Classic Rock

A Perfect Circle

London, Brixton 02 Academy

- John Aizlewood

Leading from the back. For all the almighty racket they make, there’s something deliciousl­y subtle about A Perfect Circle. While they may not be rewriting the live rule book on this three-date tour, which comprises their first UK dates in 14 years, they’re mischievou­sly tinkering with it.

On the second night of their two Brixton sell-out shows, singer Maynard James Keenan perches atop a swaying podium at the back of the stage. He’s shrouded in shadow – he even has his own cloud of dry ice at various points – and beyond the occasional aside (“If I had a heart, it would be weeping”), he’s not overly chatty.

Yet while Keenan may not actually be at the front, he’s an utterly compelling frontman, cavorting like a feral cat when the going gets thrashy on 3 Libras. He pulls giant, wraith-like shapes on the glacial opener Eat The Elephant and the harmony-laden, unashamedl­y poppy So Long, And Thanks For All The Fish.

In front of him, super-tight Billy Howerdel and Matt McJunkins lay layer upon layer of guitars, keyboards and vocal harmonies over Keenan’s part-howl, part-croon on an almost unrecognis­able assault on Depeche Mode’s People Are People, before they finish with blistering versions The Package and Feathers.

As the band exit, Howerdel slumps to his knees in supplicati­on and thanks. They’ll be conquering arenas in December.

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