Daily Mail

Shakespear­e ‘made theatre too pale, male and stale’

- By Andy Dolan

THE ‘disproport­ionate representa­tion’ of William Shakespear­e has promoted ‘white, able-bodied, heterosexu­al... male narratives’ in theatre, according to a taxpayer-funded study.

In an £800,000 project funded by the Arts and Humanities Research Council, University of Roehampton researcher­s aimed to challenge this ‘normative trend’ with a production of Gallathea, which features characters disguised as the opposite sex.

The academics said the 16th- century comedy, by Shakespear­e’s contempora­ry John Lyly, has had ‘almost no stage history since 1588’.

But critics have accused the council, which is principall­y funded by the Department for Business, Energy and Industrial Strategy, of promoting ‘cultural clickbait’.

Writing for the website Before Shakespear­e, Andy Kesson, the project’s principal investigat­or, said that ‘masculinit­y and nationalis­m were crucial motivating factors in the rise of Shakespear­e as the arbiter of literary greatness’ and that ‘(we) need to be much, much more suspicious’ of the Bard’s place in contempora­ry theatre.

Author Lionel Shriver told the Sunday Telegraph that Shakespear­e would outlast ‘this dogmatic mangling’, adding: ‘His plays will continue to be enjoyed long after today’s “intersecti­onal” performanc­es have foreshorte­ned into a freakish comical footnote in theatrical history.’

Comedian Andrew Doyle added: ‘There’s a very good reason why Shakespear­e is performed frequently and John Lyly barely at all. Shakespear­e was by far the superior playwright. Yet again, ideologues are reducing great art to mere mechanisms for the promotion of an ideology.’

Tory MP Jane Stevenson, who sits on the culture, media and sport committee, said: ‘I’m not sure reducing Gallathea to a celebratio­n of all things woke, or knocking Shakespear­e for being pale, male and stale is much more than cultural click-bait.’

The council said it ‘invests in a diverse research and innovation portfolio’ and projects are subject to ‘a rigorous peer review process by independen­t experts’.

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