Daily Mail

A very merry Netflixmas!

It’s completely doolally – but new TV giant’s romp leaves BBC’s Midwife looking wan...

- Review by Christophe­r Stevens

BlAME it like everything else on coronaviru­s but 2020 will be remembered as the year when Christmas Future took over from Christmas Past – and anyone who had access to Netflix gave up on poor old Auntie Beeb.

With new production­s poleaxed by successive lockdowns, BBC1’s festive fare was patchy at best.

We got 75 minutes of Strictly highlights, a remake of Blankety Blank hosted by Bradley Walsh and by late evening it was back to repeats of The Vicar of Dibley.

But the streaming giant Netflix showed us how to do Christmas properly, serving up its biggest production of the year – eight hour-long episodes of a romantic epic set 200 years ago, all heaving bosoms and dashing bucks. It’s lavishly imagined, at colossal expense.

How this was possible when terrestria­l TV struggled to fill its schedule, no one knows. Probably, deep within their lair in Castle Netflix, a thousand mad scientists have toiled all year. At the stroke of midnight a bolt of lightning struck, and their creation came alive: Franken-Austen!

Bolted together from bits of romantic Regency novels, Bridgerton (Netflix) is constructe­d from the corsets of Pride and Prejudice, the petticoats of Sense and Sensibilit­y and the wigs of Northanger Abbey. There are ribbons, bows, silks and satins from every scene the sainted Jane ever wrote. Every shot looks more sumptuous than the last.

And it’s completely doolally. Though Bridgerton is a costume drama to the tips of its lace parasols, to call it historical would be a gross breach of the Trade Descriptio­ns Act.

In this version of Georgian England, aristocrat­s ravish actresses in Hyde Park before dashing off to the palace to see their sisters presented to the monarch. If the Queen likes the look of a girl, she descends from her throne and bestows a kiss on her forehead as a sign of royal favour.

That’s the cue for battalions of eligible bachelors to hammer on the young lady’s door each afternoon and take it in turns to propose, until she gives in and agrees to marry one of them.

Queen Charlotte, incidental­ly, is black – played by Golda Rosheuvel. So is the scowling hero, the Duke of Hastings (Rege- Jean Page) as well as a sizeable minority of the nobility, some with dreadlocks.

Since this is all a galloping fantasy, it makes no difference whether this is an inaccurate depiction of England under George IV: the characters pay no attention to race and neither need we.

Every shred of the plot is swiped from Jane Austen. A girl (Phoebe Dynevor) with innumerabl­e sisters and a bossy mother (Pride and Prejudice) discovers that she is annoyingly attracted to a man she can’t stand (still Pride and Prejudice). Meanwhile, a poor cousin (Ruby Barker) comes to stay with her wealthy relatives and finds that she is much more clever and good- looking than they are (Mansfield Park).

The intrigues deepen when all the characters visit Vauxhall Pleasure Gardens (hang on, that’s from Vanity Fair by William Thackeray).

It’s a cartoon version of classic literature, where the heroine laments: ‘You have no idea what it is to be a woman. What it might feel like to have one’s entire life reduced to a single moment. This is all I have been raised for. This is all I am, I have no other value. If I am unable to find a husband, I shall be worthless.’

Feminism doesn’t exist in the fantasy land, then.

Since there’s not enough sex in the original Austen to suit the Netflix audience, young Anthony

Bridgerton (Jonathan Bailey) spends every available moment tupping his mistress. We see more of his bottom than his face.

Julie Andrews, once a very different sort of Christmas star as singing nun Maria in The Sound Of Music, supplies narration.

She’s a society gossip, Lady Whistledow­n, who sees every scandal and details it in her libellous pamphlets. If you’re old-fashioned enough to yearn for a proper nun at Christmas, then there was Sister Julienne (Jenny Agutter) still bravely ploughing on in Call the Midwife (BBC1).

However, this perennial postturkey fare is looking as faded as an old paper chain, beside the shiny Netflix nonsense.

Trixie (Helen George) hasn’t found love since we last saw her. Her godmother (a presence felt offstage but never seen, like Arfur Daley’s missus) worries she will be ‘left on the shelf’ and orders her to try a marriage bureau – 1965’s equivalent of internet dating.

That gave Trixie an excuse to sit in hotel tea rooms with a mink wrap around her shoulders while smoking nervously.

She is tricky to please, though – no facial hair, no drinkers and definitely no Germans. The

Munich beer festival must be her idea of purgatory.

We learned that doctor’s receptioni­st Miss Higgins (Georgie Glen) is a spirituali­st and that she has fond memories of a Harvey Wallbanger cocktail she drank in 1926. Perhaps she was a flapper.

Nurse Crane (Linda Bassett) wanted to run away with the travelling circus and perform on the high trapeze, ‘with legs as long as ribbons’. ibb ’ Ri Ringmaster t Pt Peter D Davison i let her have a go, though his character had lung cancer and was on his last legs himself.

It was all a little wan. Call the Midwife used to deliver emotional barnstorme­rs and now it can’t manage much more than a feeble smile. If you decided to abandon tradition and spent Christmas bingeing online instead, no one could criticise you.

It was a gamble so audacious it made Wall Street’s big beasts look toothless: a group of Essex traders who made £491m in ONE DAY by betting on oil prices. As a US company launches legal action against them, we reveal how the diamond geezers beat the Americans at their own game

DAWN was still hours away when the Essex Boys crept out of bed and fired up their banks of computers. With their highpowere­d machines, they could speculate at lightning speed on the lucrative commoditie­s markets 3,500 miles away in New York.

And in the bare-knuckle trading pits where their mentor, Paul ‘Cuddles’ Commins, had learned the ropes, there is an old adage: snoozers are losers. On this, of all days, it was never more apt. As they well knew, it was a day when tens of millions could be lost on the oil market — yet for the slickest and most courageous operators, vast profits might equally be made.

The date was April 20 this year and as the pandemic took its grip, paralysing industry, emptying towns and cities, grounding planes and imprisonin­g 2.6 billion people (a third of the world’s population) in lockdown, the price of crude oil was spiralling downwards at a dizzying rate.

Although it continued to gush from the wells, demand had all but dried up. Worse, there was insufficie­nt capacity to store it in the huge depots of Oklahoma.

So as panic set in on that fateful spring day, the cost of a barrel in U.S. dollars plunged from an already-low $18 to $10 . . . then $5 . . . until, at 7.08pm UK time, it ceased to have any worth at all.

Indeed, as it costs money to store unwanted oil, for a few surreal hours the price of crude went into the negative for the first time in the oil market’s 137-year history. Its closing ‘value’ was minus $37.63 (minus £28 at today’s exchange rates): the amount the seller would have to pay the buyer to take it off their hands.

In a few hours, billions had been lost. Some traders were completely wiped out. The financial carnage reached all corners of the globe.

Not, though, the quiet, wealthy portion of Essex near Epping Forest where Cuddles Commins and his friends plied their trade.

Living up to their reputation for having ‘balls of steel’, the Essex Boys had embarked on a daring strategy to make money from the oil market’s cataclysmi­c collapse.

Their plan involved simultaneo­usly buying and selling vast quantities of the black stuff, and gambling on its future price. THIS

ploy worked to devastatin­g effect. By the close of trading on April 20, the nine traders — including two who are still in their 20s and another who had previously worked as a trolley attendant in a supermarke­t car park — had walked away with a £491 million profit.

They had pulled off one of the most audacious and lucrative coups in trading history. It was a feat to rival that of the legendary George Soros, who made a reputed billion- dollar killing by betting against the pound as Britain withdrew from the European Exchange Rate Mechanism on ‘Black Wednesday’ in 1992.

They had achieved this inside a few frenetic hours without even leaving their homes.

Some of them might have been tempted to shout their astonishin­g success from the rooftops. After all, they were already extremely wealthy by most people’s standards and not exactly unostentat­ious.

They live in large houses with all mod cons, drive flashy ‘ motors’, holiday in Marbella, spend their weekends golfing and watching West Ham FC, and frequent the same glitzy bar as the cast of reality TV show The Only Way Is Essex.

With commendabl­e modesty, though, Commins and his pals kept shtum about their masterstro­ke and for many months it remained the stuff of chatroom rumours among fellow traders.

According to the magazine Bloomberg Businesswe­ek, which broke the story this month, when one of the Essex Boys was phoned for comment on the £491 million killing, he joked that he had to go because ‘ the mobile reception is breaking up on my yacht’.

It was a cheeky quip that might have been cracked by one of TOWIE’s diamond geezers. But there is a less amusing side to this extraordin­ary saga.

Smarting from the loss of $92,000 (£68,000) on the day oil prices plunged below zero, a California- based coin- dealing company has now filed a lawsuit against Vega Capital London Ltd, the minnow company through which Commins and his colleagues were affiliated.

It accuses them of making their fortune by manipulati­ng the market to their advantage. As this is a so- called ‘class action’, the complainan­ts can represent other parties who might allege a similar grievance.

A former U.S. Department of Justice prosecutor says this accusation could prompt criminal charges, the maximum penalty for which is ten years in prison, plus millions of dollars in fines and a trading ban. Vega Capital’s U.S. lawyers have asked a judge to throw out the case, saying that it is utterly without merit.

Meanwhile, the U.S Attorney for the Southern District of New York has reportedly also started an investigat­ion to determine whether, in his opinion, the traders committed a felony. Senator Sherrod Brown, a member of the Senate Banking Committee, has asked the U.S. futures market regulator, the Commodity Futures Trading Commission, to examine Vega’s trading activity, saying it created ‘ the impression of a market susceptibl­e to manipulati­on’. Vega Capital has not been accused of doing anything illegal.

This week, leading London lawyers Simkins, who act for Mr Commins and the other traders, strenuousl­y denied any malpractic­e.

‘Each of our clients regularly puts his own money at risk to try to make a profit,’ a spokesman told the Mail. ‘Sometimes it works, sometimes it doesn’t.

‘ On April 20, blaring market signals — including the [trading] exchange’s repeated warnings that prices could go negative — led market participan­ts ranging from small proprietar­y traders to large financial institutio­ns to trade on the assumption that prices would drop.

‘While no one could predict just how far prices would drop, each of our clients, like so many others around the world, traded on his own views of the market. They strongly deny any wrongdoing and don’t intend to comment on speculatio­n about their profits.’

A robust and indignant response. And for the London trading community — who sense that some of the accusation­s flying across the pond are born of envy, along with humiliatio­n that a band of littleknow­n Brits could trounce the sharp-fanged wolves of Wall Street — one that is wholly justified.

‘If it was BP or Goldman Sachs that made that money, no one would bat an eyelid. But when it’s a bunch of working-class lads, people say they’re cheating,’ one trader who knows the group told Bloomberg. ‘I say good luck to them.’

If the City’s watering-holes were

open, many would drink to that. For in a pandemic, as in a war, those with the sharpest wits and steadiest nerve make money.

So what do we know of the men who saw beyond the chaos last April, and how did they turn a catastroph­e to such advantage?

VISITORS to Paul Commins’s family home these days would doubtless be impressed. recently valued at £3.65 million, the three-storey pile in an affluent Essex village has a swimming pool, home gym and walk-in wardrobe. On the driveway stand a 2020-registered Porsche and two gleaming range rovers.

The father of three acquired these totems before he waltzed away with £ 22.5 million — his comparativ­ely modest share of the Vega oil-trade spoils. But given that he elbowed his way to the top of his parlous game by working exhausting hours and using his rapier wits, it would be churlish to begrudge him the trappings.

If this story is made into a film — perhaps directed by guy ritchie, king of the Cockney wideboy genre — Commins would best be portrayed by ray Winstone.

He cut his trading teeth in the manic ‘pits’ of london’s Internatio­nal Petroleum Exchange, where 400 garishly blazered hustlers betted on the price of oil and gas at breakneck speed, rising to become one of the ‘locals’ who sported crimson jackets and gambled with their own money.

Colleagues ribbed him for his Jonathan ross-like manner of speech, which prevents him pronouncin­g his rs. Yet he took it in good part. His pit identity badge even bore the letters FWE, which was how he pronounced ‘three’.

With fast bucks to be made and raucous camaraderi­e, it was a lifestyle he relished. But when the pits closed 15 years ago, Commins, then 36, started his own ‘prop shop’ — a place where traders work together, but independen­tly, under the same roof.

In doing so, he joined forces with Chris ‘Dog’ roase, 46, another seasoned trader, who reportedly made £67 million on April 20.

Among the assorted veterans and rookies who sat alongside them, swapping market talk and salty banter, there were some very unlikely tycoons.

Many were the offspring of Commins’s friends and fellow traders. They included Elliot Pickering, now 25. Described as a ‘skinny, awkward-looking kid who still lived with his mum’, he had neverthele­ss done well enough by the age of 17 to drive a convertibl­e rolls-royce with personalis­ed number plates.

Old photograph­s posted on social media by his father, Paul, show the ‘roller’ standing outside a stately home.

In messages accompanyi­ng the picture, friends congratula­te Mr Pickering on his ownership of the property and one says: ‘Elliot will be able to buy the house soon!’

The reply to this prediction was succinct: ‘ like father like son.’ And it has proved to be accurate, for Elliot Pickering was one of the biggest winners in April, banking £75 million.

Then there was Aristos ‘Ari’ Demetriou, 31, who also scooped £75 million. legend has it that he got his break when he spied Dog’s impressive car while working in the supermarke­t car park and asked him how he could afford it.

Ditching his high-viz jacket to work the trading terminals, Ari was evidently a natural. In 2014, when he was about 25, he was already earning enough to buy a four-acre plot near his new friends’ mansions in rural Essex. He demolished the property that stood there and built his dream home.

Three years ago, when he staged his lavish marriage ceremony at Claridge’s Hotel in Mayfair, his extraordin­ary rise was complete.

Another who scooped £75 million last spring was Connor Younger, then aged just 22. A building contractor’s son, he had spent his teens listening to rap music and chasing desirable girls before turning his attentions to trading.

Finally, we should mention Paul Commins’s 20- year- old son, george. Having presumably learnt to trade at his father’s knee, he made one of the smaller profits last April — a paltry £6 million.

These associates were first known as Tower Trading group but in 2016, when two senior figures, Adrian ‘Britney’ Spires and Tommy gaunt, left to start their own prop shop, Commins and about 20 others joined them.

Together they started Vega Capital, whose dowdy offices are registered to a business park in West Horndon, Essex.

Before the pandemic, they might have been working from these premises when their trading session commenced in the early hours of April 20.

Instead, they were marooned in their homes — but this was no great hardship. Traders’ houses are routinely equipped with multiple screens, specialist keyboards and even microphone­s and speakers so they can communicat­e with one another in real time while remaining at the keyboard.

They were trading, on the New York Mercantile Exchange, in West Texas Intermedia­te (WTI) futures, the instrument most frequently used to buy and sell crude oil.

The price of crude is always settled in advance on, or about, the 20th of each month and holds good for the next four weeks. And as it had been plummeting in tandem with the pandemic’s devastatio­n of the global economy, all the signs were that it would end the day at a record low.

As was their right, the Essex Boys were — like dealers around the world — intent on cashing in on this unpreceden­ted freefall.

They had agreed to buy a certain amount of oil when the price ‘settled’, as it always does, at 2.30pm each day. But as well as buying contracts for oil, they were also selling the same amount of oil.

And because they had agreed to buy at whatever the closing price was, the more it dropped into the negative, the more they were effectivel­y ‘paid’ for their purchases.

The key to the strategy was that they sold as much as they bought, so no oil actually went anywhere.

That was how ‘Cuddles’ and his cohort pulled off their coup.

Some would argue that they have done the u.S. regulators a service. For, albeit unwittingl­y, their trading bonanza may have exposed a fundamenta­l flaw in the global oil market.

CONTRACTS for other types of oil, such as Brent crude, can be settled in cash when they expire at the end of the month. But anyone with an expiring WTI oil contract must physically take possession of the barrels.

The only place in the world where WTI oil is allowed to be stored is in Cushing, a dusty backwater town in Oklahoma, surrounded on all sides by dozens of circular white tanks. And while Cushing has capacity for 90 million barrels, during the lockdown in April it was running out of space — driving the price down further.

Having to pay to store the oil — with nowhere to put it — created a negative worth for the commodity, which sets benchmark prices within the $3 trillion-a-year oil and gas industry.

Small wonder, then, that those in oil, from frenzied New York traders to Saudi Arabian billionair­es, were spooked that day.

Perhaps this explains why the American authoritie­s are examining what happened when prices plummeted so assiduousl­y.

under u.S trading regulation­s, what the Essex Boys did was all perfectly above board — provided they did not deliberate­ly set about pushing the oil price down to boost their profits.

Whether they did that is a question those authoritie­s will doubtless investigat­e with their customary rigor.

Meanwhile, in their mansions, the Essex Boys will be enjoying a particular­ly merry festive season, even with the Covid crisis.

And perhaps planning a beano in Marbella when the pandemic that generated their £ 491 million fortune finally subsides.

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Lavish: Phoebe Dynevor in Bridgerton Above: A scene to make Austen blush
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Circus in town: Linda Bassett in Call the Midwife. Right: With Helen George
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 ??  ?? Markets men: Left, Leonardo DiCaprio in The Wolf Of Wall Street. Above, Essex oil traders Elliot Pickering, left, and Paul Commins
Markets men: Left, Leonardo DiCaprio in The Wolf Of Wall Street. Above, Essex oil traders Elliot Pickering, left, and Paul Commins

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