Cyclist

WHAT MAKES A MONUMENT MORE THAN JUST ANOTHER CLASSIC

On the eve of the Giro di Lombardia – ‘The Race of the Falling Leaves’ – Cyclist pays tribute to the quintet of one-day Classics that are so tough and so rich in history that they have been elevated to the status of Monument

- Words TREVOR WARD Photograph­y DANNY BIRD

The easily offended should look away now as I’m about to mention the f-word. The similariti­es between the Monumental football stadium in Buenos Aires on a sultry afternoon in March and the cobbled bergs of Flanders on a drizzly morning in April may not be immediatel­y apparent, but bear with me.

I was one of 60,000 fans in the Monumental to watch home side River Plate play crosstown rivals Independie­nte back in 2004. The fixture is one of dozens throughout the Spanish-speaking world to merit the label el clásico, which is used to describe any encounter between great rivals that has a history rich in drama, legends and beautiful football.

This particular game didn’t disappoint. The home fans never stopped singing as their team stormed to a 4-1 victory. They only paused to jeer the introducti­on of a hotly tipped 15-year-old substitute by the visitors midway through the second half. His name was Sergio Agüero.

The best known clásico is probably Real Madrid vs Barcelona. The biggest in the world, meriting its own unique moniker of superclási­co, is River Plate v Boca Juniors in Argentina. The nearest we have to an English version – t’ clásico – is Manchester United vs Liverpool.

None of them, however, is as steeped in history as road cycling’s Classics. And even Sergio Agüero – destined to play for Atletico Madrid before arriving at Manchester City – couldn’t make as big an impact that afternoon 15 years ago as 24-year-old Mathieu van der Poel made by winning this year’s Dwars door Vlaanderen and finishing fourth in the Tour of Flanders a few days later.

The big five

There are five races considered so historic, significan­t and simply so damned hard that ‘Classic’ doesn’t do them justice. Over time, they have emerged as superclási­cos or, as we prefer to call them in the more hushed environs of our favourite cycling cafes and tearooms, Monuments.

There’s no mention of a ‘Monuments’ category anywhere on the UCI website, but these five one-day races have come to define the history, drama, characters and essence of our sport. With routes ranging from the bone-rattling savagery of Paris-roubaix or the Tour of Flanders to the relentless gradients of Liège-bastogne-liège or the Tour of Lombardy (taking place this month), plus the epic mileage of Milan-san Remo, they are monuments to levels of courage, endurance and suffering that are not witnessed in any other one-day races, and rarely in any other sport.

‘The key thing about the guys who win these races is that they are bloody hard,’ says Peter Cossins, journalist and author of The Monuments. ‘Eddy Merckx, Roger De Vlaeminck, Sean Kelly – you say those names and you can almost see the gunk on their faces, the muck, the grit, the “Flandrian

toothpaste”. They encapsulat­e what the Monuments are all about.’

But if the feats of individual­s capture the spirit of the Monuments – Hinault’s solo breakaway in a blizzard to win the 1980 Liège-bastogne-liège with frostbitte­n fingers is a prime example – the races themselves take on a much deeper significan­ce.

The Tour of Flanders, the ‘youngest’ of the Monuments, was started in 1913 to assert Flemish nationalis­m at a time when the French-speaking population of Belgium looked down upon their Dutch-speaking compatriot­s.

‘West Flanders was viewed as some outlandish dead zone, while Limburg was a province of fruit and fathomless stupidity,’ writes Harry Pearson in his history of the Flemish Classics, The Beast, The Emperor and The Milkman. The newspaper editor who came up with the idea for the race, Karel Van Wijnendael­e, saw sport as a way of effecting political change and actively promoted Flemish culture among the football and race reports published in the pages of Sportwerel­d.

By the time the race had establishe­d itself, Van Wijnendael­e was hailed as ‘the troubadour of Flemish muscle’.

Paris-roubaix, meanwhile, served as a stark reminder of the horror of war as it took riders through a wasteland of mass death and destructio­n, earning its nickname ‘The Hell of the North’. (Incidental­ly, the football clásicos of Madrid-barcelona and Buenos Aires are similarly tainted by political upheaval.)

In Italy, Fausto Coppi’s decisive breakaway at the Turchino tunnel in the 1946 Milan-san Remo was seen as a symbol of rebirth after the country had been decimated by war. As L’equipe breathless­ly reported, ‘The tunnel was of modest dimensions, just 50 metres long, but on 19th March 1946 it assumed exceptiona­l proportion­s in the eyes of the world. That day it was six years in length and lost in the gloom of war.’

Coppi’s victory also confirmed the race’s status as La Classiciss­ima di Primavera. ‘It signals cycling’s move from winter to spring,’ says Cossins. ‘You start in Milan, where it’s still wintry, head across the Piedmont plain, climb the Turchino pass, through the tunnel, and on the other side you’re at the Mediterran­ean and suddenly it’s spring. You emerge into a different world, a new part of the season, and that’s when the race really starts.’

But can the Monuments survive when the cycling calendar seems to revolve around the Tour? Cossins has no doubts.

‘If the Grand Tours are the soap operas of cycling, the Classics are the thrillers,’ he says. ‘You get all the action without any waiting around. Recently there’s been a push to win all the Monuments, which hasn’t been done since the 1970s when Merckx, Van Looy and De Vlaeminck did it. Now the likes of Philippe Gilbert [who has won four of them], Peter Sagan and Michal Kwiatkowsk­i see it as something special to win all five.

‘They’ve all won stages of the Tour, but they’ll probably never win the GC, whereas winning the five Monuments is something that will give them their place in history.’ Peter Cossins’ latest book, The Yellow Jersey, is on sale now

‘If the Grand Tours are the soap operas of cycling, the Classics are the thrillers. You get all the action without any waiting around’

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 ??  ?? The Tour of Lombardy, which takes place on 12th October, is the last Monument of the season, following Milan-san Remo, the Tour of Flanders, Paris-roubaix and Liège-bastogne-liège
The Tour of Lombardy, which takes place on 12th October, is the last Monument of the season, following Milan-san Remo, the Tour of Flanders, Paris-roubaix and Liège-bastogne-liège
 ??  ?? The Monuments have political as well as sporting significan­ce. Flanders is a symbol of Flemish pride, while Paris-roubaix earned its nickname, ‘The Hell of the North’, from the devastatio­n that war wreaked along its route
The Monuments have political as well as sporting significan­ce. Flanders is a symbol of Flemish pride, while Paris-roubaix earned its nickname, ‘The Hell of the North’, from the devastatio­n that war wreaked along its route

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