The Vacant Lots

Interzone FUZZ CLUB

Society-lacerating third album from Vermont electro-punks.

When the first 45s by Vermont industrial postpunk duo The Vacant Lots started appearing in 2011, they seemed to seize a rock-mauling torch passed down through the years from Velvets to Suicide to Spacemen 3. A proud lineage clearly confirmed when S3’s Sonic Boom mixed 2014’s Departure debut and their instant artistic rapport with Suicide’s Alan Vega spawned a joint single and saw his inimitable snarl grace 2017’s Endless Night.

Its title referencing William Burroughs and Joy Division’s Unknown Pleasures ditty, Interzone sees Jared Artaud and Brian MacFadyen (joined by Vega’s borrowed Arp synth) refining their sound into seductive stadium-industrial mutants, evoking White Wedding-era Billy Idol on Exit and 80s electro-goth on Endless Rain, coating Rescue’s light-sabre riffs with Stooges guitar mayhem, and underpinning tracks (notably scabrous Vegasashay Station) with Marty Revlike beat-box tattoos.

With Artaud’s vocals bathed in bottomless reverb (reaching their apogee on post-apocalypse slowie Party’s Over), ostensibly catchy songs harbour his bleak lyrics tackling isolation, escape and modern decay. As he says, it’s “like existing between two zones”. Eight short, sharp shocks in 30 minutes provide a perfect stun-blast soundtrack for today’s shattered society. ■■■■■■■■■■