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MINORITY REPORT

What it’s like to be a female member of MCC

- By Emma John

It’s the horror of arriving at a party where you know nobody

YOuR first mistake is buying beer at the Long Room Bar during a T20 game. Turns out there’s an ancient statute — or perhaps a curse, you’re still not quite clear — that means your drinks can never leave the room, much like the Holy Grail in Indiana Jones and the Last Crusade.

So you down them and follow directions to the Bowlers’ Bar where you buy more beers, then discover you can’t take those outside either. So you down them, and walk shakily back to your seat. You aren’t sure how many overs you’ve missed, but the numbers on the scorecard have turned to squiggles — and you’ve sort of forgotten who’s playing. One of them’s Middlesex, right?

Wait, that isn’t your first mistake. That was showing up an hour before the start. You thought that left plenty of time to get a seat, but the Pavilion benches had been papered over: Telegraphs, Timeses, spread from the front row to the upper balcony. The sole remaining spot was behind a pillar that obscured the slip cordon. You sat down on the bench. It was like a packing crate. You should have brought a cushion. Rookie error #3.

In 1998, seized by a rare fit of liberality, Marylebone Cricket Club finally opened their doors to women. I was one of the first to put my name down and, last year, one of the first to graduate from the notoriousl­y long waiting list. There were 134 women elected to full membership in 2019; we were the largest female intake the club had seen. Although, to offer perspectiv­e, there are currently 18,000 full members of MCC.

Some see membership as a cynical way to guarantee a seat for every day of the Lord’s Tests. Well, let’s not pretend. unfettered access to the ground, its historic Pavilion and its exclusive members- and- friends stands, at the ridiculous­ly good value of £600 per annum, is what makes a 20-year wait worthwhile. But there are other privileges: a say in the future of the most prestigiou­s cricket venue in the world; use of the peerless facilities and, of course, an excuse to wear those eye-watering club colours. My red pass lands on my doormat in March, embossed in gold. Twenty years is half my lifetime.

YOU’VE been in the Pavilion before — it’s not new to you. Or is it? So many rooms you’re now allowed into but are too nervous to enter; unmarked doors that usher you into a display of vintage tour blazers; a parlour of white-linened tables that smells like school, where men in grey suits and navy ties sit alone.

You’ve never experience­d the Long Room like this, either. never walked in during a game, seen the rows of empty stools, wondered if you’re brave enough to sit on one. Decided you’re not. Hovered, instead, in no man’s land, hoping a steward won’t demand you move. There’s a shout from the middle; a distant cheer; a smatter of applause. You see the batsman heading in and you’re terrified of being in the way. So you spin round, straight into his replacemen­t.

THERE is solidarity in being a minority. It was at my second game that I met Olivia, whom I sat beside, I’ll admit, entirely on the basis of gender. She described her first visit as ‘ horrendous’ — the horror of arriving at a party where you know nobody. Since then, some of the female members have created a Facebook group. If you are planning to be at a game, you can post a message and find out who else is going. A digital response to the old boys’ network.

THURSDAY. First day of the Ashes Test. OK, the first day was a Wednesday washout, but it feels like it. Bright green outfield, bright blue sky. Pat Cummins reaches his mark, and every conversati­on in the ground pauses. Four and a half hours you’ve been here. By 6.30am, the line of egg-and-bacon ties was nearing the end of St John’s Wood Road, about to turn the corner towards the hospital. no wonder members are caught napping in the afternoon session.

But the cricket is electric. And next to you is Robbie, a nice bloke you knew at college who has offered to help you acclimatis­e; teach you the seat-bagging etiquette. He played for the club before he became a member, and even he found the place intimidati­ng. It’s easy to assume everyone is old, or posh, or not your kind of person, says Robbie. But you find your people. Then you’re friends until you die.

You’re heading to the bar when a couple of chaps — maybe 10 years older than you, maybe 20 — summon you over as if you’re their waitress. They’ve spotted the MCC colours on your hat.

‘Can I just say?’ The dominant male is speaking. ‘I voted against women the first time round. But the second time, I voted for you.’ There’s a pause, which you sense you’re supposed to fill with gratitude. Instead you ask what changed his mind. He smirks at his friend. ‘Good-looking women like you!’

SEVERAL of our Facebook group were playing members, which meant they had bypassed the epic waiting list and been given the freedom of Lord’s years ago. In the early days, some of these veterans had been accosted by strangers and asked: ‘What are you doing here?’

My own induction came early in the season, trying to resist an unwanted hug from a stranger on the Pavilion steps. (‘It’s OK,’ he told me boozily, ‘we can have a cuddle.’)

In the wake of #MeToo, MCC were serious about changing the culture. One man was expelled after verbally

abusing a fellow member simply for being female. and at the agM in May 2019, the membership voted through their first official code of conduct. We were told there were disciplina­ry panels to investigat­e breaches, and urged to report incidents straightaw­ay.

Over the course of the summer, I could sense the goodwill efforts: the smiles and nods; the awkward, yet well meant, conversati­on starters from the men sitting alongside me; the gentle helpfulnes­s of the stewards.

I went to a members’ forum, where a red-faced gentleman roared about the lack of QUALITY REFRESHMEN­TS in the Long Room, and demanded the beer be served at a RELEVANT TEMPERATUR­E. I booked an induction session at the real-tennis court, where I discovered the trajectory of a heavy, hand-stitched cloth ball is as difficult to predict as Murali’s mystery spin.and before long, I started running into people whose names I knew — people, dare Isay, I started to call friends.

LaST day of the season. Rain has been pouring all morning, but you cycled through it anyway. Which is why you’re now standing in the Ladies, holding your skirt under the hand dryer and wondering whether the mud spots on your tights violate the dress code.

a woman with a grey bob comes in to fix her make-up. Liz. Two hours it’s taken her to get here from home but she couldn’t miss the last day. Never thought she’d have the privilege of watching from this end, after all.

upstairs, over a cup of tea, she tells you how, years ago, a friend suggested she apply. ‘and I thought, why would they want me? I’ve got no fancy connection­s, I wouldn’t fit in.’ She looks around her. ‘Best thing I’ve ever done.’

a series of loud creaks emanate from the end of the corridor. Eleven men are moving heavily down the stairs. Liz heads to the benches, but you make for the empty Writing Room.

from an armchair, you can watch the game through a vast open window that frames the wicket, as though it were another of the artworks. It’s your new favourite place.

The bowler runs in, arms and legs pumping like he’s Tom Cruise about to hurl himself between buildings.

The ball slides down leg and the batsman tucks it round the corner. There’s a tut from another armchair — you’re not quite alone. You can’t see his face, just the Playfair on the table next to him.

The Writing Room was somewhere for quiet retreat. It used to have its own postbox and at its desks, the old- timers worked on their correspond­ence. Plum Warner. Perhaps Lord Harris.

But the view they knew is long gone. and the evolution of Lord’s continues, right now, right in front of you. Even as play goes on, diggers are at work on the Compton Stand. Tearing down hunks of concrete. Making way for the future. Change at both ends.

▪ A longer version of this piece appears in Wisden. Emma John is the author of Following On, the Wisden Book of the Year in 2017.

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