GOING IT ALONE
The pick of Dickinson’s solo songs.
Neither one of his greatest songs nor even really a solo number, this creaky slice of Hammer Horror heavy metal by long-forgotten London band Shots warrants inclusion as Dickinson’s very first recording. A curio, but one that pointed to greater things.
SON OF A GUN
The Dickinson solo career got off to a flying start with the glorious opening track of his debut solo album, Tattooed Millionaire. A brooding takedown of religious imperialism, it’s one of the finest things he’s written, with or without Maiden.
The album itself was a stylistic grab-bag, but Tattooed Millionaire’s title track was a brash pop-metal gem with shades of Def Leppard’s Photograph. Who was it about? Our money’s on Nikki Sixx…
TEARS OF THE DRAGON
Dickinson’s first post-Maiden album, 1994’s Balls To Picasso, was directionless and unmemorable, but it did produce this belter, featuring probably his best vocal performance since Maiden’s Hallowed Be Thy Name.
1996’s Skunkworks was the sound of a man trying to reinvent himself for the modern era. It largely fell flat, but it threw up a few lost treasures, including this mini-classic.
ROAD TO HELL
Dickinson’s reunion with Adrian Smith on 1997’s Accident Of Birth found him reconnecting with classic heavy metal and brought Iron Maiden’s greatest songwriting team back together. With this galloping anthem, they wrote the best
Maiden single of the 1990s.
MAN OF SORROWS
Dickinson doesn’t do ballads, but when it comes to stately epics, few can touch him, as this Aleister Crowley-inspired slow-burner from Accident Of Birth proves.
THE CHEMICAL WEDDING
1998’s The Chemical Wedding was inspired by painter, poet and visionary William Blake, and the soaring title track flew on the wings of the angels Blake once visualised.
Blake’s iconic poem (and English rugby anthem) was the song Dickinson was born to sing. In his hands, it’s turned into something new: part mystical treatise, part Celtic metal drinking anthem.
NAVIGATE THE SEAS OF THE SUN
Bruce’s feet were back under the Maiden table by the time of 2005’s Tyranny Of Souls, but he’d kept some classic tunes for himself, including this slice of part-acoustic, psychedelically tinged interstellar brilliance that sounded like nothing he’d written before.