Daily Mail

Triple helping of Ayckbourn is a real treat

- P.M.

The Norman Conquests (Festival Theatre, Chichester) Verdict: It’s a hoot

ALAN AYCKBOURN’S comic trilogy from 1973 features the most unlikely sex magnet in all of theatre. With the nerdish name of Norman, he’s a randy librarian kitted out in bobble hat, dirty mac and riotous beard.

He’s an extraordin­ary comic creation and, in the hands of rising star Trystan Gravelle, he has the look of a discombobu­lated badger hoping to escape a cull.

But with Norman’s efforts to have his way with his wife, her sister — and his sister-in-law — over the course of a long weekend in the country stretched to three plays, running over six hours, I did begin to wonder if you can have too much of a good thing.

In terms of plotting, the plays are works of interlocki­ng genius on a par with Fawlty Towers. Even though the sexual politics have changed (especially in the Trilogy: Gravelle as Norman kitchen), the wit and repartee have stood the test of time. The cast has a hoot and ensures all three pieces run like clockwork as they unpick the madness of their marriages.

Gravelle sets the pace, milking his seductive Welsh accent and puppy-dog eyes as shabby sexual trickster Norman. But it’s very much a team show.

Jonathan Broadbent, a henpecked surveyor condemned to wear golf slacks, is pitched against Sarah Hadland as his marvellous­ly shrill, tactless, manipulati­ve wife.

Hattie Ladbury adds style as Norman’s myopic missus. And John Hollingwor­th is a gormlessly amusing vet and suitor for Annie, the sister who stayed home to look after mother. In that role, Jemima Rooper is left to tear her hair in desperatio­n — with only Norman offering any prospect of escape.

Blanche McIntyre’s production is enormously assured on Simon Higlett’s clever design, which seats the audience around a small island on which a country home is ringed with grass and brambles.

You can see all three plays in a day or on separate nights. If I had to see just one, I’d go for Living Together, the most tightly wrought of these vintage examples of sexual shenanigan­s.

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