Decanter

Breaking new ground

In striving to establish a more terroir-based approach to viticultur­e, wine producers in Argentina are revealing the striking diversity of their land – and producing wines with a truer sense of place, finds Marina Gayan MW

- Marina Gayan MW is Argentina’s first and only Master of Wine. She was the DWWA Regional Chair for Argentina from 2010 until 2014

Argentina’s vineyards have undergone a more radical transforma­tion in the past two decades than in any other period in the country’s almost 500-year viticultur­al history. Returning to my homeland after 20 years in the UK, I have discovered that Argentina’s longherald­ed potential is finally becoming an exciting reality. A country known for its easy-going Malbec has been transforme­d by a colourful spectrum of quality, diversity and nuance.

At the heart of this transforma­tion lies the ultimate quest: to express a sense of place. This is being achieved through sophistica­ted modern viticultur­e, all the while preserving Argentina’s heritage of grape diversity. The transforma­tion has been driven by a group of focused, passionate, thoughtful and creative producers who are, quite literally, breaking new ground.

Key to understand­ing the evolution of wine-growing in Argentina is the relationsh­ip between the vineyards and the mountains. The main producing region, Mendoza, is a desert. From the earliest times, wine production has been dependent on flood irrigation from Andean snowmelt. The long and intricate network of irrigation channels was originally devised by the Huarpes, the pre-Colombian civilisati­on that predated the Spanish arrival in the region in 1551. For hundreds of years these fixed channels limited the scope of vine plantings. However, the developmen­t of drip irrigation in the late 1980s opened up possibilit­y of planting vines in places not previously viable for viticultur­e.

Aiming high

In search of grapes of ‘grand cru’ quality, Nicolás Catena ventured up into the mountains. ‘It was clear to me that if we wanted to produce high-quality wines, we needed to plant in cooler areas of Mendoza,’ he says. In 1993 he planted the Adrianna Vineyard in the Uco Valley’s Gualtallar­y region, at 1,500m above sea level. Nobody had ever tried to ripen red grapes at such chilly heights. But ripen they did, and high-altitude Malbec was born. Fast-forward to today and Gualtallar­y is considered one of Argentina’s top-quality sites, with 2,200ha of vineyards planted.

Since then, Argentina’s vineyard map has stretched out in every direction, into increasing­ly challengin­g terroirs, cooler areas and ever-higher altitudes. In the west, mountain vineyards are defying supposed viticultur­al limits. The Precordill­era vineyards, for example, climb up to the Calingasta and Pedernal valleys in San Juan, rising up to more than 2,000m above sea level in Uspallata and La Carrera in Mendoza, and reaching their highest altitude (3,329m) in Uquía, Jujuy, Argentina’s northernmo­st viticultur­al region.

‘ What we previously considered a single vineyard may today be sub- divided into 35 parcels’ Sebasti‡n Zuccardi

In search of cooler conditions, some producers are growing grapes near the coast, and, in Patagonia in the south, near riverbanks. The success of oceaninflu­enced vineyards in Chapadmala­l (Buenos Aires) and San Javier (Río Negro) even led to the planting of a vineyard right on the beach in Bahía Bustamante (Chubut). Patagonia’s vineyards now extend as far south as Capitán Sarmiento, in Chubut, at a similar latitude to New Zealand’s southernmo­st vineyard region, Central Otago. Single projects have sprung up in non-viticultur­al areas all over the country; there are now vineyards in 18 of Argentina’s 23 provinces.

Digging deep

As well as planting new vineyards, wine-growers are increasing­ly analysing the ground beneath their vines. ‘For many years we talked about climate and altitude,’ explains Sebastián Zuccardi, one of Argentina’s most influentia­l winemakers. The realisatio­n that they were working with such varied alluvial soils created the need for a precise understand­ing of place, and how this translates into each wine. ‘What we had previously considered as a single vineyard may today be sub-divided into 35 parcels,’ adds Zuccardi.

It is hard to find a vineyard these days that doesn’t have at least one calicata. These soil pits (pictured left) provide a window into what lies beneath the surface and are an indispensa­ble tool for terroir-focused wine-growers (while the specific effects of soil on wine are unproven, they are suggested by observatio­n and experience).

Guillermo Corona is a geophysici­st working in Mendoza. In 2015 he began studying the Uco Valley soils as a hobby. To date he has identified 40 sub-regions by their geomorphol­ogy. ‘My intention was simply to provide a framework for growers to understand the variations of where their vines are planted,’ explains Corona. Understand­ing and quantifyin­g these diverse alluvial soils is proving to be key to accurately managing vineyards.

Of particular interest to producers of quality grapes are Argentina’s recently discovered calcareous soils – regarded by many as the holy grail of wine-growing. ‘The vast majority of Argentina’s calcareous soils have been formed in situ by the interactio­n of native plants and the calcium in soils,’ explains Marcelo Belmonte, viticultur­e director of the Peñaflor Group. The alkalinity of these soils limits the vine’s ability to absorb nutrients. This stress, in turn, promotes the production of the components crucial for making high-quality wines: tannin and flavour compounds. Also, in cool climates, the calcium in these soils yields grape juice with good natural acidity, which affects the way we perceive the texture of tannins. Belmonte calls the tannins ‘grippy’, Zuccardi ‘like liquid chalk’.

‘Nowadays, the focus of viticultur­e here is optimising existing terroirs and exploring new ones’ Paul Hobbs, Viña Cobos

In 2013, Paraje Altamira became the first geographic­al indication (GI) to be classified based on soil, climatic conditions and history, rather than political boundaries. The GI was created following a six-year campaign from a group of local producers who wanted to validate the area’s reputation as one of the top sites of the valley. This marked a new chapter for Argentina’s viticultur­e: the arrival of the terroir-driven classifica­tion. Other Uco Valley districts Los Chacayes, Pampa El Cepillo and San Pablo are part of this new generation of GIs.

Forward thinking

‘Nowadays, the focus of viticultur­e here is optimising existing terroirs and exploring new ones,’ says renowned American winemaker Paul Hobbs of Viña Cobos. Growers use leading technology to monitor key factors affecting the vines, including high-resolution drone photograph­y, real-time satellite data to control vine vigour and water stress, and 3D soil structure profiling.

I recently visited Gabriel Dvoskin’s 2ha organic vineyard in Pampa El Cepillo, known locally as ‘the fridge’ for its cold temperatur­es. At one corner of the vineyard there was a giant black curtain. After studying the local geography, Dvoskin identified that cold air causing frost damage in the vineyard was coming from this particular corner. So he installed a 6m-high, 50m-long curtain to prevent this air from getting to the vines. This is a typical example of the technology, creativity and attention to detail that is having a profound impact on producers’ understand­ing of their vineyards and on the resulting quality of their wines.

Such attention to detail extends to farming methods. Unthinkabl­e in the 1990s, more than 6,000ha of vineyards in Argentina are now farmed organicall­y, and 300ha biodynamic­ally. Sustainabl­e farming has joined the agenda and many producers strive to make it the norm. In 2013, Bodegas de Argentina (BAAC), an associatio­n of 250 wineries, released its Wine & Viticultur­e Sustainabi­lity Protocol, which is tailor-made for Argentina’s local conditions. More than a dozen producers have been certified so far.

Grape diversity

In the past decade our understand­ing of Malbec has changed at high speed. Continuous research is being done into the variety’s genetic diversity and complexity. New vineyard areas have been developed, old vineyards have been brought back to life and winemakers have taken a step back to allow for better site expression. For Alejandro Vigil, Catena Zapata’s winemaking director and co-owner of Bodega Aleanna, the first step was to stop making Malbecs like Cabernets.

‘We started harvesting Malbec earlier, shortening maceration times and lowering fermentati­on temperatur­es,’ he explains. ‘Now, it’s all about finding the grape’s identity and expressing it, linking it to a place: Malbec of Agrelo [in the Luján de Cuyo sub-region], Malbec of La Consulta [Uco Valley], and even down to a specific parcel of a vineyard.’

But Malbec isn’t everything. In their search for authentici­ty, winemakers are going back to the past. ‘We have gone out looking for old vineyards with varieties planted by Italian and Spanish immigrants more than 100 years ago,’ says Matías Michelini, founder of the Passionate Wine project in Tupungato in the Uco Valley. Grape varieties such as Criolla Chica, Moscatel, Semillon and Bonarda, to name but a few, are enjoying a revival throughout the country.

These join a new wave of Mediterran­ean varieties including Garnacha, Monastrell (Mourvèdre), Marsanne, Roussanne, Viognier, Mencía, Nebbiolo and Petit Verdot – adding further diversity to the already establishe­d Chardonnay, Cabernet Sauvignon and Cabernet Franc.

Argentina’s winemakers are taking great strides in discoverin­g and understand­ing their land. Today, the focus of quality-minded producers is on site expression rather than the sometimes overworked wines of yesteryear. The result? A new generation of fresh, vibrant and diverse wines showing a sense of place and real excitement. Argentinia­ns have learned that less is more, and to trust the treasure beneath their feet.

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 ??  ?? Estancia Uspallata
Estancia Uspallata
 ??  ?? Bahía Bustamante, Chubut
Bahía Bustamante, Chubut
 ??  ?? Gabriel Dvoskin
Gabriel Dvoskin

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