Country Walking Magazine (UK)

In praise of bimbling

Calm down, see more. Fall in love with the gentle – yet incredibly beneficial – art of walking slowly.

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The strange power of going slow.

According to the OED, the word ‘bimble’ only appeared in the 1980s, possibly as a more positive variation of ‘bumble’.

SOMETIMES A GOOD, brisk pace is great. It warms you up, gets the blood pumping, energises your muscles and keeps your ticker healthy. But sometimes, everyone needs to slow the heck down and just… bimble. Or mosey. Or saunter. Or dawdle. Walking without rushing is an art, and it serves great purposes. On the one hand, it can be aimless: lolloping along, lost in thought or (even better) just enjoying the ambient sensations, with no particular destinatio­n or route in mind. That’s when we really disconnect from our screen-centric lives and let our bodies and brains recover from everything the 21st century seems to expect of them.

But there can also be a great focus and discipline to bimbling , too: the deliberate and careful act of noticing your walk. The focus could be inward: being in the moment; being self-aware; clearing your head; seeking mindfulnes­s. Or it could be outward: the determinat­ion to observe, record and appreciate every whisper, trickle and chirp of the environmen­t around you.

The latter is what esteemed nature writer Richard Mabey calls micro-walking: taking a short route, perhaps even just around a field edge, but making it last an hour or more, and giving time and focus to everything you notice. A scurry in the hedgerow? Stop, lean in, see what it might be. Birdsong overhead? Stop, listen; if you don’t know what species is singing, record it, take it home and research it later. Ask what the crop is; see how the land use changes from one fenceline to the next. See where limestone gives way to clay, or sandstone to granite. Crouch down, look hard. Open your nostrils to the layers of scent and work out what each one might be (unless the muck-spreader has just gone past, obviously). Says Mabey: “A voyage through the liminal landscape between crop, path and boundary can have all the scope and nuance of a great trek. All you have to do is adjust your sense of scale.”

Landscape photograph­er Joe Cornish has similar sentiments: “I learned long ago to walk slowly and see more. If something catches your eye and you want to observe it or photograph it, don’t worry about bashing on with the walk. Stop and let this sensation have its moment. Edit the walk if you need to, because your response to what you see is at least as important as getting somewhere.”

Yet another fan of the slow walk is wildlife presenter Simon King, who says perspectiv­e is everything. “I like short walks because I like stopping. Occasional­ly I like to flip myself upside down using a gate,” he explains.

“It’s remarkable to watch the earth and the sky change places. It’s like an instant reset button for your senses. And of course it puts your eyes closer to the ground. I can’t count the number of times I’ve seen a field mouse or badger track while inverted that I might have missed completely if I was stomping along, right way up.”

But the trailblaze­r of slow, studied sauntering was the 19th-century poet John Clare. The son of a farm labourer, he developed an unquenchab­le passion for the countrysid­e, and specialise­d in walking slowly and ‘dropping down’ – getting down on hands, knees or even belly to observe with an animal’s-eye view.

He imagined being a ladybird (or a clock-o’-clay, in his East Anglian dialect) in the bell of a cowslip, and his poem The Nightingal­e’s Nest sees him nosing into the titular bird’s nest after it has flown, to conduct an architectu­ral appraisal of its interior that Kevin McCloud would be proud of:

“…Part aside

These hazel branches in a gentle way,

And stoop right cautious ’neath the rustling boughs,

For we will have another search to day,

And hunt this fern-strewn thorn-clump round and round.”

But if all that observatio­nal effort sounds a bit discipline­d and demanding, don’t worry; there’s always that free and aimless side of bimbling, where you simply wander as far as your thoughts and your limbs want to go. That’s just as good.

Last thought: it’s fascinatin­g how many synonyms we have for the concept of walking in a slow, relaxed and pleasurabl­e manner. Bimble, saunter, mosey, amble, dawdle, stroll, drift, potter, pootle, promenade, lollop, meander, ramble, roam, stravaig, wander. That’s more synonyms than there are for most of the other types of walking in this issue put together, and a lot more than there are for walking fast or running. An abundance of synonyms signifies an abundance of usage.

It means a lot of people must love the concept of going slow and enjoying it.

And we do.

 ??  ??
 ??  ?? GO SLOW
A mile can take an hour or more if you’re in the right frame of mind…
GO SLOW A mile can take an hour or more if you’re in the right frame of mind…
 ??  ?? JOE CORNISH ‘Let the things you see dictate the length and time of your walk.’
JOE CORNISH ‘Let the things you see dictate the length and time of your walk.’
 ??  ?? SIMON KING
He wants you to turn your world upside down. On a gatepost.
SIMON KING He wants you to turn your world upside down. On a gatepost.
 ??  ?? JOHN CLARE
The ‘Peasant Poet’ brought a Romantic’s eye to rural life.
JOHN CLARE The ‘Peasant Poet’ brought a Romantic’s eye to rural life.
 ??  ?? RICHARD MABEY
His books Home Country and Nature Cure are terrific reads.
RICHARD MABEY His books Home Country and Nature Cure are terrific reads.

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