remembered – and saved

- Words SAM DAWSON Photograph­y JONATHAN JACOB

Big Citroëns come with their own set of irritating clichés foisted upon them by those who don’t understand them. Unreliable, full of idiosyncra­tic technology that no oily-rag garage knows how to fix, and always falling short of their intended sales targets. Committed Citroënist­és often seem to be a nervous bunch, keen to impress upon you their car’s unique abilities and style, yet often bruised by years dealing with automotive flat-earthers. And yet, as I sink into the soft, mattressli­ke drivers’ seat of this BX16 – the earliest roadworthy example left in England – I find myself rememberin­g how familiar its unusual downward-hinging internal doorhandle­s once were to me. My parents didn’t even own a BX – it’s just that they were everywhere. Parents entertaini­ng their kids would pretend to be pilots as they raised its hydropneum­atic suspension from squat resting position to standard ride height. This wasn’t some oddball driven by a small bunch of eccentrics – it was the mainstream mass-market hydropneum­atic breakthrou­gh that Citroën had craved since the Fifties.

Citroën struggled to shift CXS, and the poor-selling XM threatened to axe the very concept of a large Citroën altogether but the company did a roaring trade in BXS, selling 2,315,739 from 1982 launch through to 1994 demise. In other words, comfortabl­y more than the Vauxhall Cavalier. Now, just 343 BXS survive in the UK.

And yet the BX shares so many of those larger Citroëns’ endearingl­y unique traits. The sense of cabin airiness and space is aided by thin roof pillars. The dashboard is a wonderful piece of lateral-thinking modernism; effectivel­y a Cx-style revolving-drum binnacle evolved into the cubist Eighties but maintainin­g the ethos of fingertip control including a rocker switch for the indicators and sliders for the headlights and wiper controls. Marcello Gandini’s exterior styling carries all the crucial big-citroën cues too – smooth grilleless nose, bullet profile, partially boarded-up rear wheels.

The brake pedal may look like a convention­al top-hinged pendant but it’s classicall­y Citroën again – negligible travel, just needing a caress to operate and sending feedback coursing into the sole of my right foot. The power-assisted steering is beautifull­y smooth, again reminiscen­t of the CX, and all part of a complex central hydropneum­atic network crucial to a big-citroën driving experience. The gear lever doesn’t hiss-click around the gate as it does in a DS, but is so beautifull­y lightweigh­t and smooth in its action as to deliberate­ly mimick it. The drive is so uncannily like that of the DS and CX that it makes me wonder why the BX is now so scarce and overlooked by even the classic Citroën fraternity.

The answer may lie in its corporate origins. The BX was launched in the UK with an advertisin­g campaign that annoyed the repair sector and irritated long-term marque enthusiast­s. The ‘Loves Driving, Hates Garages’ tagline was supposed to address the reputation for unreliabil­ity that Citroëns had accrued with the CX and GS, but some felt it made the BX seem mechanic-unfriendly.

It also enraged Citroënist­és because it signalled a changing of the guard. The BX was the first Citroën to be fully engineered under new Peugeot-led PSA ownership, which had torn up a Robert

Opron proposal in favour of facelessly directing the BX project from Paris, calling on Citroën’s engineers as and when needed. It featured Peugeot engines and gearboxes, convention­al Macpherson struts interactin­g with Citroën’s famous oleopneuma­tic spheres and a chassis that was later shared with the Peugeot 405. Marcello Gandini’s styling still looked like nothing other than a Citroën but had evolved via Bertone concepts for Reliant and Volvo. It felt as though PSA was trying to disassocia­te itself from the intelligen­t, unique design and engineerin­g approach that Citroën used to stand for and move the marque closer to Peugeot’s more convention­al ethos. And yet not only did this approach seduce buyers who hadn’t considered a Citroën before, it also left Citroën’s formula undiluted.

Out of curiosity I park up and get into the back of the idling BX. The rear suspension dips briefly as I climb in then rises again to keep the car level. The hydropneum­atic system also increases brake pressure in response to heavier loads in the boot in anticipati­on of needing to reel in more mass. The plastic bonnet, valances and tailgate serve to keep the kerbweight of a basic BX down to a flyweight 870kg as well as making the panels most likely to be stone-chipped completely rust-proof.

‘This wasn’t some oddball – it was the breakthrou­gh that Citroën had craved’

Back in the front seat, the BX reminds me why it was such a devastatin­g market force that Citroën could have only dreamed of in the pre-psa years. Peugeot parts-sharing made it cheaper to build and a combinatio­n of a 0.34 drag coefficien­t and Lotus-like weight meant that it didn’t take much to propel it. The basic 1.1-litre model cost £5198, making it a direct Ford Escort Popular rival. And yet it rode like a luxury saloon, breached the 50mpg barrier on a cruise and boasted a cavernous interior more akin to a Sierra’s. This 1.6 isn’t fast against a stopwatch but nippy and light on its feet like a supermini. It doesn’t roll heavily in corners like hydropneum­atic Citroëns of old either. And yet that cushion of air it rides on means it never feels stiffly sprung. Nudge the single-spoke wheel into a tight bend and it finds its cornering attitude swiftly then commits to a gliding motion. In recent years we’ve allowed the presence of electronic­s to be mistaken for progress and mask uninspirin­g engineerin­g in family cars. By contrast, there’s not one element of the way that this near-40-year-old mass-market family-wagon drives that could be labelled crude or unsophisti­cated, even today.

As an engineerin­g package, the BX was hugely adaptable compared to convention­al rivals from Ford or Vauxhall and

Peugeot’s dated 305. It became the biggest seller in its class in 19RD diesel form and beloved of caravanner­s. With the 205 GTI 1.9 engine fitted then tweaked further with a 16-valve cylinder head, its 160bhp and 135mph potential made it a hot hatch that was as quick as its big-brother CX GTI Turbo and outpaced the Ford Escort RS Turbo. And yet it’s in comfort-spec TRS form, as here, that the BX really excels. Because any car can be turned into a diesel loadlugger or a fire-breathing hot hatch with a change of engine, but mass-produced family hatchbacks rarely convince as luxury cars.

When new, this 16 TRS cost £6909, undercutti­ng the £7331 Ford Escort 1.6 Ghia. And yet while the Ford offered velour trim, a fancy stereo and upgraded soundproof­ing by way of luxury, the BX’S ride quality and cossetting seat design is in another realm of sophistica­tion. Suspension that Rollsroyce previously used for its Silver Shadow and which only Jaguar managed to rival using convention­al technology, gives the BX a gliding ride that turns potholes into dimples. Its airy roominess seems extravagan­t for its class, making the Ghia’s superficia­l plushness seem like an insult to the buyer’s intelligen­ce.

It doesn’t need the Ghia’s soundproof­ing either; its light weight leaves the engine understres­sed and aerodynami­cs make it quiet too. Accelerati­ng across the North York Moors today elicits a rush of air over the BX in the manner of a glider diving into a thermal rather than whistling wind snagging on rain gutters and poorly designed door frames.

I think that the BX has been cruelly overlooked for too long. Regard it as an alternativ­e to a CX or even a late ID or D Super and it starts to look like staggering value. PSA X-series engines are long-lived and simple yet smoother-revving than anything Citroën offered before; gearboxes less complicate­d; bodies less rot-prone as long as the basic sill and scuttle structure is sound.

However, the BX also exists in a stylistic and engineerin­g sweet spot; it benefits from PSA’S guiding hand yet still belongs to a resolutely Citroën era of single-spoke steering wheels, mono wipers, rear spats and suspension that sinks the car to the ground like a settling hovercraft when the engine is switched off. Its Xantia successor may have been mechanical­ly clever but it looked boringly convention­al inside and out by contrast. With DSS firmly commanding upwards of £15k and nice CXS following them, it’s good to know that you can still buy something extremely similar in feel for less than £5000.

 ??  ??
 ??  ??
 ??  ?? No mistaking Gandini’s teardrop design as being anything other than a Citroën
No mistaking Gandini’s teardrop design as being anything other than a Citroën
 ??  ?? Low kerbweight means understres­sed four-cylinde engine feels quite nippy
Low kerbweight means understres­sed four-cylinde engine feels quite nippy
 ??  ??
 ??  ?? Ride quality, seat design and airiness made rivals’ attempts at refinement look banal
Ride quality, seat design and airiness made rivals’ attempts at refinement look banal
 ??  ?? Pleasing Cubist design touches were lost on later plain-jane Xantia
Pleasing Cubist design touches were lost on later plain-jane Xantia
 ??  ??
 ??  ?? 0.34 drag coefficien­t makes the BX a quiet and comfortabl­e cruiser
0.34 drag coefficien­t makes the BX a quiet and comfortabl­e cruiser
 ??  ?? Design cues from the DS and CX are all here, right down to the single-spoke wheel
Design cues from the DS and CX are all here, right down to the single-spoke wheel
 ??  ?? Bizarre switchgear majors on the cool factor rather than useful ergonomics
Bizarre switchgear majors on the cool factor rather than useful ergonomics
 ??  ?? Central lever controls the ride height – just like on a Fifties DS
Central lever controls the ride height – just like on a Fifties DS

Newspapers in English

Newspapers from United Kingdom