A rock ’n’ roll blast from Glasto’s past
50 YEARS OF OUR FAVOURITE FESTIVAL (PART 1)
1970 With the cancellation of this year’s festival, it is a good time to look back at the very first Glastonbury Festival, which was a singularly ramshackle affair, taking place on a single, rather cramped platform, the Coffee-table Stage.
that first festival was an uneasy mix of old and new. Joint masters of ceremonies were the laconic Radio One disc-jockey John Peel and Leonard Sachs, compere of television’s the Good Old Days. ‘ Once again, Goood Eeeeever-ning, Laydeeeeeez and Gentlemeeeeen!’ bellowed Sachs, introducing the first act. ‘Now please welcome the prestidigitational, plenitudinous, the positively plumacious — the Groundhogs!’
Sadly, the headline act, the hippy band hawkwind, had been inconvenienced when their camper van broke down on the outskirts of Bridgewater, following an unsuccessful experiment using dandelion extract instead of petrol.
1971 JOINTLY hosted by North American hippy comedy duo Cheech and Chong and Britain’s very own Arthur Askey, the second Glastonbury Festival attracted international performers of the calibre of Roy harper, Des O’Connor, Gong, Kraftwerk and the Military Band of the Royal Scots Dragoon Guards. the weather proved a disappointment, though, with Britain’s first recorded Force 10 whirlwind sweeping through the festival just as that year’s headliners, Unopened Wardrobe, were launching into their first track. the band finished their set in a tree on the other side of the Bristol Channel, in South Wales. ‘Luckily, i didn’t notice,’ recalls lead vocalist Steve toppins, ‘ as i always sing with my eyes closed.’
1972 THIS year saw the debut of the world-famous Pyramid Stage. ‘the design required quite a bit of fine-tuning,’ recalls festival organiser Michael Eavis. ‘Unfortunately, Mama Cass didn’t take too kindly to being sat right up there on the pointy bit, even though the view must have been breathtaking.’
1973 RECOGNISING the festival’s popularity among the all- important youth demographic, politicians of every hue were beginning to make the journey to Glastonbury.
On the Sunday morning, the Conservative Lord Chancellor, Lord hailsham, attempted to gatecrash a set by prog rock group King Crimson.
Clad in a kaftan and carrying a pair of handbells, he was brought down by a rugby tackle from 22st Bob ‘ the Bear’ hite, lead singer with American rockers Canned heat.
‘it was most impertinent and objectionable behaviour,’ hailsham recalled in his autobiography, Prime Minister in All But Name. ‘the man clearly had no idea that he was dealing with someone who had played handbells with George Formby, when he debuted at the isle of Man Festival in 1950 — but, then again, these American long-hairs have little or no sense of history.’
Later in the day, Labour Shadow Foreign Secretary James Callaghan ventured on stage unannounced during a set by folk singer Buffy Sainte-Marie, and attempted to duet on her hit song Soldier Blue. however, his disguise was uncovered when his Native American headdress was forcibly removed by wandering minstrel Donovan. At this point, Callaghan found himself subjected to a prolonged outburst of booing from the 250-strong crowd.
it was to be 44 years before another politician managed to in inspire enthusiasm at Glastonbury. in 20 2017, Labour leader Je Jeremy Corbyn was gr greeted with rapturous ou applause as he to took to the Pyramid St Stage. however, so some felt his subsequent qu full-throated re rendition of the Red Fl Flag to the tune of M MacArthur Park, ac accompanying himself se on kazoo, be betrayed political mi misjudgment. Sadly, this thi year’s planned performance pe of Stairway to heaven by Labour leader Keir Starmer has been cancelled as a result of the current pandemic.
1974 TORRENTIAL rain transformed the 100acre site into a mudbath.
Nearly 50 years on, archaeologists are still dredging up artefacts from that momentous year. Last month, a team from Dundee University armed with picks and shovels dug up an object caked in a ball of ancient mud. Subsequent laboratory tests suggest that it was once a purple and orange tie-dye Make Love Not War t-shirt.
‘this suggests purple and orange tie-dye “Make Love Not War” t-shirts may have been introduced to Glastonbury society a full year before previous records suggest,’ says Professor Warner from the GHRI (Glastonbury historical Research institute).
Other mud-encrusted discoveries in recent years include a bunch of gladioli believed to have once belonged to Morrissey, and a skeleton with a tambourine, thought to have been a percussionist with hawkwind.