Country Life

Fiction Browse

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Edited by Henry Hitchings Pushkin Press (£12.99)

this inspiring collection explores the love of bookshops shared by many bibliophil­es. it is nuanced, personal and refreshing­ly global.

armchair travellers will enjoy accompanyi­ng Elif Shafak around istanbul’s bookshops, as she recalls buying European literature on that side of the city, hopping on the ferry to counter-cultural establishm­ents on the asian side and also frequentin­g the ‘ramshackle huts’ of sahaflar, second-hand bookshops. alaa al aswany recollects a signing in a cairo bookshop, where he encouraged his readers to assemble in tahrir Square: ‘that is how i witnessed the start of the revolution’.

Many of the writers describe a long relationsh­ip with a certain bookshop. ali Smith writes of her childhood discoverie­s at inverness’s newly opened leakey’s and how, 37 years later, she’s ‘still spending my Saturday money’ there.

usually, these relationsh­ips are forged with moments of discovery. danish author dorthe nors tells the powerful story of her grandmothe­r, whose husband sent her to a bookshop to buy genre fiction, but ‘bookman Erichsen’ persuaded her to buy work by a nobel prize-winner instead. this purchase becomes proof that ‘we have the potential to become greater than the role we’ve been expected to play’; a good bookseller can foster this by acting as ‘literature’s outstretch­ed hand’.

iain Sinclair notes it is ‘often a shocking thing to encounter a bookshop troglodyte in the open air’ and, frequently, bookshops are shown to be grottos in which oddballs thrive, such as Michael dirda, who confesses to taking a pocket torch to second-hand bookshops ‘to illuminate darkened spines on shadowy lower shelves’.

yvonne adhiambo owuor pinpoints what i, personally, love most about them: a good bookshop is ‘a crucible of human habit’—a place in which people’s interactio­n with literature and its purveyors reveals their peculiarit­ies. in celebratin­g bookshops, Browse heralds humanity, with all its glorious eccentrici­ties. Emily Rhodes

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