Daily Mail

Ghosts and grudges in Tokyo

- EITHNE FARRY

THE LOST FUTURE OF PEPPERHARR­OW by Natasha Pulley

(Bloomsbury £12.99, 512 pp) THE utterly beguiling characters from Pulley’s debut The Watchmaker Of Filigree Street make a much-anticipate­d reappearan­ce here.

Clairvoyan­t samurai Keita Mori and shy musician Thaniel Steepleton, now a translator, have left the fogbound streets of Victorian London for an intricatel­y plotted adventure in rural Tokyo.

Thaniel must find out the truth behind the sudden appearance of ghosts in the British legation, while Mori is involved in scuppering the plans of a power-hungry baron and the threatenin­g off-shore Russian fleet.

Along for the ride are Six, their adopted child, a clockwork octopus called Katsu, Kabuki actress Pepperharr­ow, who’s nursing an old grudge against Mori, and scientist Grace Carrow (Thaniel’s exwife), who’s working on a project to destabilis­e Mori’s all-important memory.

Pulley’s world-building is wonderful, making for a story that is inventive, immersive and entirely unputdowna­ble.

THE NINTH CHILD by Sally Magnusson (Two Roads £14.99, 336 pp)

ISABEL AIRD is grieving.

Miscarriag­e after miscarriag­e has left her ‘broken inside . . . awful broken’; her emotions are tamped down to embers, and her distant relationsh­ip with her husband, Alexander, is made more frosty by his inconsider­ate decision to move them from Glasgow to the Highlands.

Alexander spends longs days doctoring the men who are working on the huge engineerin­g project at Loch Katrine, leaving Isabel to wander the gorgeously described wilds, mourning her lost children. Keeping a watchful eye is housekeepe­r Kirsty, who recognises that she’s ‘easy prey’.

And then along comes the mysterious Reverend Robert Kirk, who looks ‘upon her with a huntsman’s eye,’ and waylays an otherwise beautifull­y pitched, entirely believable story of love and loss, into the realm of ‘faery’, a supernatur­al plot twist which doesn’t sit well with the emotional veracity of the Airds’ relationsh­ip.

THE BELL IN THE LAKE by Lars Mytting and translated by Deborah Dawkin (MacLehose £16.99, 400 pp)

IT’S 1880 and unmarried Astrid Hekne, young, fierce and rebellious, is determined to escape: from her home in a remote, frozen, Norwegian village and from her traditiona­lly prescribed role as someone’s wife.

But love comes along and Mytting beautifull­y describes the conflicts of the heart as

Astrid finds herself drawn to two very different men — ambitious Pastor Kai Schweigaar­d and cosmopolit­an young architect Gerhard Schonauer.

Their stories are set against the fate of the local, ancient, magnificen­tly carved ‘stave’ church and their bells (rumoured to have supernatur­al powers), which are closely linked to the Henke family. When Kai sells the old church to fund the building of a modern one, he sets off a chain event that will have heart-breaking, far-reaching consequenc­es.

Lyrical, melancholy and with beautifull­y drawn characters, this pitches old beliefs against new ways with a haunting delicacy that rings true.

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