Country Homes & Interiors

DORSET FARMHOUSE

Preserving this country pile’s rich history was top of the new owners’ to-do list

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Having several hundred years of history to contend with always makes a house renovation more complicate­d. For Stephanie and Steven Thorne’s 17thcentur­y farmhouse, its epic age meant a challengin­g journey as the couple transforme­d the dated interior into a gracefully refined modern country home, learning plenty about its past along the way.

The farmhouse, set romantical­ly amid acres of Dorset countrysid­e, was never going to be a project for the faint hearted, but Steve had learnt from the experience of two previous renovation­s. ‘I discovered it by chance while browsing a property website, but because I’d promised Steph that our existing home would be the last I’d renovate, I went to see it on my own first,’ says Steve. It was the height of summer and he was beguiled by the property with its extensive grounds.

As soon as Stephanie was on board, the couple bought the house and began to plot its interior transforma­tion. ‘Our previous projects had been more industrial in style and nowhere near as old as this house, so we wanted help to make sure we got it right,’ says Stephanie. ‘We love muted tones, neutrals and light blues for understate­d elegance, and we didn’t

❝OUR PREVIOUS PROJECTS HAD BEEN MORE INDUSTRIAL IN STYLE AND NOWHERE NEAR AS OLD AS THIS HOUSE. WE TOOK A LOT OF CARE TO MAKE SURE WE GOT THE DECOR RIGHT HERE❞

want anything oppressive. The interior would have to be light and fresh with simple clean lines.’ They also wanted some touches of bolder colour and print, inspired by the creations of Kit Kemp and the couple’s favourite Crosby Street Hotel in New York. Another strong influence was the Lewis & Wood Adam’s Eden wallpaper, which they put in the living room and up the stairs. ‘It has blues, light aubergines and a lot going on, which made it hard to put up. In places the pattern had to be cut fastidious­ly to work on the walls,’ says Stephanie.

The house had not been touched for years so the scope of the Thornes’ ambitions was extensive. ‘The roof needed to be repaired, we rewired, put in new plumbing and then discovered we needed to rebuild chimneys, replace the iron guttering and the downpipes, put in new windows and doors and replaster throughout,’ says Steve. They also discovered that the ground floor had been laid straight onto dirt so they had to take it up and excavate 120cm down before installing a new wooden floor. As more layers were stripped back from the house, its secrets began tumbling out to the great delight of Stephanie, a history lover. ‘It’s my dream just to spend all day rummaging through an old attic looking for treasure,’ she says. The house had been

well cleared of the previous occupant’s belongings, but Stephanie did find old newspapers lining the shelves. ‘We read about the Queen when she was young. There were even pages referring to World

War II,’ she says. The old servant bell system was also recovered and although it no longer works, the family has installed it in the kitchen as a tribute to its bustling past. In befriendin­g a neighbour, they gleaned more about their country pile. ‘Previously, the roof had been thatched, but a fire destroyed it in 1947,’ says Stephanie.

Another of the updates the Thornes made was to extend the kitchen with a two-storey oak frame that includes a boot room and a guest bedroom above. Two long runs of dark grey cabinetry and masses of white quartz worksurfac­es meet the needs of the family, as well as creating a relaxed area for entertaini­ng. ‘Guests can sit at each island, with the person cooking in between,’ says Steve.

This beautiful project could have quelled Steve’s addiction to renovation for good. ‘I’m always on the lookout for the next project,’ he says. ‘But I’ve found myself falling in love with this house more and more. And we have just taken on chickens, so who knows?’ Interiors by simshildit­ch.com

❝WE LOVE UNDERSTATE­D ELEGANCE SO WANTED THE INTERIOR TO BE FRESH WITH SIMPLE, LINES❞ CLEAN

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 ??  ?? Exterior The house was built in the late 17th century, with some parts dating back to the early 1600s
Exterior The house was built in the late 17th century, with some parts dating back to the early 1600s
 ??  ?? Living room The entrance hall doubles as an informal living area. Adam’s Eden wallpaper,
Lewis & Wood. Coffee table, Flamant. Eva sofas, Neptune
Living room The entrance hall doubles as an informal living area. Adam’s Eden wallpaper, Lewis & Wood. Coffee table, Flamant. Eva sofas, Neptune
 ??  ?? Kitchen
A rustic inset ceiling brings a country cottage feel to the extension. Suffolk kitchen; lantern pendants, both Neptune
Kitchen A rustic inset ceiling brings a country cottage feel to the extension. Suffolk kitchen; lantern pendants, both Neptune
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 ??  ?? Sitting room An original off-centre fireplace remains a striking focal point in the more formal of the two living spaces. Juliette 815 chandelier, Estro. Banquette made in Layton Henna fabric, Romo
Sitting room An original off-centre fireplace remains a striking focal point in the more formal of the two living spaces. Juliette 815 chandelier, Estro. Banquette made in Layton Henna fabric, Romo
 ??  ?? DORSET FARMHOUSE Dining room Stephanie pulled the accent colour for this space from a favourite painting, which takes pride of place. Artwork, Danielle O’connor Akiyama
DORSET FARMHOUSE Dining room Stephanie pulled the accent colour for this space from a favourite painting, which takes pride of place. Artwork, Danielle O’connor Akiyama
 ??  ?? Boot room A dedicated space for cleaning up after muddy dog walks is a luxury Stephanie’s so glad she went for. Units, Neptune
Boot room A dedicated space for cleaning up after muddy dog walks is a luxury Stephanie’s so glad she went for. Units, Neptune
 ??  ?? Sitting room
A few personal touches let the couple’s style shine. Lamp base painted in Radicchio estate eggshell, Farrow & Ball
Sitting room A few personal touches let the couple’s style shine. Lamp base painted in Radicchio estate eggshell, Farrow & Ball
 ??  ?? Main bedroom
The couple were inspired by the bold colours and patterns of Kit Kemp’s Firmdale Hotels. Headboard in Bordeaux in Pivoine, Manuel Canovas
Main bedroom The couple were inspired by the bold colours and patterns of Kit Kemp’s Firmdale Hotels. Headboard in Bordeaux in Pivoine, Manuel Canovas
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 ??  ?? Twins’ bathroom Tongue-and-groove panelling creates a truly country house feel. Similar panelling,
The Victorian Emporium
Twins’ bathroom Tongue-and-groove panelling creates a truly country house feel. Similar panelling, The Victorian Emporium
 ??  ?? Twinsõ bedroom Sienna and Nola were meant to have separate bedrooms, but they insisted on sharing. Beds, The Bed Workshop; upholstere­d in Faded Dotty Butterflie­s fabric, Peony & Sage
Twinsõ bedroom Sienna and Nola were meant to have separate bedrooms, but they insisted on sharing. Beds, The Bed Workshop; upholstere­d in Faded Dotty Butterflie­s fabric, Peony & Sage

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