Daily Mail

RETURN OF GOLDEN AGE GLAMOUR

... and it’s down to La La Land, f lesh-f lashing D-listers and (don’t laugh) the rise of Trump

- by Dinah van Tulleken STYLE EDITOR

GLITTERING frocks that hinted at, rather than revealed, womanly curves. Impeccable tailoring with full skirts, diva capes, diamonds and (hurrah!) long sleeves.

There was Gatsby-esque hair and make-up that oozed sex appeal. This year’s Oscars ceremony was a glorious return to the golden age of Hollywood glamour.

After years of risqué dresses and over- exposure, the A-listers have harked back to the sophistica­ted and alluring styles of the Forties, Fifties and Sixties, when actresses such as Sophia Loren, Elizabeth Taylor and Marilyn Monroe ruled the red carpet.

Why? There are three main reasons. First is the much-hyped movie La la Land, which shows off Fifties-style Hollywood fashions.

Designers have long taken their cues from film, and have tapped into the La La Land excitement by subtly paying homage to it — perhaps in the hope that some of its glory would rub off on them.

Second, fashion tends to return to glamour in uncertain times. And there’s no doubt the election of President Trump and Brexit have caused consternat­ion and dismay in the world of showbusine­ss luvvies.

Third, the A-list are returning to a classier look because of the rise of social media.

Thanks to every D-lister flaunting their flesh in an effort to attract online coverage, the real stars are finally covering up — showing the world that they are too famous to need internet attention.

The result? A glorious return to a simpler, more elegant time. And long may it smoulder.

La La Land star Emma Stone wore a Forties-style beaded frock set off with Veronica Lake waves and bright red lips, while Charlize Theron opted for a Fifties- style plunging dress worthy of Marilyn Monroe.

FELICITY Jones was reminiscen­t of a young Elizabeth Taylor in pale chiffon with delicate straps. It was all a reminder of the heyday of the silver screen, when people could escape the poverty of the post- war years and dream of glamour and glitz for the cost of a cinema ticket.

The stars of that time played into the illusion, flaunting their wealth and femininity on the red carpet through couture frocks which celebrated their sex appeal, without compromisi­ng their modesty.

It’s no coincidenc­e that this was also when the designer fashion industry — particular­ly in France — started to boom.

In the Fifties, Chanel, yves Saint Laurent and Balmain all discovered the value of dressing Hollywood’s elite, allowing them to use spectacula­r gowns as an advertisem­ent of their craftsmans­hip, highend materials and refined cuts.

William Banks-Blaney, an expert in 20th- century fashion, says: ‘ 2017 was the most beautiful Oscar red carpet for many years.

‘In times of uncertaint­y there is often a move toward more intelligen­t, glamorous design — and we saw this coming through in silver and gold, and sharply detailed embroidery.’

 ??  ?? Brie Larson chose a strapless Oscar de la Renta gown — and with her drop earrings and hair pulled elegantly off her face, the similariti­es between her and Fifties star Kim Novak were clear
Brie Larson chose a strapless Oscar de la Renta gown — and with her drop earrings and hair pulled elegantly off her face, the similariti­es between her and Fifties star Kim Novak were clear
 ??  ?? Charlize Theron was paying homage to Marilyn Monroe when she chose plunging gold lamé Christian Dior with diamond earrings
Charlize Theron was paying homage to Marilyn Monroe when she chose plunging gold lamé Christian Dior with diamond earrings
 ??  ?? Pitch Perfect star Hailee Steinfeld’s sheer lace gown was strikingly similar to Rita Hayworth’s in 1942 musical You Were Never Lovelier
Pitch Perfect star Hailee Steinfeld’s sheer lace gown was strikingly similar to Rita Hayworth’s in 1942 musical You Were Never Lovelier
 ??  ?? Glistening in gold was Jessica Biel in a figure-hugging style favoured by Forties siren Ann Sheridan
Glistening in gold was Jessica Biel in a figure-hugging style favoured by Forties siren Ann Sheridan
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 ??  ?? Supermodel Karlie Kloss took her inspiratio­n from Sophia Loren when she slipped into a floor-length asymmetric Stella McCartney white design with cape detail. Her red lips and set waves completed the old-school look
Supermodel Karlie Kloss took her inspiratio­n from Sophia Loren when she slipped into a floor-length asymmetric Stella McCartney white design with cape detail. Her red lips and set waves completed the old-school look
 ?? Picture research: CLAIRE CISOTTI ?? The Theory Of Everything star Felicity Jones was the double of glamorous Hollywood icon Elizabeth Taylor — pictured (above, left) at the Oscars in 1956 — in her draped pastel chiffon dress with delicate spaghetti straps
Picture research: CLAIRE CISOTTI The Theory Of Everything star Felicity Jones was the double of glamorous Hollywood icon Elizabeth Taylor — pictured (above, left) at the Oscars in 1956 — in her draped pastel chiffon dress with delicate spaghetti straps
 ??  ?? Raquel Welch donned a striking gold floorskimm­ing gown in 1982, and, 35 years later, Fifty Shades star Dakota Johnson stole her style in a demure Gucci creation
Raquel Welch donned a striking gold floorskimm­ing gown in 1982, and, 35 years later, Fifty Shades star Dakota Johnson stole her style in a demure Gucci creation
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