Daily Mail

WHO KILLED CRIMEWATCH?

It put some of Britain’s most notorious killers behind bars. Here, the show’s most famous host explains why its demise after 33 years says so much about how Britain’s changed

- By Nick Ross

FRANKLY, it’s a miracle that Crimewatch got started at all. no one was very keen. Its founding editor, Peter Chafer, was the only true believer, beating down the doors of BBC bosses for months on end. Then, amazingly, in the summer of 1984 we got the green light to go live with a run of three programmes — despite the concern of BBC lawyers that our reconstruc­tions might prejudice a trial, and that the films themselves seemed alarming, even though we had a rule never to show violence.

But the biggest problem was the police. They just weren’t interested. They didn’t trust what they perceived to be a bunch of Lefties at the BBC or, even worse, TV audiences, to help them with police appeals. Their files were secret.

The mistrust went both ways. how could we be sure the police would tell us the whole truth? It took intricate negotiatio­ns to persuade any of Britain’s 48 police forces to take part. In the event, only three of them agreed.

Even then, the first live show that June was almost a catastroph­e. Carpenters were still hammering away on set, and a huge doubleglaz­ed sheet of glass, designed to shield the sound of the phone calls from being picked up by the presenters’ microphone­s, was fixed in place just before we went on air.

Twenty minutes in, and not a single phone was ringing. I thought we had a disaster on our hands.

The rest is history — literally following the announceme­nt by the BBC that, after 33 years, Crimewatch’s time is up. When the phones did get going — we received 400 calls to that first programme — they never seemed to stop.

By the third show we were garnering the biggest audiences of any factual programme. And to our relief, viewers really did have useful informatio­n and cases began to be solved.

Police forces were falling over themselves to be involved, although it took 18 months before the Met finally agreed.

Yesterday, Commission­er Cressida Dick said ‘ the Met has been proud to work alongside Crimewatch in mobilising the public to solve hundreds of crimes. A programme that results in victims getting justice is public service broadcasti­ng at its best.’

It was indeed — but revolution­ary, too. Those were the days when TV and radio talked at viewers and listeners. With Crimewatch, they could talk back — and influence the outcome of the show.

When, in 2004, we celebrated our 20th anniversar­y, the programme was as strong as ever, with huge ratings. We were making headlines with our coverage of major cases and, often enough, gathering clues that were critical to solving them.

MEETING the victims could be emotionall­y draining — especially when they previewed reconstruc­tions to make sure we’d got everything right.

One of the most memorable moments for me, in my 23 years on the show, was sitting with an extraordin­arily poised woman who had been sexually attacked, had her throat cut and left for dead in a burning building.

As the film unfolded, she sat composed throughout. ‘Yes,’ she said quietly, ‘that’s very accurate. Thank you.’ I was close to tears.

By the time of the 30th anniversar­y in 2014, Crimewatch could boast that one in three cases featured led to an arrest and one in five ended in conviction­s. Crime- watch covered 4,500 cases (including 758 murders and 339 rapes).

Among the cases viewers helped solve were the murders of James Bulger in 1993; Lin and Megan Russell in 1996, and eight-year-old Sarah Payne in 2000.

SO WHAT went wrong? Why did this iconic series begin to fail?

I vividly remember an instructio­n from on high one night that, with hindsight, spelled the beginning of the end.

I was ordered to add a line of script about a newfangled phenomenon called a website.

This was so novel that I had to spell out the address: ‘W-w-w, b-bc, dot, co — meaning company or corporatio­n — followed by UK. Then you need a forward slash before typing Crimewatch.’

Digital technology was Crimewatch’s undoing. The choice of TV stations ballooned from five to dozens and then hundreds, and we could choose when to watch.

As live TV viewership declined, so did the chance of solving crimes. It’s a lot easier to find a witness when you have 15 million viewers than when your audience has dwindled to a tenth of that.

When I left the show ten years ago it was already in decline, and those who followed did well to keep it alive as long as they have. Web-based appeals like those from Crimestopp­ers (the charity on whose board I sit which enables the public to give informatio­n anonymousl­y) have taken over.

It is ironic that the demise of Crimewatch coincides with cuts in policing which are so severe that, as reported this week, some chief officers now openly concede that many low-level crimes will not warrant their attention.

One thing I learned at Crimewatch is that the police don’t make much difference to the ebb and flow of significan­t crimes.

The sharp falls in mass offences such as burglary and car theft (in each case down from a peak by more than two-thirds) are mostly due to better design with more thought to security; and the falls in homicide and hospital admissions from wounding are largely because fewer individual­s were sucked into offending when they were young.

Police have never had the skills or resources to tackle white-collar crime effectivel­y. Business fraud is largely uncharted territory, but when it does surface, as in the Libor banking scandal, it turns out to be endemic.

Then there’s the digital revolution. The internet is an extraordin­ary power for good, but it’s a disgrace that while many crimes have been driven to extinction (anyone remember safe-breaking?), we have never expected the police to protect us from online crime.

The result is a lawlessnes­s which has encouraged drug traffickin­g and money-laundering, revived child pornograph­y and cheated millions of individual­s, threatened companies and even the NHS via cyber attacks.

now the police are retreating from blue- collar crime, too. It is easy to write off the little stuff — bike thefts or stealing mobile phones — as unimportan­t. But this is the litmus test of a well-ordered, stable and secure society.

Most of us will never experience the big violations that were reconstruc­ted on Crimewatch, but antisocial behaviour affects us all.

Studies show that small crime begets bigger crime. The ‘broken windows’ concept (which links disorder and incivility in a community to subsequent serious crime) is more than just a theory: allow litter to grow or graffiti to spread and it attracts bad behaviour. Allow people to behave badly and others will behave worse.

We all understand the financial pressures on policing, and it’s pointless to blame the thin blue line for being even thinner.

But as someone who spent 20 years charting the decline of crime, and telling people: ‘Don’t have nightmares’ (the show’s signoff), I fear that we are sowing the seeds of a new and bitter crime harvest. Ditching their response to minor crime may seem as inevitable to the cops as ditching Crimewatch does to the BBC, but it is much more worrying.

There is, though, one great legacy of Crimewatch which continues to thrive. The Jill Dando Institute of Crime Science at University College London, named after my co-presenter, murdered in 1999, is now probably the biggest university department in the world dedicated exclusivel­y to cutting crime.

We have one of the largest secure data centres on the planet, dozens of research projects into novel ways to prevent crime and we’ve recently appointed the world’s first professor of future crime to help us all avoid the pitfalls of tomorrow.

And, surprising as it may seem, a lot of crime is foreseeabl­e. Just as the end of Crimewatch was.

 ??  ?? Breaking new ground: Hosts Sue Cook and Nick Ross publicisin­g the show in 1984
Breaking new ground: Hosts Sue Cook and Nick Ross publicisin­g the show in 1984

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