Daily Mail

‘Sing me a song or I’ll slit your throat’

That was the chilling threat given to a middle-class film maker jailed for fraud — as he reveals in a compelling book about our crumbling prisons

- By Chris Atkins (Atlantic Books £16.99, 336 pp) OLIVIA LICHTENSTE­IN

DOCuMeNTAR­Y maker Chris Atkins is in a rundown cell with a psychotic prisoner discussing the intricacie­s of quantum mechanics.

He has more prison access than any journalist could dream of, but there’s just one catch: he is not there in his profession­al capacity, he is himself an inmate, serving a five-year ‘stretch’ for film tax fraud. It was a complicate­d scam involving raising inflated invoices to fund investment in his film projects.

Just as he believes the encounter between him and his wild- eyed fellow prisoner is going swimmingly, the latter leans towards him and says: ‘Sing me a song or I’ll slit your throat.’

This is one of the many lively and alarming anecdotes Atkins recounts about his time inside HMP Wandsworth, where he spends the first seven months of his sentence before transfer to an open prison.

It’s a nightmare world where the lag running the laundry tells Chris a tin of tuna in brine — a basic unit of prison currency, at 75p a can — would go down well if he really wants to be sure of clean clothes.

When he moves on, his successor — a tramp who has got himself into prison deliberate­ly in order to have warmth and regular meals — says the price of clean clothes has gone up: he demands nothing less than tins of tuna in sunflower oil, at 95p a time. Proving, as Atkins neatly puts it, that ‘beggars can be choosers’.

Teetotal Muslims attend AA meetings to get more time out of their cells and inmates sign up to obscure courses and myriad jobs for the same reason. Atkins, an atheist, happily goes to church while others declare themselves multi-faith to attend every worship service going: prisoners will do anything for the ‘unlock’.

The author paints a colourful picture of this microcosm of society where white collar prisoners successful­ly play the system to get access to education and so more time out of their cells, while the disproport­ionate number of young black inmates remain locked up, addicted to ‘spice’, self-harming and often suicidal.

THe book teems with larger-thanlife characters but beyond the pure grisly ‘entertainm­ent’ lies a valuable report from the front line of the horrors of our prison system.

Inmates are locked up for 23 hours a day, have limited access to showers and personal hygiene and the answer to every question is a barked order to fill in a general applicatio­n form, notwithsta­nding the fact that 50 per cent of inmates struggle with literacy. Glasses broken? fill out a general app; relative not approved to visit, general app. The resulting paperwork is quickly shredded without being attended to.

Atkins’ first cellmate is ‘ Ted’, a Costa del Crime coke dealer to whose extreme Right-wing racist views he is forced to turn a blind eye. Then, after a short stint with ‘Dan,’ a Romanian pickpocket whose cell walls are papered with pornograph­y, he finds himself more compatible with one of his own: Martyn, a former Deutsche Bank managing director, who is serving time for insider trading.

The author’s middle-class nous enables him to work the system and find his place in the ‘White Collar Club’ on H wing, which he calls the ‘Hampstead’ of the prison.

Once a month the entire prison goes into lockdown for staff training. He and Martyn manage to get out of it by joining a focus group, on one occasion spending an afternoon with visiting Scandinavi­an professors who are there to discuss rehabilita­tion. They are aghast to discover that all the prisoners are locked in their cells and ask how, in that case, they manage to go to classes and workshops? The answer of course is that they don’t. The Danish reoffendin­g rate, points out the author, is 27 per cent; in Britain it is 48 per cent.

Alongside the picaresque tale of our hero navigating prison life runs the darker story of the ineptitude of our penal system: a rotting, archaic machine held hostage to staff shortages, impenetrab­le bureaucrac­y and unforgivab­le ineptitude. There’s a four-week backlog for a pin number that allows prisoners to call home, and clothes changes, promised to occur weekly, happen far less frequently, tuna supplies notwithsta­nding.

The prison carries out criminal background checks on Atkins’ four- year- old son before he is finally approved for a visit after significan­t delay.

Acute problems such as drug abuse, mental health and suicide among the prison population go untreated and the many foreign nationals incarcerat­ed struggle to make themselves understood without interprete­rs. The suicide of a young Lithuanian, Osvaldas Pagirys, imprisoned for stealing sweets is a case in point. Assessed by a mental health worker but not provided with an interprete­r, he was judged safe to go on the prison block. Locked in his cell, his calls for help went unanswered and he hanged himself.

SeLf- HARM is so ubiquitous that one of Atkins’ cellmates has a job as a biohazard cleaner and is repeatedly called in to clean up the bloody aftermath.

In a fit of compassion (and the self- confessed desire to earn brownie points), Atkins joins the Listener scheme; run by the Samaritans, a system whereby the

Locked up: HMP Wandsworth where Chris Atkins (inset) was incarcerat­ed for seven months care of prisoners is largely devolved onto other prisoners, who have been hastily trained in the art of counsellin­g.

At times the book’s purpose feels unsure: is it a romp through the vicissitud­es of prison life by someone who believes they shouldn’t really be there, or a damning indictment of our prison system complete with statistics, informatio­n in boxes and footnotes?

In addition, we don’t get enough insight into how the author copes psychologi­cally with his dramatic change in circumstan­ces.

A family visit with his young son, Kit, reminds him of who he is and it’s only really in relation to his son that Atkins reveals how hard it is for him to be in prison.

As someone whose films pointed the finger at the wrongdoing of others — his documentar­ies include one criticisin­g the Blair government underminin­g civil liberties — the irony of his own fate doesn’t escape him. Yet he makes light of his crime and the money misappropr­iated from HMRC for Atkins’ tax fraud is money the Government needs for the Prison Service, the NHS and education.

That said, this is a highly readable and thought- provoking account, which illuminate­s a failing and anachronis­tic institutio­n in dire need of a radical overhaul.

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Picture: GETTY

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