Classic Rock

Joe Bonamassa

Live At Carnegie Hall: An Acoustic Evening

- Polly Glass

JoBo’s acoustic extravagan­za at legendary New York venue. “Oh, Christ. Not another live album from Joe Bonamassa,” we sighed inwardly upon receiving the press release for Live At Carnegie Hall. Still, if a formula’s worth doing it’s worth doing well – and often. And people do keep buying them, so why not?

But wait! This one’s different. Well, we say ‘different’. It’s still Bonamassa wearing a suit, not saying much and being phenomenal­ly good on guitar, playing blues-rooted songs with similarly impressive session types. There’s also bonus interview footage.

And yet there’s something very attractive about this DVD/ CD performanc­e, with its ninepiece acoustic band from diverse corners of the globe (percussion­ist Hossam Ramzy played on Page & Plant’s Unledded album, keyboard player Reese Wynans was in Stevie Ray Vaughan’s Double Trouble) who complement rather than compete with each other.

It’s mostly a well-chosen set for its grand surroundin­gs. After a slightly misfiring This Train (great in it’s amplified rock form on Blues Of Desperatio­n ;abit awkward with a refined, largely seated acoustic group), it’s mostly softer numbers and countrifie­d, almost Ry Cooderish strains that thrive in this lavish unplugged environmen­t. And the Flight Of The Bumblebeee­sque Hummingbir­d, a duet between Joe and cello/erhu virtuoso Tina Guo, is so dazzlingly fast and furious it’s quite hypnotisin­g.

This an ambitious, considered and commanding set – not more Joe just for the sake of it.

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