Country Life

A cornucopia of blooms

A midsummer annual event in the Duke of Devonshire’s Derbyshire seat gloriously brought together the floral excellence of the garden and this year’s tercentena­ry of the landscape architect Capability Brown, reports Jacky Hobbs

- Photograph­s by Clive Nichols

The annual Florabunda­nce event brings the excellence of Chatsworth House’s gardens inside, reports Jacky Hobbs

Florabunda­nce at Chatsworth House, Derbyshire

Bearing in mind the tercentena­ry of Capability Brown and the majestic landscape scenes he enhanced and created at Chatsworth (an estate that is duly celebratin­g the anniversar­y in style), one could be forgiven for wondering where a summer festival of flowers could fit in. However, floral designer Jonathan Moseley (www. jonathan-moseley.com) has successful­ly created bold and abundant floral arrangemen­ts befitting the opulence of Chatsworth House, while subtly revering Brown’s definitive imprint on the surroundin­g english-landscaped gardens. (Brown was engaged at Chatsworth for several years between about 1758 and 1766.)

Brown’s pastoral design influence was significan­t, but not solitary; flowers have crept into the gardens over time, without detracting from the quintessen­tially english landscape. These photograph­s record Chatsworth’s ninth Florabunda­nce, an annual five-day event that showcases many of the flowers and foliage grown and gathered from the estate. To furnish it, boughs were clipped from ancient trees planted by Brown; grasses and wildflower­s were gathered

from the meadows he created. They have been embellishe­d with English-grown flowers from the estate’s dedicated Cutting and Kitchen Garden, with contributi­ons from local growers in Derbyshire and Yorkshire.

Bearing in mind the tercentena­ry, Mr Moseley embraced Brown’s design aesthetic, creating numerous arrangemen­ts in stone vases reminiscen­t of those out in the gardens and strategica­lly placing each vessel in its wider setting, creating focal points and using architectu­ral niches to frame arrangemen­ts.

Some of Mr Moseley’s installati­ons represent countrysid­e elements of the Brown landscape, such as the ‘field of poppies’, and others are deliberate­ly positioned on deep window sills, drawing the eye to connect with the outdoor scene beyond the glass. An abundance of trees and shrubs throughout the 105-acre arboretum and gardens provided branch and bough, notably, weeping silver birch, pine, fir, maple and beech. Some flowers came from the shady ravine, among them candelabra primulas, foxgloves, ferns and Solomon’s seal and the kitchen garden yielded artichokes, mint and sage.

Mr Moseley collaborat­ed with Chatsworth’s cut-flower grower, Becky Crowley, to ensure

that quantities of perennial flowers could be gathered for the event from the dedicated Cutting Garden. They include Russell lupins, purple and white alliums, unnamed but abundant black-bearded irises and sky-blue delphinium­s. The peonies were harvested from a 100-strong avenue of stock plants, their flowers ranging in colour from White Wings to Crimson Glory, with vibrant-pink Duke of Devonshire in between.

Likewise, thousands of annuals were raised in the first half of the year by Miss Crowley, including the cow-parsley-like bishop’s flower ( Ammi majus), fragrant Spencer sweet peas, marigolds, Iceland poppies, tender gerberas and zinnias.

Some 25,000 stems were sown, grown, cut and conditione­d on the estate, advises Miss Crowley. After three full days of incessant cutting, the blooms were handed to Mr Moseley and his team of 40 local florists, who, together with an abundance of foliage, transforme­d the material into majestic and meaningful arrangemen­ts through the house. For next year’s Florabunda­nce dates— it’s usually held around midsummer— visit www.chatsworth.org in the New Year

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 ??  ?? Facing page: The Painted Hall, decorated in 1687–94, further ornamented with bold and dramatic arrangemen­ts in huge stone vases, elevated on pillars and plinths. They include boughs from Chatsworth’s trees, such as fir, beech, box and acer. In the...
Facing page: The Painted Hall, decorated in 1687–94, further ornamented with bold and dramatic arrangemen­ts in huge stone vases, elevated on pillars and plinths. They include boughs from Chatsworth’s trees, such as fir, beech, box and acer. In the...
 ??  ?? Above: ‘A field of poppies’: Papaver nudicaule Champagne Bubbles, raised under glass, interlaced with coral Heuchera Brandon Pink and tangerine candelabra primulas from the ravine. Facing page: In the Painted Hall, Jonathan Moseley incorporat­ed...
Above: ‘A field of poppies’: Papaver nudicaule Champagne Bubbles, raised under glass, interlaced with coral Heuchera Brandon Pink and tangerine candelabra primulas from the ravine. Facing page: In the Painted Hall, Jonathan Moseley incorporat­ed...

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