Daily Mail

A life of pain, but no one could turn suffering into sublime music like ARETHA

She had two sons by the age of 15, married a pimp who beat her, and battled alcoholism and crippling insecurity all her life. Yet no one turned suffering into sublime music like Aretha Franklin

- from Tom Leonard IN NEW YORK

NOBODy wore a fur coat quite like Aretha Franklin. She loved to shrug it off dramatical­ly mid-song — a Gospel music tradition to indicate emotional abandon.

In her case, the fur also helped remind her audience they were in the presence of royalty.

She was the ‘Queen of Soul’ and nobody dare forget it. On the few occasions someone made that mistake, her regal behaviour could be quelling. When Beyonce introduced Tina Turner as ‘ the Queen’ at the 2008 Grammy Awards, Aretha took it as an insult, angrily telling reporters it had been a ‘cheap shot for controvers­y’. (Given Turner was long ago crowned ‘Queen of Rock ’n’ Roll’, one might argue she had every right to the title).

Now, Aretha’s long reign is over. The woman who Rolling Stone magazine has judged to be the greatest singer of all time died aged 76 yesterday at her home in Detroit, Michigan.

She had been receiving hospice care for advanced pancreatic cancer, a disease she had been fighting since 2010. Although her health had long been crippled by years of alcoholism, heavy smoking and obesity, she announced only in February last year that she was finally retiring. An appearance at the New Orleans Jazz and Heritage Fest in April was cancelled on doctor’s orders.

In a statement, her family said: ‘In one of the darkest moments of our lives, we are not able to find the appropriat­e words to express the pain in our heart. We have lost the matriarch and rock of our family. The love she had for her children, grandchild­ren, nieces, nephews and cousins knew no bounds.’

Her last performanc­e, appearing as a frail shadow of herself, was at the Cathedral of Saint John the Divine in New york during Elton John’s 25th anniversar­y gala for his Aids Foundation in November 2017.

Yesterday, Elton paid tribute on social media: ‘The loss of Aretha Franklin is a blow for everybody who loves real music: Music from the heart, the soul and the Church. Her voice was unique, her piano playing underrated — she was one of my favourite pianists.’

Paul McCartney called her ‘ the Queen of our souls, who inspired us all for many, many years’.

For decades, Aretha Franklin had been an icon of black America. Aged 26, she sang Precious Lord at Martin Luther King’s funeral in 1968 and, more than 40 years later, performed My Country, ’ Tis of Thee at the WHEN 2009 inaugurati­on of Barack Obama.

She sang (you Make Me Feel Like) A Natural Woman in front of the President again six years later, he was seen wiping away tears before she had finished the first verse.

‘American history wells up when Aretha sings,’ he once said. ‘Nobody embodies more fully the connection between the AfricanAme­rican spiritual, the blues, R&B, rock ’n’ roll — the way that hardship and sorrow were transforme­d into something full of beauty and vitality and hope.’

Aretha sold more than 75 million records, won 18 Grammy awards and had 20 No 1 singles in a career spanning more than 60 years, from her first album Songs Of Faith in 1956 to her last, A Brand New Me, released in November 2017.

She was best-known for hits such as Respect, (you Make Me Feel Like) A Natural Woman, I Say A Little Prayer, and I Knew you Were Waiting For Me, but it was her range and versatilit­y across musical forms that was truly astonishin­g. It went far beyond gospel, pop, jazz and R&B.

When Luciano Pavarotti couldn’t perform at the Grammys in 1998 because of a sore throat, she stepped in at 20 minutes’ notice and sang Nessun Dorma in his place. It was a triumph.

However, behind her seemingly effortless stage performanc­es and the endless adulation showered on her, she was a troubled soul. The product of a chaotic, broken home and a philanderi­ng preacher father who turned his ministry into an excuse for sexual excess, she was pregnant with her first child at 12, and had two sons by different fathers by the time she was 15. Crippled by insecurity and battling a lifelong drink problem, she was an impossible diva at times — feuding jealously with other stars, and indulging in spectacula­r tantrums with her family and colleagues.

In denial about her personal problems and behaviour, Aretha did her utmost to hide it from her public. But it was all laid bare in an unauthoris­ed biography in 2014, Respect: The Life Of Aretha Franklin, by David Ritz.

He had been determined to reveal the ‘real’ Aretha Franklin story after penning an official ‘sanitised’ version 15 years earlier. Aretha dismissed the new book as ‘trashy’ and: ‘Lies and more lies!’ But none of the sources, including her closest friends and relatives, denied it.

Aretha, one of four children, was born on March 25, 1942, in Memphis, Tennessee, to Clarence

Franklin and his wife Barbara, a vocalist and piano player.

Her father, the single most influentia­l person in her life and her first manager, was an enormously successful Baptist preacher. Born in Mississipp­i, he claimed that at 15, a ‘voice coming from a burning plank’ had told him to go out and preach God’s Word.

Dubbed the Preacher With The Golden Voice, he became famous across the U.S. for his exuberant sermons, recordings of which sold by the hundreds of thousands.

When Aretha was four, the family moved to Detroit where her father took over the pastorship of the New Bethel Baptist Church. By seven, she was a member of the gospel choir at the church and able to replay a tune on the piano after hearing it just once.

At ten, she was singing solos. Her father — a close friend of Martin Luther King, who would stay with the family when in town — wallowed in his fame as a preacher and behaved like a film star, driving a Cadillac, wearing sharp suits and alligator skin shoes.

The attention he attracted only fuelled his promiscuou­s nature, culminatin­g in his fathering a child with a 12-year-old girl.

His church became a front for orgies which insiders described as a ‘sex circus’. As biographer Ritz put it: ‘High on wine and weed, the party people celebrated the love of the flesh.’

Singer Etta James, who also attended the church and, like Aretha, lost her virginity before reaching her teens, said: ‘I can understand Aretha not wanting to talk about that . . . who wants to admit that you’re praising the Lord at the 8pm service and servicing some drop- dead gorgeous hunk of a singer an hour later?’

When Aretha was six, her mother had left because of her husband’s promiscuit­y and moved to Buffalo, New York, although she continued to see the children until her death three years later. The youngsters were largely brought up by a string of their father’s secretarie­s and girlfriend­s.

Traumatise­d by the loss of her mother and perhaps influenced by her father’s libidinous ministry, Aretha became highly sexualised at an early age. Soul singer Sam Cooke — who inspired her to move from gospel to secular music — later hinted they had an affair when she was 12 and he was 23.

She gave birth to the first of her four sons just two months after her 13th birthday, calling him Clarence after her father. His tawdry reputation was such that rumours spread that he was the baby’s father. In fact, it had been a friend of Aretha’s from school. Two years later, a second son was born.

Throughout that difficult childhood, she was driven by a determinat­ion to make it as a singer, dropping out of school — leaving her children to be raised by

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 ??  ?? Queen Aretha: A classic diva pose and, inset clockwise from top, her final stage show at the Elton John gala in 2017, with father Clarence, performing in 2001, with first husband Ted White and smoking in the studio in 1969 Pictures: SAM EMERSON/POLARIS/EYEVINE/AP/ MICHAEL OCHS ARCHIVES/AFP/GETTY IMAGES HER LAST PERFORMANC­E
Queen Aretha: A classic diva pose and, inset clockwise from top, her final stage show at the Elton John gala in 2017, with father Clarence, performing in 2001, with first husband Ted White and smoking in the studio in 1969 Pictures: SAM EMERSON/POLARIS/EYEVINE/AP/ MICHAEL OCHS ARCHIVES/AFP/GETTY IMAGES HER LAST PERFORMANC­E
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