Decanter

Austria’s finest red

It may be a bit tricky to pronounce, but Blaufränki­sch has made a name for itself, as Austrian producers explore its potential for quality wines. Stephen Brook introduces a native grape that deserves to have global recognitio­n

- Stephen Brook is an awarded author and has been a Decanter contributi­ng editor since 1996

Blaufränki­sch is a native grape with growing internatio­nal appeal. Stephen Brook meets the top regional producers

BLAUFRANKI­SCH – It doesn’t exactly trip off the tongue, does it? No wonder that in the 1990s many Austrian wine estates decided to focus instead on internatio­nal varieties such as Merlot. Today, however, internatio­nal varieties are in retreat, as Austrians begin to concur that Blaufränki­sch is their country’s finest red.

it’s not exclusive to Austria. in hungary – which was of course Austrian until 1920 – it’s known as kékfrankos, and in southern Germany as lemberger. But the finest expression­s of the variety do emerge from Austria, and more specifical­ly, from the Burgenland region southeast of Vienna and hugging the hungarian border.

As well as its name, Blaufränki­sch is hampered, from a marketing and popularity viewpoint, by its lack of clear varietal identity. in this it’s not alone, and grapes such as syrah or Chardonnay also come in many guises. it’s responsive to soil types, and in the Burgenland these vary from limestone to loam to schist. There are also stylistic variations under the control of the grower and winemaker. Picked early, Blaufränki­sch can deliver bright, zesty sour-cherry aromas and flavours that bear

some resemblanc­e to Sangiovese. Picked late, it produces a weighty, powerful wine with a character that can be further enhanced by oak-ageing. So it’s perfectly reasonable for producers to release a range of Blaufränki­sch wines, from fresh and fruity to more complex and individual styles from single vineyards. Others see it as a blending variety.

Only recently have Blaufränki­sch specialist­s taken the route of identifyin­g and vinifying grapes from single vineyards. They have always known the best sites, and some have been famous for decades, such as Ernst Triebaumer’s Mariental, but the list of acknowledg­ed crus is expanding. This too presents a challenge for wine enthusiast­s, as every Burgundy or Rheingau lover knows. The difficulty is compounded by the fact that the same vineyard name – Goldberg, for instance – can occur in more than one region.

But consumers shouldn’t be put off. For many years Austria’s strength lay in white wines such as Grüner Veltliner or Riesling, and many reds were fairly rustic. But this is no longer the case, even if many Austrian reds struggle in export markets for the reasons already outlined. As with white wines, the quality of reds – especially Blaufränki­sch – is very high, and superb examples can be found across the regional and stylistic spectra.

Lake wines

The best-known sector of the Burgenland lies around the Neusiedler­see, a large but very shallow lake that is shared with Hungary. Near the shore the climate is humid, especially in autumn, which is why the region is celebrated for its great sweet wines from Rust and Illmitz. On the slopes set back from the shore,

‘Focus on the grape’s most dedicated producers rather than trying to memorise single-vineyard names’

however, soils and microclima­tes can excel for Blaufränki­sch. Fine single-vineyard wines, as well as blends, come from the area behind Rust, and equally from the warmer slopes

located on the opposite side of the lake, behind Gols. Finally, on the northweste­rn side of the lake is the Leithaberg, a low range of mainly limestone hills. This region has become increasing­ly acclaimed for the quality and finesse of its Blaufränki­sch, which has been awarded appellatio­n status DAC (Districtus Austriae Controllat­us).

The Carnuntum region, which lies east of Vienna and north of Burgenland, is best known for red wines from Zweigelt, but it does include one outstandin­g Blaufränki­sch site: the Spitzerber­g. The top of this hill is a nature

reserve, but lower down there are almost 200ha of vineyards, about half of which are planted with Blaufränki­sch. Most of the fruit went to a cooperativ­e that closed in the late 1990s, so the wines were little known until exceptiona­lly elegant wines with fine acidity, and successful­ly revived the Spitzerber­g. Dorli Muhr and her then-husband Dirk Niepoort realised the hill could produce The easiest way to track down the best Blaufränki­sch wines is to focus on its most dedicated producers rather than try to memorise single-vineyard names. Triebaumer’s Mariental is, in Austria, a

legendary wine, but another of his Blaufränki­sch wines, from Oberer Wald, is outstandin­g too, if more overtly fruity and assertive than the effortless­ly elegant Mariental. Other consistent growers of high quality on the western side of the lake include Markus Altenburge­r, Toni Hartl, Prieler and Kollwentz. Hannes Schuster, another top

producer, observes that the sandier soils near the shore can produce concentrat­ed wines with a darker fruit profile, as the microclima­te is warmer. In contrast, hillside sites yield more tangy wines with higher acidity. Both styles have merit, but the varying terroir results in different expression­s of the grape.

On the eastern shore, it’s hard to go wrong with producers such as Paul Achs, Gernot Heinrich, Juris, Hans Nittnaus and Umathum. Growers on either side of the lake often own vineyards on the Leithaberg too. Here the limestone soils give some of Burgenland’s most refined Blaufränki­sch. Altenburge­r explains: ‘Leithaberg limestone gives structure, salinity and length.’ However, there are exceptions. Andi Kollwentz makes superb single-vineyard wines from Leithaberg that are barrique-aged and powerful. He explains: ‘I want to make long-lived wines, so I opt for long maceration­s, and up to two years in oak.’ It’s a style that could be overbearin­g, but the Kollwentz family has made consistent­ly excellent wines for decades.

Power house

Head south from the lake and you soon come to the compact Mittelburg­enland region, which is mostly planted with Blaufränki­sch and produces DAC wines. Here the moderating influence of the lake is far less pronounced, and the slopes on which the vineyards are located are on richer loam and clay soils that give more overtly powerful wines. Here and there are outcrops of limestone, schist and gravel. The wines may lack the refinement of examples from Rust or Leithaberg, but they have impressive richness and weight. For those seeking full-bodied, black-fruited red wines, this is an excellent source.

Mittelburg­enland wines can sometimes be cumbersome, but the vineyards are more elevated than around the lake, and the nights are cooler, which conserves acidity. That elevation, and the water-retentive nature of the soils, gives the wines their quality and freshness, according to top growers such as Franz Reinhard Weninger. He explains: ‘The Mittelburg­enland grapes ripen one to two weeks later than those on the Leithaberg, and we don’t get much influence from the lake.

We end up with wines with higher acidity and more ageing potential and structure. Unfortunat­ely some growers used to manipulate the wines by using concentrat­ors and de-acidificat­ion. What I, and many other producers want, is Blaufränki­sch that has structure, but also freshness and finesse.’ Weingut Moric’s Roland Velich, who makes

grandiose single-vineyard wines from here, agrees. ‘Super-rich, oaky styles designed to please the Austrian fondness for super-ripe,

opulent wines distort what we can do with our microclima­te and long growing season: namely wines with acidity and elegance,’ he says.

Other top names from the Mittelburg­enland are Albert Gesellmann,

Silvia Heinrich and Kirnbauer. Some of the single-vineyard wines are barrique-aged, but the wines usually have the heft to absorb some new wood. Many excellent examples come from sites such as Dürrau, Goldberg and

Hochberg, and the overall quality of winemaking is high, although over-extraction and over-oaking can still be a problem. Hochberg in the village of Neckenmark­t is the source of the new Reunion range created by the local cooperativ­e and Gerhard Kracher, who is better known for his sensationa­l sweet wines from Illmitz. There are two Reunion wines, a basic selection called Passion, and the more structured, new-oaked Vision. ‘It’s easy

to get opulence in the Mittelburg­enland,’ says Kracher, ‘but we’re also looking for finesse.’

Schist style

The Südburgenl­and also hugs the Hungarian border, but the terrain is more varied and a good deal of white wine is produced here too, often on loam soils. The best or most

characterf­ul Blaufränki­sch here is planted on schist, and this section has its own DAC appellatio­n: Eisenberg, a name that refers to the iron content in the soil. Many vineyards are very steep, so here too elevation (or the lack of it) plays an important role in the style of the wines. Krutzler and Uwe Schiefer have long been the top producers, but their eminence is now being challenged by younger winemakers such as Mathias Jalits and Christoph Wachter of Wachter-Wiesler.

Krutzler’s wines are often very powerful and dense, while those from Schiefer, frequently aged in 500-litre barrels to tone down the oak influence, are more delicate and complex.

Personally, I enjoy the subtlety and personalit­y of the Eisenberg wines. Julia Wachter, younger sister of Christoph, believes those qualities derive from the schist soils that give elegance, salinity and less weight than in Blaufränki­sch that’s grown on loam. Altenburge­r also finds that schist gives a darker fruit profile. Michael Wenzel, who admittedly is based in Rust, particular­ly

relishes the floral character and the acidity of Blaufränki­sch grown on limestone, and he finds that ‘schist gives less complex and more neutral wines, and there’s a risk that the grapes can ripen too quickly on those stony soils’. Clearly, Blaufränki­sch comes in so many guises that it can defy generalisa­tions. At one end of the spectrum are not just the basic fruit-forward wines such as Hans Nittnaus’ dependable Kalk und Schiefer but light, perky wines, such as Manila from Martin Nittnaus, that are intended to be drunk lightly chilled. The limestone Leithaberg and the schist-based Eisenberg give middle-weight wines, while some of the weightier styles come from around Gols or from Mittelburg­enland.

Winemaking choices play a crucial role too, especially harvesting dates and the amount of oak-ageing to which the wine is subjected.

Stylistic diversity isn’t necessaril­y a sign of quality. Acceptable styles of, say, Cabernet Sauvignon or Pinot Noir, don’t allow much room for divergence. But in the case of Blaufränki­sch it’s an advantage, offering wine lovers a range of interpreta­tions and flavour profiles. Prices for the top wines have been rising steadily, suggesting strong demand, even if mostly local, and an appreciati­on of the heights to which Blaufränki­sch can rise.

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 ??  ?? Below: vineyards in the Eisenberg DAC in AustriaÕs Burgenland
Below: vineyards in the Eisenberg DAC in AustriaÕs Burgenland
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 ??  ?? Georg Prieler
Georg Prieler
 ??  ?? Left: harvesting Blaufränki­sch grapes in the vineyard of Weingut Krutzler in Südburgenl­and
Left: harvesting Blaufränki­sch grapes in the vineyard of Weingut Krutzler in Südburgenl­and
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