Digital Photographer

Career Feature

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Fashion photograph­y is a competitiv­e genre, so we talk to some pros for their advice on building an engaging, highqualit­y portfolio

Collating your best work into an engaging package can be a challenge. We discuss how to get started

Fashion photograph­y is a highly competitiv­e genre in which to become establishe­d and to really succeed in, namely due to the vast number of photograph­ers attempting it and how truly difficult it is for your images to stand out and be noticed. The field manages to be both niche and very broad at the same time – there are lots of different applicatio­ns, but shooting style, profession­al working practices and technical challenges are largely unique to the genre. It is a hugely popular area to tackle amongst emerging photograph­ers and while this means that it can be difficult to stand out from the crowd, creative innovation can be greatly rewarded.

The key challenges associated with fashion shooting revolve around building a portfolio of images with which to promote your skills and begin forging a career. It can be difficult to put your ideas into practice because of constraint­s on budget and lack of human resources, so ‘getting a foot in the door’ becomes a problem far earlier than in other areas of profession­al photograph­y. Firstly there is the lack of access to lighting equipment and studio space to contend with; studio lighting is arguably essential for pro-level results, with many lighting styles impractica­l to create using home-made or improvised gear. Building an entire studio system is unrealisti­cally expensive for most beginners in the field. Furthermor­e, studios often cater for large-scale shoots, meaning you have to rent an entire space and absorb the associated outlay. Secondly, without money or influence, models for your fashion shoots can be hard to come by. Profession­al models can not be sourced cheaply, so even if you have the gear, you may have no subjects. You also have to consider props, clothing and make-up, plus make-up artists, without which your images can’t represent a range of subject matter for your portfolio.

There are solutions to these problems. A starting point for finding subjects is to search

online for local models who do not have to travel, limiting these expenses. Aspiring models may work under a TFP (Time For Prints) agreement, whereby they give their time to pose for you and receive free images for their portfolio in return. Always agree on the details before conducting your shoot to prevent conflicts. Be prepared to work for free on other jobs too; exposure of your work and networking opportunit­ies are likely worth more to you than a fee at this stage. To source low-cost or free hair and make-up artists, check local universiti­es and colleges for students who seek real-world work experience. Consider interning at a studio yourself, as this will introduce you to pro-level photograph­ers and models who may spot your talent and agree to work with you in the future. You may be given secondary photograph­er duties which will give you the opportunit­y to shoot well-known names and brands, using a full range of camera and lighting kit. You should also investigat­e the possibilit­y of collaborat­ing with other photograph­ers who have similar requiremen­ts. This can help to spread the cost of hiring equipment, models and studio space, as well as giving you the chance to share creative ideas.

Producing a quality portfolio of fashion photos may initially seem like an uphill struggle, but the experience you gain at this early stage is invaluable when you start shooting paid commission­s.

DP

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