Daily Record

SMALL BUT PERFECTLY FORMED

ANT-MAN AND THE WASP 12A

- DAMON SMITH

EARLIER this summer, larger-than-life characters from the Marvel Comics galaxy united to combat the threat of mighty Thanos in the superhero showdown, Avengers: Infinity War. However, one miniature crimefight­er – wisecracki­ng cat burglar Scott Lang (Paul Rudd) – was notable by his absence from the pyrotechni­c-laden combat. Peyton Reed’s crowd-pleasing sequel neatly explains Lang’s no-show against Thanos with a high-octane blast of rip-roaring entertainm­ent, which dizzies and delights in equal measure. Adopting a more intimate style of storytelli­ng, Ant-Man And The Wasp choreograp­hs outrageous set-pieces without sacrificin­g the broad humour or tender emotion that made the original 2015 film a sizeable hit. Notably, this is Marvel’s first action-packed feature with a female superhero proudly name-checked in the title.

Evangeline Lilly’s airborne assassin dominates bruising fight sequences when she isn’t catalysing molten on-screen chemistry with Rudd’s reluctant saviour.

Ant-Man’s ability to shrink to the size of an insect at the touch of his power suit’s button, or expand to the hulking form of a skyscraper-toppling giant, is exploited to greater comedic effect in the second film with the aid of seamless digital effects.

A turbo-charged car chase along the undulating streets of San Francisco is particular­ly memorable when the technology malfunctio­ns and Scott is unable to revert to his usual form and avoid drawing the attention of hordes of camera-wielding tourists.

Following the cataclysmi­c events of Captain America: Civil War, Scott is sentenced to two years under house arrest while Dr Hank Pym (Michael Douglas), inventor of the Ant-Man technology, and daughter Hope (Lilly) are in hiding, trying to find a way to rescue Hope’s mother Janet (Michelle Pfeiffer).

But when disaster strikes, Scott dons the Ant-Man suit and retrieves a stolen power source.

While the plot is flimsy and the quest to rescue Janet is unnecessar­ily protracted, the sequel doesn’t feel bloated at a buzz shy of two hours.

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